For years Automatic Duck's Final Cut Pro export plug-ins have helped hundreds of productions get through post with less pain, in less time, in the end costing less money. Now with version 3.0, Pro Export FCP is even more powerful and stands ready to assist with even more projects.

This new version adds one of the most common feature requests to export OMF from Final Cut Pro with embedded audio media and volume information for sending to Digital Audio Workstations like Pro Tools, Nuendo and Digital Performer*.

This isn't "Total Conform", the integration can't be nearly what Xpress Pro has with Symphony, but that's not the point. EDL’s have been a major problem for people for a long time, we've solved that. You can now effectively finish on Avid systems the sequences you cut in Final Cut Pro.

What's New in 3.0:-

• Export your mix from FCP to your Audio Editor and maintain your volume keyframes
  
• When you export out of Final Cut all of your sequences media can be
• embedded into the OMF file
  
• Complete listing of areas in export that need attention.
  
• It is easy to see why Pro Export FCP is one of our most popular plugs

Finally, the translation power Automatic Duck has long brought to other programs is here for users of Discreet Combustion 3.

With Pro Import Cmb for Discreet Combustion 3 or 4, you can very quickly translate an Avid OMF, Final Cut XML or Premiere Pro timeline (via AAF) into combustion. Importing an AAF*, OMF or XML composition takes just seconds, importing all your media and clips in one step. Supported effects are translated and recreated for you; your timeline is recreated as a composition in Combustion 3, ready for you to take your vision to the next level.

Whether you're creating very complex multi-layered creations in your Avid, Final Cut Pro or Premiere Pro system for composition in Combustion, or simply need to treat a single shot, there is no simpler way to pick up in Combustion 3 where you left off in your NLE. In a matter of seconds your edited timeline appears in Combustion.

Not only are your edits translated, your media is imported, all the media referenced by your sequence. This means you can actually slip and trim your shots in combustion without having to go back to your NLE to re-edit and re-export.

When you import your sequence, the layers in Combustion are named after the clips you had in your Avid of FCP timeline. You know immediately what shot is what. No dealing with odd media file names. Collapsed/nested layers turned into nested compositions. Amazingly, your collapsed layers and nested effects are turned into nested composites in Combustion. No need to first explode your nests before you export (from Avid or FCP only).

* AAF import is only available in Windows version of Pro Import Cmb.

See Adobe Acrobat pdf datasheet (left) for more information.

With Pro Import AE for Adobe After Effects, your digital desktop has never been more powerful or compete. Translating a sequence from an Avid® or Final Cut Pro editing system, or a project from Apple's Motion takes just seconds, importing all your media and clips in one step. Effects are translated and recreated for you and your timeline becomes a composition in After Effects, ready for you to take your vision to the next level.

Pro Import AE 4.0 works with After Effects 7.0 and CS3.

What's New in 4.0:

• Avid Timewarps
  Timewarp effect becomes Time Remapping in AE
  
• FCP Multiclips
  Multiclips from FCP is now supported!
  
• Colorista translation*
  Translate the popular colour correction plug-in's settings from FCP to AE
  
• Better Motion import
  Improved translation including Particles and Replicators
  
• Access Avid render media
  Want to use the effect as the Avid did it? Render it and view the render in AE.
  
• Dip to Colour
  Transition now comes in from both FCP and Avid.
  
• Powerful new interface
  Many new options for you to control the import and results.
  
• AE CS3 support
  Also Universal Binary for native running on Intel-based Macs.

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