Introducing the GY-HD110E/ HD111E, the first compact High Definition 3-CCD camcorder with interchangeable lenses.
The HD100E/HD101E will record 720p24, 720p 25, 720p30, 480i and 480p and playback 1080i.

2007 Oscar award winning documentary 'An Inconvenient Truth' shot with JVC Pro. click here to read more..

New Features:-

• Black & white viewfinder display option
  
• Simultaneous use of both eyepiece viewfinder and tri-mode LCD
  display, when powered by Anton Bauer, IDX or PAG battery system.
  
• Selectable mirror mode on vertically flipped LCD display
  
• Focus Assist function now has three user settings
  
• Choice of 3 image formats on composite output for monitoring (letterbox, squeeze, cut sides)
  
• DNR level user-adjustable via menu
  
• Audio level indicator segments increased to 13
  
• Manual audio control within FAS (Full auto shooting mode)
  
• Audio limiter available in manual mode.
  
• Parallel on / off power management of DR-HD100 recorder

• HDV/DV switchable (MiniDV Tape)
  
• HDV™ format
  
• Multi-format Video Real 24p
  
• 3-HD CCD image sensor
  
• Detachable HD zoom lens (Bayonet mount):
  
• Zoom/focus/iris mechanical control Magnesium die cast body
  
• Detachable professional Viewfinder
  
• TC capability
  
• External HDD capability
  
• Interchangeable lenses
  
• Uncompressed 720p/50 and 720p/60 live output
  
• Two XLR audio inputs
  
• Compact design with shoulder mount
  
• Full Auto Shooting
  
• Colour matrix
  
• 0.44”, 230,000-pixel colour LCD viewfinder
  
• Tri-mode 3.5”, 250,000-pixel colour LCD panel
  
• Camera set-up memory positions on removable SD card
  
• IEEE 1394 interface for DV and HDV™
  
• Patented „FOCUS ASSIST“ function for fast focusing
  
• Variety of optional lenses & adaptors incl ½” and C-mount
  
• HDV™ & DV recording to an optional external HDD
  
• Built-in colour bars generator

If Progressive HD is the future of broadcast & professional video, then JVC has just delivered the future. Moreover, JVC has not only delivered 720p/50 recording, but has also given a multi-role design to its latest ProHD camcorder. Designed for studio, ENG & EFP applications, the new GY-HD251 is very flexible, produces magnificent images and is affordable, thus satisfying the key tenets of ProHD.

2007 Oscar award winning documentary 'An Inconvenient Truth' shot with JVC Pro. click here to read more..

Key Features:-

• 720p/50 & 60 recording
  
• 1080i/50 and 720p/50 live, uncompressed output
  
• HD SDI and SDI with embedded audio
  
• 12V system with built-in V-plate
  
• 14 bit A/D
  
• Timecode in/out. Genlock in
  
• Remote control via 6 pin DIN
  
• Studio adaptor KA-HD250 option with 26 pin and HD SDI outputs

JVC Professional Products Company expands its ProHD family line of products with the introduction of the GY-HD200U. Targeted for independent filmmakers and stringers, this high definition camcorder carries the “Compact-Shoulder” form factor popularised by the GY-HD100U, and is capable of HDV720/60P true progressive image acquisition due to the implementation of JVC’s new “Super Encoder” developed for the latest line of ProHD products.

50P provides 50 full frames of information per second, excellent for viewing and analysing motion, as well as for delivering an “overcranked” recording for superb slow motion when the final output is 24P. The GY-HD200U utilises all of the accessories currently available for the GY-HD100U, including the new 1/3” mount HD lenses.

2007 Oscar award winning documentary 'An Inconvenient Truth' shot with JVC Pro. click here to read more..

Key Features:-

• Three 1/3" high definition CCD image sensors (1280 x 720 pixels)
  
• Interchangeable lenses via bayonet mount
  
• Switchable between standard definition and high definition
  
• DV and HDV output via IEEE1394 port
  
• 720p/50 & 60, 25 & 30, and 24 recording
  
• 1080i/50 and 720p/50 live, uncompressed via analogue component output
  
• 12V system with built-in V-mount plate
  
• Colour viewfinding via 0.44" eyepiece and 3.5" LCD panel, both switchable to B&W
  
• Patented Focus Assist for speed and accuracy of focus
  
• Remote control via 6 pin DIN
  
• V-wedge tripod adapter fitted
  
• Choice of cinema gamma and film-out gamma
  
• Dynamic shading compensation

• VL-2 Plus 2-gang charger and AC adapter,
  
• 2 x E-7S Endura batteries, 71 W/h , V-mount,
  
• DC cable, 3m, 4p XLR to 4p XLR

Available For Demonstration

3-CCD camcorder with totally new 12-bit ADC and 24-bit DSP, producing 62 dB S/N. Picture optimisation with 3-position detail frequency settings. New 1/2" CCD and circuitry provide increased sensitivity and brilliant lo-lux performance of 0.2 lx at F1.4. Resolution of 800 TVL and dynamic range greater than 400%.

Key Features:

• Digital output via IEEE1394
  
• External IEEE1394 DV input (on the GY-DV5101E)
  
• Full Auto Shooting (FAS) mode, where switching on and focussing is all that is required of the operator
  
• Sophisticated colorimetry with 6-axis matrix producing brilliantly true-to-life images
  
• Direct docking with JVC Hard Disk Recorder DR-DV5000, using 80 GB removable HDD for DTE (Direct-to-Edit) application. Playback via viewfinder or
• 2.5" colour LCD panel
  
• Tri-mode 2.5" colour LCD display
  
• 16:9 electronic squeeze mode for widescreen recording that requires no anamorphic adaptor
  
• Auto Error Correction circuitry and new head drum assembly serve to eliminate block noise during record and playback operations

• Dual XLR inputs

• Signal system: PAL
  
• Description: 3-CCD Professional DV camcorder (Standard and Mini-DV format) with direct docking with JVC's hard disk recorder DR-DV5000E.
  
• Image pickup device: 1/2 inch interline transfer CCDs (x3)
  
• No of pixels: Total: 470,000 Effective: 440,000
  
• Colour system: Wideband R-Y, B-Y encoder
  
• Colour bars: SMPTE/EBU type
  
• Sync system: Internal sync (built-in SSG)
  
• Lens mount: 1/2 inch bayonet system
  
• Optical system: 1/2 inch F1.4, 3-colour separation prism
  
• Optical filter: 3200K, 5600K, 5600K + 1/8ND, 5600K + 1/64ND
  
• Sensitivity: F13 at 2000 lx
  
• Minimum required Illumination: 0.2 lx with F1.4, LOLUX
  
• Horizontal resolution: 800 lines
  
• S/N ratio: Effective: 62 dB (camera head, no output)
  
• Gain: -3, 0, 6, 9, 12, 15, 18 dB, variable gain (0.2 dB-step) in ALC and LOLUX
  
• Shutter speeds: Electronic Shutter:
  
• Standard value: 50 Hz
  
• Fixed values: 6.75, 12.5, 25, 120, 250, 500, 1000, 2000, 4000, 10000 Hz
  
• Variable scan: 50.1 Hz to 2067.8 Hz
  
• Dynamic range: 400% or more
  
• Tape format: DV format, 4:2:0 format
  
• Usable tape: Standard / MiniDV tape
  
• Tape speed: 18.831 mm/s
  
• Recording time: 276 minutes (with an LA-DV276PRO tape), 63 minutes (with an M-DV63 tape)
  
• VIDEO Video signal recording format: 8-bit, 4:2:0 component recording
  
• AUDIO: Audio signal recording format: 16-bit (locked audio), 48 kHz PCM for
• 2 channels or 12-bit, 32kHz PCM for 4 channels
  
• Frequency response: 20Hz to 20 kHz (48kHz mode)
  
• Digital Video Output: DV via 4-pin IEEE1394 connector
  
• Video output: 1.0 V(p-p), 75 ohms, unbalanced (BNC) (composite video signal)
• Y/C: Y: 1 V(p-p), 75 ohms, unbalanced
  
• C: 0.3 V(p-p), 75 ohms, unbalanced (4-pin)
  
• Audio input: Mic: -60 dBs, 3 kohms, balanced (XLR), +48 V output for phantom power supply
  
• Line: +4 dBs, 10 kohms, balanced (XLR)
  
• Audio output: -6 dBs, low impedance, unbalanced (RCA)
  
• Earphone jack: -17 dBs to -60dBs, 8-ohm impedance (stereo sound mini-jack)
• Power requirement: DC 10.5 V to 17 V
  
• Power consumption: Approx 20W (in the Record mode)
  
• Dimensions (WxHxD): 364 x 249 x 121
  
• Weight: 5.5kg (inc viewfinder, battery, microphone and tape)
  
• Operating Temperature: 0°C to 40°C
  
• Storage: -20°C to 60°C
  
• Operating Humidity: 30% to 80% RH
  
• Storage: 85% or less
  
• ACCESSORIES: Microphone x 1
  
• Tripod base x 1

Born for Professional DV camcorders. Building on the success of the LS-55, the redesigned LS-55(2A) with a bold and tough 2 stage leg and ground spreader offers the new range of DV camcorders the steadiness and usability above its class.

6 Pack also available saving £1066 + VAT

Born from the LS-37 which set the standard in the 5 to 8 kg category, the LS-38(2A) proves Libec's commitment to product development. This all new 2 stage tripod has been redesigned from the ground up giving a quality of steadiness and usability only found in more expensive models. The H38 head has also had a makeover allow the user to balance and detach the camera more easily, The LS-38(2A) is the perfect partner for the HD digital era.

Features:

World renowned for their broadcast products, Ultimatte have produced a keyer aimed at the DV market. With connectivity for composite, svideo and firewire signals for foreground, background and composite output, Ultimatte DV provides the solution to many users searching for a cost effective tool for live production.

Logical and simple to operate, Ultimatte DV offers the user unrivalled control over the matte parameters. Via a single monitor connection, the operator can quickly compare the input, the matte and the composite output. Internally generated test signals ensure the highest quality output is maintained. An internal frame store allows non synchronous signals to be combined (a big advantage as many DV cameras do not have genlock) and also enables the user to store a background frame in memory. The unit will also function as a transcoder enabling the user to convert between video formats. On location it can be used as a pre-visualisation tool, enabling the director and crew to evaluate the final composite, rather than seeing just the camera feed on a preview monitor.

Combined with Reflecmedia's products, Ultimatte DV provides the perfect chromakey solution for independent production companies, education users and budget conscious programme makers.

See Adobe Acrobat pdf datasheet (left) for more information.

ChromaFlex provides all the benefits of Reflecmedia's revolutionary Chromatte fabric in the most portable form.

The 2.1m square (7 sq.') collapsible screen weighs just 5kg and packs away into a 90cm (36") diameter bag. With no additional fittings required, ChromaFlex is opened and ready to use in seconds. The surface area of the screen allows sufficient space to shoot from close-up to a wide shot of good proportion.

When you purchase ChromaFlex you choose a LiteRing Kit to suit your application - depending on camera size and your preferred keying colour. You can add additional LiteRings at any time to increase the products flexibility.

Whether you are an experienced professional or are shooting chroma key for the first time, you will benefit from the ease of ChromaFlex and the greater time it allows for creativity.

Leading industry associations and publishers have judged ChromaFlex a 'must have' accessory for all videographers, cameramen, production companies and news crews. America's National Association of Broadcasters (NAB) honoured the product with an 'Award for Innovation in Media' at their 2003 convention in Las Vegas.

ChromaFlex EL is a 1.4m x 1m (4’ x 3’) Chromatte collapsible screen made from the same Chromatte fabric as ChromaFlex and is supplied with LiteRing components in one bag. It offers a cost-effective Entry Level solution for mid shots and head and shoulder shots and is the perfect introduction to Chromatte production.

ChromaFlex EL has all the benefits of ChromaFlex and too produces effective results, is easy to use, versatile and can be used almost anywhere.

Fast
The pop-up screen takes a matter of seconds to erect as no other fittings are required.

Portable
Where hanging is not an option or you are not familiar with your filming location, ChromaFlex and ChromaFlex EL give you complete flexibility. They can be held, leaned against a wall or clipped to a free standing frame. The ChromaFlex and ChromaFlex EL screens, LiteRing and LiteRing Controller can be packed away in one easy to carry bag.

Effective
Chromatte achieves a high quality key, with no blue spill and excellent edge definition.

Inexpensive
No need for studio space, lighting or wasted labour.

Quality
The collapsible inner frame can withstand long term use and is of the highest quality construction.

Ultimatte DV
World renowned for their broadcast products, Ultimatte have produced a keyer aimed at the DV market. With connectivity for composite, svideo and firewire signals for foreground, background and composite output, Ultimatte DV provides the solution to many users searching for a cost effective tool for live production.

Logical and simple to operate, Ultimatte DV offers the user unrivalled control over the matte parameters. Via a single monitor connection, the operator can quickly compare the input, the matte and the composite output. Internally generated test signals ensure the highest quality output is maintained. An internal frame store allows non synchronous signals to be combined (a big advantage as many DV cameras do not have genlock) and also enables the user to store a background frame in memory. The unit will also function as a transcoder enabling the user to convert between video formats. On location it can be used as a pre-visualisation tool, enabling the director and crew to evaluate the final composite, rather than seeing just the camera feed on a preview monitor.

Combined with Reflecmedia's products, Ultimatte DV provides the perfect chromakey solution for independent production companies, education users and budget conscious programme makers.

Props Pack
3m Pack of Chromatte in pieces (may contain marks or blemishes)

Please specify if you require a small, medium or large LiteRing when purchasing a ChromaFlex Standard Bundle.

See Adobe Acrobat pdf datasheet (left) for more information.

Chromatte is a fabric designed specifically for use as a background for chroma key production. Unlike conventional chroma key fabrics that are usually blue or green in colour, Chromatte is grey to the eye in ambient light. The fabric contains millions of tiny glass beads that act as reflectors, returning any light shone on them back to it's source.

By generating the background colour through a retro-reflective process Chromatte offers unrivalled benefits;

Lighting
The only light required to light Chromatte comes from the LiteRing.

Ease of use
Quick, simple, effective and achieves consistent results.

Portability
Reflecmedia's ChromaFlex takes the Chroma key shoot out of the studio.

Adaptability
Chromatte drapes and panels can be custom manufactured to fit almost any environments.

Flexibility
Reflecmedia's LiteRing colour determines whether the production is shot against blue screen or green screen. Should circumstances change and the alternative colour be required, the LiteRing can simply be exchanged. No need to repaint or relight.

Space
Chromatte can be installed into the largest of studios or the smallest office. There is no 'spill' in a Chromatte installation.

Time
Unlike conventional Chroma key installations, a Chromatte installation takes very little time, therefore allowing extra time to concentrate on lighting and composing the scene.

Chromatte is supplied in a range of standard size or custom produced studio drapes, where the fabric is backed with a black light-proof drape and hemmed with eyelets across the top for easy hanging from studio tracking or rail.

Standard Studio Drape Sizes
Desk Shoot 2.5m x 2.5m (8' x 8')
Small Studio 4.0m x 3.0m (12' x 10')
Wide Studio 5.0m x 3.0m (16' x 9')
Studio 5.0m x 4.0m (16' x 12')

Sizes shown in width x height in metres.

Please note - Chromatte Fabric is available both in the form of raw material sold by the linear metre @ £200 plus VAT per metre or Custom sewn per square metre @ £175.00 Plus VAT per Sq M

Please call our sales team on 01274 713400 for a quote on either of these options.

Ultimatte DV
World renowned for their broadcast products, Ultimatte have produced a keyer aimed at the DV market. With connectivity for composite, svideo and firewire signals for foreground, background and composite output, Ultimatte DV provides the solution to many users searching for a cost effective tool for live production.

Logical and simple to operate, Ultimatte DV offers the user unrivalled control over the matte parameters. Via a single monitor connection, the operator can quickly compare the input, the matte and the composite output. Internally generated test signals ensure the highest quality output is maintained. An internal frame store allows non synchronous signals to be combined (a big advantage as many DV cameras do not have genlock) and also enables the user to store a background frame in memory. The unit will also function as a transcoder enabling the user to convert between video formats. On location it can be used as a pre-visualisation tool, enabling the director and crew to evaluate the final composite, rather than seeing just the camera feed on a preview monitor.

Combined with Reflecmedia's products, Ultimatte DV provides the perfect chromakey solution for independent production companies, education users and budget conscious programme makers.

Props Pack
3m Pack of Chromatte in pieces (may contain marks or blemishes)

Please specify the size of LightRing you require when purchasing a Reflecmedia Deskshoot Standard Bundle.

See Adobe Acrobat pdf datasheet (left) for more information.

HDV 1/2.9-inch ClearVid CMOS Shoulder Mount Camcorder

The HVR-HD1000E has been created to meet the growing demand from users who are looking for an entry-level professional shoulder mount design with full 1080i HDV recording as well as retaining DV capabilities.

The HVR-HD1000E's shoulder-mount design and black matte body is similar to that of other professional camcorders; making it perfect for weddings, corporate communications and sporting events where appearance can make a big difference. The ergonomically balanced shoulder mount design also reduces operator fatigue on long shoots where a tripod might not be practical.

As well as offering high definition HDVTM1080i recording, the HVR-HD1000E features a built-in down converter to output DV content - ideal for standard DVD productions. It can also record natively in DV, including a Long Play DV mode for maximum flexibility.

For multi-tasking videographers, the HVR-HD1000E also features three special still photo modes - ideal for producing DVD cases and even making wedding photo albums.

Whether you are recording weddings and corporate communications or teaching students, the HVR-HD1000E is simply the best choice on the market today for an entry level, shoulder mount professional camcorder.

See Adobe Acrobat pdf datasheet (left) for more information.

HDV Handheld Camcorder with interchangeable lens

The HVR-Z7E is the world's first HDV handheld camcorder with an interchangeable lens system, native progressive recording, and solid-state memory recording.

A variety of video lenses can be attached to the HVR-Z7E, which is equipped with a universal standard 1/3-inch bayonet mount mechanism for the quick changing of lenses.

Added to this a streamlined nonlinear editing workflow can be achieved using the supplied memory-recording unit, which provides HDV/DVCAM/DV file recording on a standard CompactFlash® solid-state memory card. This offers customers varying levels of flexibility and hybrid operation which is becoming an important requirement in video production.

The HVR-Z7E also features 25p HDV native progressive recording mode and HDMI output.

This new handheld Camcorder further enhances the operational versatility of the Sony professional HDV lineup, and opens up a world of possibilities for high-definition digital video production. Whether it's for documentaries, general TV production, low-budget movies, music videos, IPTV, education, or a wide range of corporate and event videography applications, Sony's new HVR-Z7E is ideal.

See Adobe Acrobat pdf datasheet (left) for more information.

HDV Shouder-mount Camcorder with interchangeable lens

The HVR-S270E is a brand new HDV shoulder mount camcorder with an interchangeable lens system, native progressive recording, and solid-state memory recording.

A variety of lenses can be attached to the HVR-S270E, which is equipped with a universal standard 1/3-inch bayonet mount mechanism for the quick changing of lenses.

Added to this a streamlined nonlinear editing workflow can be achieved using the supplied memory-recording unit, which provides HDV/DVCAM/DV file recording on a standard CompactFlash® solid-state memory card. This offers customers varying levels of flexibility and hybrid operation which is becoming an important requirement in video production.

The HVR-S270E also features 25p HDV native progressive recording mode and HD/SD-SDI output.

This new shoulder mount Camcorder further enhances the operational versatility of the Sony professional HDV lineup, and opens up a world of possibilities for high-definition digital video production. Whether it's for documentaries, general TV production, low-budget movies, music videos, IPTV, education, or a wide range of corporate and event videography applications, Sony's new HVR-S270E is ideal.

See Adobe Acrobat pdf datasheet (left) for more information.

Migrate to High Definition with the new Sony HVR Z1E HDV Professional Camcorder.

Designed for the professional user, the HVR-Z1E incorporates a number of significant features over consumer oriented Camcorders while retaining the qualities of the popular DVCAM range such as ease of use and i-LINK (IEEE1394) connectivity.

Features:-

• Switchable recording and playback of HDV, DV and DVCAM formats, providing the professional user with the flexibility to choose the format that suits the need of their production.
  
• 50/60Hz (PAL/NTSC) switchable recording and playback
  
• 2-channel balanced audio XLR inputs, with independent adjustment of input levels for each audio channel
  
• Colour and B/W switchable viewfinder
  
• Simultaneous operation of both LCD panel and viewfinder, giving professional users the opportunity to focus shots accurately via the viewfinder while simultaneously framing images via the foldout LCD panel
  
• Much more!