The HDP2 is a miniature HD-SDI/SDI to DVI-D converter for digital display devices, such as LCD, DLP, and Plasma monitors or projectors. Using a very high quality scaling engine and de-interlacer, the HDP2 will automatically size 4:3 or 16:9 inputs to many DVI-D monitors. For appropriate monitor configurations, scaling is automatically 1 to 1-for example, displaying 1920x1080 video on a WUXGA (1920x1200) monitor. The HDP2 will also automatically adapt the input frame rate for monitor compatibility. In addition, the HDP2 provides 2 channel audio monitoring and a looping output of the SDI input.

The HDP2 is designed for general monitoring, perfect for use in applications such as: General post-production reference monitoring, Client monitoring, Presentation, Projection, Corporate displays, Kiosk applications...and much more.

The HDP2 also supports HDMI v1.3a Deep Colour (with a DVI to HDMI cable). In the HDMI mode, Deep Colour is supported at 30/36 bits per pixel with 8 channel audio. USB connectivity allows for easy PC/Mac setup and field upgrades.

Inputs:

• 525i, 625i, 720p 50/59.94/60
  
• 1080i 50/59.94/60
  
• 1080p 23.98/24/25/29.9/30
  
• 1080psF 23.98/24/25
  
• YCbCr 10-bit

• HD, and SD-SDI (auto-selected)
  
• SMPTE-259/274/292/296
  
• BNC connector

• DVI v1.0 / HDMI v1.3a
  
• 4:2:2 YCbCr
  
• 4:4:4 YCbCr/RGB 24/30/36-bit
  
• DVI-D standard male connector

• RCA-style analog outputs at -10dBV (nominal)
  
• 2 channels embedded audio (HDMI mode only)
  
• 24 bit, 2 or 8 channels
  
• User assignable channels

• HD-SDI/SDI to DVI-D
  
• HDMI 1.3a support (via DVI-D connector), including: - Deep Colour 30-bit video (24-bit also supported) - 2 or 8 channels of embedded audio
  
• Automatically adapts to popular LCD/ DLP/Plasma monitors (and projectors) up to 1920x1200 and 1080p
  
• High quality scaling engine for proper display of 4:3 or 16:9 content-even better quality than original HDP
  
• 1 to 1 scaling for appropriate monitor configurations
  
• 2 channel RCA analog audio output (user-assignable channels)
  
• HD-SDI/SDI looping output
  
• Setup via PC/Mac using USB port and supplied USB cable (USB configuration software application supplied on CD)
  
• 5 year warranty

Io Express is the perfect Mac or PC interface for anyone who needs an inexpensive monitoring and mastering solution when working with Apple ProRes 422 and Apple ProRes 422 (HQ), XDCAM HD, DVCPRO HD, and more. Portable and simple to use, Io Express is ideal for file based workflows.

Options:

• Rackmount kit
  
• PCIe card interface

• DVCPRO HD
  
• DV25/DV50
  
• SD Uncompressed
  
• Apple ProRes 422 (Mac Pro and MacBook Pro only)
  
• SD and limited HD

• DVCPRO HD
  
• DV25/DV50
  
• SD Uncompressed
  
• Apple ProRes 422 HD/SD
  
• HDV
  
• XDCAM
  
• XDCAM EX, XDCAM HD

• HD/SD-SDI input/output
  
• HDMI v1.3a with Deep Colour support at 30 and 36 bits per pixel
  
• HD/SD Component Video output
  
• 2-Channel RCA audio output
  
• LTC I/O (selectable LTC Input/Reference Video Input)
  
• RS422
  
• ExpressCard/PCIe interfaces, over 1-lane PCIe cable (ExpressCard standard, PCIe card optional for Mac Pro or Windows workstation)
  
• For Mac OSX and Windows XP/Vista
  
• Support for Final Cut Studio and Adobe CS4
  
• Small, portable case design
  
• 3-meter PCIe tether cable
  
• 12v DC power supply
  
• Rackmount kit optional
  
• AJA 3-year warranty

The AJA KONA LHi bridges the gap between legacy analog devices and the latest 3Gb SDI and HDMI enabled products providing editing, monitoring and mastering of professional quality video in an affordable, powerful, easy to use product.

Connectivity
If your post-production facility works with a wide variety of formats, frame rates and audio/video sources, the AJA KONA LHi provides the connectivity you need.

Connect everything from an HDMI enabled camera to an HD-SDI VTR to KONA LHi. Connecting to any of your legacy analog video signals is also possible through configurable component, composite, or s-video. Via an Input PassThrough mode, you can even configure the card to act as a converter within your computer.

KONA LHi offers a full host of no-compromise features: 10-bit or 8-bit uncompressed video, 2-channel AES digital audio and 8-channel SDI embedded digital audio, analog composite or s-video or SD/HD component video I/O, 2-channel balanced analog audio I/O, and broadcast-quality hardware-based up/down/crossconversion for flexible SD and HD post production.

KONA LHi's HDMI 1.3a support allows you to feed a "deep colour" monitor with glorious 10-bit video, banishing video banding and preserving your gradients and rich colour palate. Only KONA LHi delivers this 10-bit deep colour state-of-the-art HDMI support.

Broadcast-quality conversions
Like the AJA KONA 3 product, the KONA LHi features full 10-bit, broadcast-quality, motion-adaptive SD to HD up-conversion, HD to HD crossconversion, HD to SD down-conversion, and automatic HD/SD 12-bit component analog output. Since KONA LHi's conversions are hardware-based, they are available all the time - during ingest or playback. Outputs can be configured independently allowing you to have simultaneous HD and SD output - or two different types of HD - 720 or 1080 - output at the same time via cross-conversion.

Key Features:-

• 3G/HD/SD SDI input/output
  
• HDMI v1.3a w/Deep Colour at 30 bits per pixel input/output
  
• 12-bit HD analog component input/output
  
• 12-bit SD analog component, composite, or S-Video input/output
  
• 10-bit Hardware-based realtime up/down/cross-conversions
  
• 2-ch balanced XLR AES digital audio and 2-ch balanced XLR analog audio input/output
  
• 8-ch SDI embedded audio input/output
  
• HD/SD Genlock and RS-422 machine control
  
• LTC Input (on Reference input)
  
• Breakout cables standard, affordable breakout box optional

AJA's Io HD is the latest in the award-winning Io family of products an effortless to use, transportable plug-in solution for working with HD and SD in Final Cut Studio 2. With a single FireWire 800 connection, Io HD uniquely supports the amazing new Apple ProRes 422 Codec natively, in hardware, to bring production-quality HD editing to the Mac Pro desktop and even the MacBook Pro laptop.

Io HD is the only device in the world that supports Apple’s ProRes 422 codec in hardware, enabling true 10-bit video editing on a MacPro desktop or a MacBook Pro laptop. With this high performance hardware and innovative codec from Apple, you can work anywhere in SD or HD all in full-raster 10-bit 4:2:2 quality.

Like other members of the Io family, Io HD offers unparalleled video and audio connectivity. Within its portable and ruggedly cool form factor, Io HD offers SD/HD analog I/O, SD/HD digital I/O including HD-SDI and HDMI, Balanced analog and digital AES audio, as well as RS-422, Genlock, and even LTC timecode connections. Io HD also includes AJA’s realtime hardware 10-bit up/down/cross conversion.

Io Flexibility with KONA-level Power
Io HD is a versatile powerhouse, bringing features pioneered on AJA's industry-leading KONA lineup such as 10-bit hardware-based up-conversion, cross-conversion, and down-conversion all performed in realtime. Just tap into its flexibility, and you can configure a Mac as a professional HD or SD editing suite, or high-powered field-editing system and just about anything in-between. Both analog and digital ports are offered, allowing connection to virtually every kind of video/audio peripheral from the most current HD digital decks to analog legacy devices.

Io HD Software
Io HD runs on a new AJA-built driver, similar to the KONA driver, which brings features such as Core Audio and very low latency capture and playback. The Io HD driver also provides RGB support, allowing for the direct video output of applications such as Adobe After Effects,™ Autodesk Combustion™ and Apple Motion.™ Co-developed with Apple for use with Final Cut Studio 2, Io HD delivers powerful audio/video capture, editing and post-production capabilities all in a single, integrated system.

Key Features:-

• Apple ProRes 422 and Apple ProRes 422 HQ Codec
  
• SD, HD 720/1080,
  
• Full-raster 10 bit 4:2:2, realtime,in hardware
  
• Up/down/cross-conversion, 10-bit, realtime, in hardware
  
• SD-SDI and HD-SDI I/O (2)
  
• Component I/O (SD and HD)
  
• Composite and S-video I/O
  
• HDMI video w/2-channel audio I/O
  
• Embedded SDI 8-channel audio I/O
  
• AES/EBU 8-channel unbalanced audio I/O
  
• Analog 4-channel balanced audio I/O (XLR)
  
• Analog 2-channel unbalanced audio output (RCA)
  
• Genlock with loopthrough
  
• RS-422 machine control
  
• LTC Timecode I/O
  
• Connects to Mac via a single FireWire 800 cable
  
• For Apple Final Cut Studio 2 on Mac OS X
  
• 3-year Warranty

The 3GDA is a miniature, low-cost 1x6 3G HD-SDI/HD-SDI/SDI re-clocking distribution amplifier. Featuring six separately buffered SDI outputs, the 3GDA provides automatic input detection, re-clocking and cable equalisation.

Key Features:-

• Compact SD/HD Distribution
  
• Six Separately Buffered Outputs
  
• Miniature Size
  
• 120m 3G cable equalisation (1694 coax)
  
• 3G HD-SDI, HD-SDI or SDI input, auto sensing
  
• Passes all ancillary data
  
• +5-18V power supply

The 3GM is versatile and economical tool for interconnecting dual-link 1.5G SMPTE372M and 3G SMPTE425M. 3GM is bi-directional allowing dual 1.5G to 3G or 3G to dual 1.5G conversion. Additionally, 3GM’s 3G HD-SDI output is configurable for SMPTE425M type A or B. The 3GM can even convert 3G from/to type A or B. 3GM also provides a monitor output which is a single link SMPTE292M 1.5G HD-SDI. The 3GM is also compatible with SMPTE259M 270Mb SDI.

Key Features:-

• Compact 3G to/from 1.5G conversion
  
• SMPTE425M-AB inputs, 3G outputs configurable to A or B
  
• Converts SMPTE425M A to/from SMPTE425M B
  
• Provides SMPTE292 monitor output for dual 1.5G or 3G inputs
  
• Fully equalising and re-clocking with jitter attenuation
  
• Passes all ancillary data

The HD10CEA converts SDI/HD-SDI video with embedded audio to analog video and 4 channel balanced analog audio. SD video outputs can be configured as YPbPr (Betacam or SMPTE/EBU-N10), RGB, composite or YC (S-Video). HD video outputs can be configured as YPbPr or RGB. The analog audio outputs can be wired in a balanced or unbalanced configuration. The 4 audio channels can be selected from group 1-4. Audio and video output connections are available on a 25 pin “D” subminiature connector (breakout cable supplied). All video/audio configuration is done by external dipswitch selection. This versatile, low-cost, miniature monitoring solution also outputs two loop-through SDI/HD-SDI outputs.

Key Features:-

• Digital to Analog Audio and Video Converter
  
• SDI/HD-SDI with Embedded Audio Input
  
• SD Component or Composite Video Outputs (SD Input)
  
• HD Component Video Outputs (HD Input)
  
• 4 Channel Balanced Audio Output
  
• 2 Equalised, Loop-Through SD/HD-SDI Outputs
  
• Selectable Audio Channel Pair/Group

The HA5 converts HDMI to SDI or HD-SDI. Up to eight channels of HDMI audio
are embedded into the SDI/HD-SDI output allowing a convenient single cable
audio/video connection. The HA5 provides two SDI/HD-SDI outputs and supports long HDMI cables on the input. The HA5 is useful for connecting HDMI cameras to SDI/HD-SDI equipment.

Key Features:-

• Full HDMI support including embedded audio
  
• Equalised HDMI input supports long HDMI cables up to 40m
  
• PLL clock filtering for low jitter SDI/HD-SDI outputs
  
• Lock LED shows type of input source, SD (green) or HD (red)
  
• HDMI cable included

The HI5 converts SDI or HD-SDI to HDMI for driving HDMI monitors. Embedded SDI/HD-SDI audio is supported in the HDMI output allowing a convenient single cable audio/video connection. The HI5 provides 2 Channel RCA style audio outputs for separate audio monitoring if needed. The HI5 also provides a looping SDI/HD-SDI output useful for connecting additional equipment, or for “daisy chaining” multiple monitors to the same SDI-HD-SDI source.

Key Features:-

• SDI/HD-SDI to HDMI
  
• Full HDMI support including embedded audio
  
• Additional 2 Channel RCA jack audio output
  
• Equalised looping SDI/HD-SDI output
  
• HDMI cable included

The HD10MD3 is a miniature digital downconverter for converting HD-SDI video to standard definition SDI and analog component/composite video. The HD10MD3 uses a full 10-bit data path and multi-point interpolation to produce broadcast quality downconverted video. In addition, the HD10MD3 converts either 1080p24 or 1080p24sf to 59.94 Hz output video using the standard 3:2 pulldown technique. The output can be formatted for either 4:3 or 16:9 standard definition monitors. Four-channel input embedded HD-SDI audio is passed to the SDI output.

Key Features:-

• Low Cost Digital HD Downconverter
  
• Dual rate HD-SDI/SDI Input
  
• HD-SDI/SDI Outputs
  
• Multi-Standard Input Including 1080p24/sf
  
• 10-bit Data Path, Multi-Point Interpolation
  
• Configurable for 16:9 or 4:3 Output
  
• 4:3 Safe-Zone Graticule
  
• Dipswitch User Configuration

The HD10AMA is a dual rate 4-channel analog audio Embedder/Disembedder. The Disembedder is always functional providing 4 outputs. The Embedder is user selectable, on a channel pair basis, to either "pass" input audio or embed input audio from the breakout cable. Analog audio levels are selectable. The HD10AMA automatically detects and configures to the input video standard.

Key Features:-

• Dual rate HD-SDI/SDI Embedder/Disembedder
  
• 4-Channel Balanced Analog Audio I/O
  
• Supplied XLR breakout cable
  
• HD-SDI/SDI input, 2 HD-SDI/SDI outputs
  
• Dipswitch configuration
  
• 5-18VDC Power

The HD10AM is a dual rate 8 channel AES audio Embedder/Disembedder. The Disembedder is always functional providing 4 AES outputs. The Embedder is user selectable, on a channel pair basis, to either "pass" SDI input audio or to embed input AES audio from the breakout cable. AES inputs are sample rate converted to a 48KHz rate synchronous to the video input. The HD10AM automatically detects and configures to the input video standard.

Key Features:-

• Dual rate HD-SDI/SDI Embedder/Disembedder
  
• 8 Channel AES I/O
  
• Supplied breakout cables for balanced AES - XLR connectors
  
• HD-SDI/SDI input, 2 HD-SDI/SDI outputs
  
• Dipswitch configuration
  
• 5-18VDC Power

The HD10A is a miniature, high-quality, 10-bit analog to digital converter for HDTV. A companion to the popular HD10C D/A converter, the HD10A can add an HD-SDI output to cameras, computers with HD RGB graphics, VTRs, or other analog-only HD equipment. The HD10A accepts HD YPbPr or RGB analog and outputs three duplicate HD-SDI signals. Works in 1080i, 1035i, 1080psf and 720p with internal or external sync (tri-level).

Key Features:-

• Low Cost, High Quality, 10-bit HDTV A/D Conversion
  
• Full Bandwidth Component HD RGB or YPbPr Input
  
• 3 HD-SDI Outputs
  
• Multi Standard
  
• Internal or External Sync

The HD10C2, AJA's second generation HD D/A converter, brings exciting new features. In addition to being a high-quality 10-bit HD converter, the HD10C2 is "dual-rate" and works with both HD-SDI and SDI inputs. For HD-SDI inputs, the HD10C2 outputs full bandwidth HD component or VGA-style RGBHV video. For SDI inputs, component or composite SD outputs are supported. When connected to a multi-format monitor like the Sony 20L5, the HD10C2 will automatically provide an image from almost any HD or SD input format. The HD10C2 also features 2 equalised HD-SDI outputs.

Key Features:-

• Low Cost, High Quality, 10-bit Dual Rate HD/SD D/A Conversion
  
• Full Bandwidth HD Analog RGB or YPbPr Output (HD input)
  
• Component/Composite SD Output (SD input)
  
• 2 Equalised Loop-Through HD-SDI/SDI Outputs
  
• RGBHV VGA style HD output using supplied adapter
  
• HD Sync Selectable Between Bi-level and Tri-Level
  
• 4:3 Safe Area Graticule (HD)
  
• 5-18VDC Power
  
• External Dipswitch Configuration

The HD10AVA is a miniature, high-quality, audio/video, HD/SD A/D converter. The HD10AVA automatically detects the video input format and embeds the audio inputs in the SDI/HD-SDI outputs. The HD10AVA is useful for adding an SDI/HD-SDI audio/video output to tape decks or any professional video equipment with analog outputs. The HD10AVA is especially useful for adding HD-SDI outputs to most HDV cameras or decks by using the component outputs of such devices. The HD10AVA uses a breakout cable for audio/video inputs and provides 3 SDI-HD-SDI on BNCs.

Key Features:-

• High-quality SD/HD audio/video A/D converter
  
• SD component, composite or Y/C video input
  
• HD analog component video input
  
• Four channel balanced analog audio input
  
• 3 SDI/HD-SDI with embedded audio outputs
  
• 12-bit video, 24-bit audio A/Ds
  
• Automatic multi-standard
  
• External dip switch configuration
  
• 5-18V power

The AJA KONA LHe bridges the gap between legacy analog devices and the latest 3Gb SDI and HDMI enabled products providing editing, monitoring and mastering of professional quality video in an affordable, powerful, easy to use product.

Connectivity
If your post-production facility works with a wide variety of formats, frame rates and audio/video sources, the AJA KONA LHe provides the connectivity you need.

Connect everything from an HDMI enabled camera to an HD-SDI VTR to KONA LHe. Connecting to any of your legacy analog video signals is also possible through configurable component, composite, or s-video. Via an Input PassThrough mode, you can even configure the card to act as a converter within your computer.

KONA LHe offers a full host of no-compromise features: 10-bit or 8-bit uncompressed video, 2-channel AES digital audio and 8-channel SDI embedded digital audio, analog composite or s-video or SD/HD component video I/O, 2-channel balanced analog audio I/O, and broadcast-quality hardware-based up/down/crossconversion for flexible SD and HD post production.

KONA LHe's HDMI 1.3a support allows you to feed a "deep colour" monitor with glorious 10-bit video, banishing video banding and preserving your gradients and rich colour palate. Only KONA LHe delivers this 10-bit deep colour state-of-the-art HDMI support.

Broadcast-quality conversions
Like the AJA KONA 3 product, the KONA LHe features full 10-bit, broadcast-quality, motion-adaptive SD to HD up-conversion, HD to HD crossconversion, HD to SD down-conversion, and automatic HD/SD 12-bit component analog output. Since KONA LHe's conversions are hardware-based, they are available all the time - during ingest or playback. Outputs can be configured independently allowing you to have simultaneous HD and SD output - or two different types of HD - 720 or 1080 - output at the same time via cross-conversion.

Key Features:-

• SDI, HD-SDI, analog HD/SD
  
• 12-bit HD analog component I/O
  
• 12-bit SD analog component or composite S-Video I/O
  
• 10-bit hardware HD to SD downconversion
  
• Apple ProRes 422 and Apple ProRes 422 HQ supported
  
• DVCProHD hardware acceleration
  
• HDV hardware acceleration
  
• Dynamic RT Extreme hardware acceleration
  
• SDI or HD-SDI input
  
• 2 independent SDI/HD-SDI outputs
  
• 2-ch balanced XLR AES and 2-ch balanced XLR analog audio I/O
  
• 8-ch SDI embedded audio I/O
  
• HD/SD Genlock and RS-422 machine control
  
• Final Cut Pro 5, Motion, After Effects, Combustion and more
  
• Cables standard, KL-Box-LH breakout optional
  
• 3-year warranty
  
• Available in PCIe as KONA LHe
  
• Available in PCI/PCI-X compatible as KONA LH

KONA 3 has the unparalleled features top of the line video professionals expect from AJA Desktop solutions.

KONA 3 features 10-bit Uncompressed video I/O, 8-channel AES digital audio I/O and 16-channel SDI embedded audio I/O, realtime hardware-based up/down/cross conversion for efficiently working with a wide variety of SD and HD, dual-link HD, even 2K formats, a hardware downstream keyer for compositing graphics without rendering, and so much more.

Broadcast-quality conversions
KONA 3 features full 10-bit, broadcast-quality, motion-adaptive SD to HD up-conversion, HD to HD cross-conversion, HD to SD down-conversion, and automatic HD/SD 12-bit component analog output. Since all conversion functionality on the KONA 3 is hardware-based, it's available all the time on ingest or playback.

Uniquely, the KONA 3 can even cross-convert 720p 23.98 to 1080PsF 23.98. Cross-conversion is particularly valuable in today's multi-format HD post environment where being able to produce pristine 720p or 1080i signals at-will helps streamline dailies and deliverables creation.

Internal SD/HD hardware downstream keyer
The AJA KONA 3 features a powerful hardware downstream keyer that can place graphic files with an alpha channel over the video being input to the board-or a selectable colour matte, or the contents of the card's framebuffer (ex: AJA TV/Apple Final Cut Pro). The downstream keyer can also key a QuickTime video clip that has an alpha channel by playing it in realtime, via the supplied AJA TV application, over live video coming into the card.

Connectivity
For SDI video, the card features two HD/SD-SDI inputs and two outputs, one connection for Genlock input, and configurable 3x BNC HD/SD analog video output. Also included is a 9-pin connector for RS-422 machine control. If you're using a Digital Betacam, DVCPro50, HDCAM, DVCPRO HD, D5, or HDCAM SR VTR-or any other professional device-you'll have the proper connections.

Dual link HD support
KONA 3 supports Dual Link 4:4:4 HD-SDI, with full bandwidth 4:4:4 RGB at 10-bits for 1080i, 1080p, 1080PsF and 720p formats. KONA 3 can also convert between 4:4:4 and 4:2:2 formats for single link HD-SDI monitoring and output.

2K support
As the most capable 2K card available for the Mac, you can use KONA 3 to ingest from HSDL (high speed data link) equipped sources and record simultaneous 2K DPX files and 2K QuickTime reference movies using the AJA VTR Xchange application. You can also work with existing 2K material, like sequential DPX or Cineon files, by using AJA's DPXToQT Translator application to create QuickTime files that can be used by a wide variety of QuickTime based applications. RED digital media-proxy files or transcoded material- is also supported at 2K resolutions.

On a PC, KONA 3 can connect to a 2K telecine saving time and steps in the process by directly creating 2K DPX, QuickTime, Cineon, AVI, TGA, TIFF or BMP files. KONA 3 PC users can capture directly into the format they need and move files immediately into their editing/compositing environment of choice. These same files can be played out at 2K via High Speed Data Link (HSDL) at 15 fps, offering further synergy with other 2K products already in use in the market.

KONA 3 also allows 2K files to be viewed with a user selected crop function on HD 1080PsF supported video monitors. This functionality helps lower the price barrier for viewing 2K material. The 1080 HD playout can additionally be down-converted to SD in realtime, giving users a powerful solution for multi-format video playout of 2K material and flexible tape mastering options.

All of the KONA 3 capabilities add up to the most reliable, feature rich, and highest-performance card available for Mac or PC. KONA 3 is the right tool for the discerning postproduction professional.

Audio
Tie the KONA 3 to a digital audio mixer or DAW output with 8-channel 24-bit 48kHz or 96kHz AES audio via balanced XLR connections.

KONA 3's high-quality input sample-rate conversion on AES inputs eliminates the need for audio source synchronisation.

For multi-channel audio mastering, 16-channel SDI embedded 24-bit 48kHz audio provides the power you need to integrate into any audio environment.

Key Features:-

• SDI/HD-SDI single link 4:2:2, Dual Link HD-SDI 4:4:4, and 3 input/output support via HSDL
  
• Broadcast quality hardware based 10-bit up-conversion, cross-conversion, and down-conversion
  
• SD to SD hardware based aspect ratio conversion (anamorphic to letterbox and vice versa)
  
• 12-bit SD and HD component output or SD composite plus Y/C analog outputs
  
• 10-bit HD/SD video + key output
  
• Internal HD/SD hardware based Downstream Keyer
  
• 8-channel 24-bit digital AES at either 48kHz or 96kHz via XLR or 16-channel of 48kHz SDI embedded audio
  
• RS-422 machine control
  
• Cables for connectivity are supplied standard
  
• 4-lane PCI-express interface (KONA 3)
  
• PCI-X 133 interface (KONA 3x)
  
• Affordable breakout box is optional - K3-Box
  
• 3-year international warranty and outstanding free-of-charge technical support

The affordably priced KONA LSe is the perfect video capture and playback card for a standard definition editing system on Mac or PC. KONA LSe offers full featured SD connectivity and integration with Apple Final Cut Pro on a Mac, support for software applications like Adobe After Effects and Apple Motion - and can work with a wide range of popular file formats (QuickTime, TGA, TIFF, BMP, AVI, YUV)

KONA LSe can capture to QuickTime™ at uncompressed 10 bit 4:2:2 or 8bit 4:2:2 and allows ingest from-and mastering to- BetacamSP, Digital Betacam, DVCPro50 as well as other standard definition VTRs. KONA LSe also supports capture and playback from compressed SD formats like DV and DVCPro50, to provide the most flexibility for your SD workflows (formats and file type support varies by platform and software used).

KONA LSe also has great audio I/O support: 2-channel balanced XLR analog, 2-channel balanced XLR AES/EBU, and multi-channel embedded SDI audio. Hardware sample-rate conversion is provided on AES inputs, eliminating source synchronising requirements.

Key Features:-

• 12-bit SD component, composite or S-video analog input/output
  
• SDI input and 2 SDI outputs
  
• AES digital audio input/output; sample rate conversion on input (2 channel, balanced XLR)
  
• Balanced analog audio I/O (2 channel, balanced XLR)
  
• Genlock and RS-422 machine control
  
• Supports all popular standard definition formats: 8 and 10-bit uncompressed, JPEG, DV25, DV50 and more
  
• Cables standard, KL-Box breakout optional
  
• 3-year warranty
  
• Available in PCIe as KONA LSe
  
• Available in PCI/PCI-X compatible form (KONA LS)

Io offers Final Cut Pro users unsurpassed 10-bit uncompressed video and multi-channel audio. With Io, you can configure a Mac Pro, MacBook Pro, or Power Mac as a professional editing suite, corporate/industrial video centre, or high-powered desktop video setup - and just about anything in between.

Both analog and digital sources are offered, allowing connection to just about every kind of video/audio peripheral from the most current digital decks to old legacy devices. It does this with unique simplicity, using a single FireWire connection between Io and the Mac - while serving simultaneous realtime connection for all audio and video sources.

How does Io transfer uncompressed video over FireWire? It efficiently uses the IEEE 1394a 400Mb/s FireWire port on the Mac for all data transfer - since uncompressed is 270Mb/s (with filler data included), FireWire handily carries the bandwidth.

Key Features:-

• RS-422 Control Port (Sony), 9-pin D, for machine control
  
• 10-bit uncompressed SDI with embedded audio I/O
  
• Analog (10-bit A/D and D/A) Video inputs/outputs
  
• 24-bit digital/optical/analogue multi-channel audio
  
• Audio word clock connector (BNC) for audio synchronisation
  
• Front panel mode indicators, input/output
  
• Front panel video/audio input source indicators

Io LA
Also part of the award-winning Io family, Io LA is designed for analog component, composite and S-video systems. Io LA gives you the highest-quality 10-bit video available on all analog inputs and outputs and 4 channel balanced audio I/O. Like Io LD, Io LA can be used in a desktop configuration, or mounted in an optional 1-RU mounting bracket. Io LA fully supports Apple Final Cut Pro on Mac OS X.

IoLA Key Features:-

• RS-422 Control Port (Sony), 9-pin D, for machine control
  
• Analog (10-bit A/D and D/A) video inputs/outputs:
  • S-video I/O
    
  • Composite NTSC/PAL video I/O
    
  • Component YPbPr/RGB video I/O
    
  • Genlock/Reference video (looping)
    
  • Four channels analog balanced audio I/O available using a supplied XLR breakout cable
• Front panel status indicators: Power On/Off, FireWire (active/inactive), Ref (Genlock), NTSC or PAL
  
• Front panel mode indicators: Input/Output
  
• Front panel video input source indicators: Present, Component, S-video and Composite

• RS-422 Control Port (Sony), 9-pin D, for machine control
  
• 10-bit uncompressed SDI I/O with embedded audio (2 SDI outputs provide flexibility)
  
• SDI loop-through output
  
• 2 channels of 24-bit digital audio out, via S/PDIF connector
  
• Analog outputs:
  • Stereo balanced analog audio Out connectors on a supplied XLR cable (24-bit D/A conversion)
    
  • Analog component (RGB/YPbPr) or composite/S-video outputs, via 3 BNCs on supplied breakout cable (10-bit D/A conversion)
    
  • Front panel status indicators: Power On/Off, FireWire (active/inactive), Ref (Genlock), NTSC or PAL
• Front panel mode indicators: Input/Output
  
• Front panel SDI video/audio source indicators signal presence of video and audio at inputs