KUMO compact SDI routers are small and cost-effective, yet robust and reliable. KUMO supports full broadcast specifications over SDI, HD-SDI, and 3G SDI. Kumo routers are re-clocking, non-blocking, and ready for any broadcast, production, or post production environment. Running Embedded Linux, KUMO routers support powerful HTTP control and monitoring. KUMO's internal webserver allows immediate installation, configuration, and operation without any software to buy or install, instead serving up complete UI controls via any standard web-browser.

KUMO SDI routers are available in two configurations: the KUMO 1604 supporting sixteen SDI inputs and four outputs, and the KUMO 1616 supporting sixteen channels in and out. Because of their compact 1RU size, KUMO SDI routers are ideal for space-sensitive applications such as mobile sports trucks, edit suites, corporate video installations, or live theatrical A/V rigs. KUMO compact SDI routers offer AJA-reliability, flexibility and state-of-the-art signal quality, while delivering it for an unprecedented price.

Key Features:-

• SD, HD, 3G SDI inputs and outputs via BNC, SMPTE 259M/292M/424M
  
• Automatic EQ and re-clocking
  
• Supports all ancillary data, including embedded audio
  
• Reference via BNC, passive loop, PAL/NTSC color black or HD tri-sync
  
• 10/100/1000 Ethernet LAN
  
• Embedded Linux OS with internal webserver for web-browser control
  
• HTTP and RS-422 Control
  
• 1RU form factor
  
• Redundant Power, isolated power inputs
  
• AJA 5-year international warranty

The HDP2 is a miniature HD-SDI/SDI to DVI-D converter for digital display devices, such as LCD, DLP, and Plasma monitors or projectors. Using a very high quality scaling engine and de-interlacer, the HDP2 will automatically size 4:3 or 16:9 inputs to many DVI-D monitors. For appropriate monitor configurations, scaling is automatically 1 to 1-for example, displaying 1920x1080 video on a WUXGA (1920x1200) monitor. The HDP2 will also automatically adapt the input frame rate for monitor compatibility. In addition, the HDP2 provides 2 channel audio monitoring and a looping output of the SDI input.

The HDP2 is designed for general monitoring, perfect for use in applications such as: General post-production reference monitoring, Client monitoring, Presentation, Projection, Corporate displays, Kiosk applications...and much more.

The HDP2 also supports HDMI v1.3a Deep Colour (with a DVI to HDMI cable). In the HDMI mode, Deep Colour is supported at 30/36 bits per pixel with 8 channel audio. USB connectivity allows for easy PC/Mac setup and field upgrades.

Inputs:

• 525i, 625i, 720p 50/59.94/60
  
• 1080i 50/59.94/60
  
• 1080p 23.98/24/25/29.9/30
  
• 1080psF 23.98/24/25
  
• YCbCr 10-bit

• HD, and SD-SDI (auto-selected)
  
• SMPTE-259/274/292/296
  
• BNC connector

• DVI v1.0 / HDMI v1.3a
  
• 4:2:2 YCbCr
  
• 4:4:4 YCbCr/RGB 24/30/36-bit
  
• DVI-D standard male connector

• RCA-style analog outputs at -10dBV (nominal)
  
• 2 channels embedded audio (HDMI mode only)
  
• 24 bit, 2 or 8 channels
  
• User assignable channels

• HD-SDI/SDI to DVI-D
  
• HDMI 1.3a support (via DVI-D connector), including: - Deep Colour 30-bit video (24-bit also supported) - 2 or 8 channels of embedded audio
  
• Automatically adapts to popular LCD/ DLP/Plasma monitors (and projectors) up to 1920x1200 and 1080p
  
• High quality scaling engine for proper display of 4:3 or 16:9 content-even better quality than original HDP
  
• 1 to 1 scaling for appropriate monitor configurations
  
• 2 channel RCA analog audio output (user-assignable channels)
  
• HD-SDI/SDI looping output
  
• Setup via PC/Mac using USB port and supplied USB cable (USB configuration software application supplied on CD)
  
• 5 year warranty

The R20CE SDI to Analog Video Converter provides excellent quality 10-bit conversion of SDI to component and composite video formats simultaneously. The 4 analog outputs are user configurable to NTSC/PAL, YC (S-Video), YPbPr (SMPTE, EBU-N10), Betacam, or RGB. The component and composite outputs are completely independent including optimum chroma filtering for each and independent pedestal configuration. The R20CE also features an exclusive PLL jitter filter/memory to reduce the effects of SDI jitter on the output analog video. This feature, along with the precision 4x oversampled D/A filter, provides the highest quality analog outputs - including very low phase noise in composite outputs. The optional FSG (Frame Sync/Genlock) Module allows genlock to an external reference with full timing adjustment. Without the FSG Module, the reference input provides colour frame timing. The R20CE fits the AJA R-Series Rack Mount Frames, as well as other common industry frames.

Key Features:-

• Excellent Quality 10-Bit Universal D/A Conversion
  
• Full 10-Bit Data Path, 4x Oversampling
  
• SDI Input, 2 Re-Clocked, Loop-Through SDI Outputs
  
• Simultaneous Component & Composite Analog Outputs
  
• YPbPr, Betacam, or RGB Component Formats
  
• NTSC or PAL Composite Formats
  
• Digital Noise Reduction
  
• Optional Frame Synchroniser Allows Genlock to Reference, Full Timing Adjustment

The HI5 converts SDI or HD-SDI to HDMI for driving HDMI monitors. Embedded SDI/HD-SDI audio is supported in the HDMI output allowing a convenient single cable audio/video connection. The HI5 provides 2 Channel RCA style audio outputs for separate audio monitoring if needed. The HI5 also provides a looping SDI/HD-SDI output useful for connecting additional equipment, or for “daisy chaining” multiple monitors to the same SDI-HD-SDI source.

Key Features:-

• SDI/HD-SDI to HDMI
  
• Full HDMI support including embedded audio
  
• Additional 2 Channel RCA jack audio output
  
• Equalised looping SDI/HD-SDI output
  
• HDMI cable included

The HD10MD3 is a miniature digital downconverter for converting HD-SDI video to standard definition SDI and analog component/composite video. The HD10MD3 uses a full 10-bit data path and multi-point interpolation to produce broadcast quality downconverted video. In addition, the HD10MD3 converts either 1080p24 or 1080p24sf to 59.94 Hz output video using the standard 3:2 pulldown technique. The output can be formatted for either 4:3 or 16:9 standard definition monitors. Four-channel input embedded HD-SDI audio is passed to the SDI output.

Key Features:-

• Low Cost Digital HD Downconverter
  
• Dual rate HD-SDI/SDI Input
  
• HD-SDI/SDI Outputs
  
• Multi-Standard Input Including 1080p24/sf
  
• 10-bit Data Path, Multi-Point Interpolation
  
• Configurable for 16:9 or 4:3 Output
  
• 4:3 Safe-Zone Graticule
  
• Dipswitch User Configuration

Featuring a flexible "everything in, everything out" architecture, the FS1 can simultaneously work with both HD and SD video all in full 10-bit Broadcast quality video and 24-bit audio. The FS1 supports virtually any input or output, analog or digital, HD or SD. The FS-1 can up- or down-convert between SD and HD, and provide simultaneous HD and SD outputs. Cross-conversions between HD formats are also supported, with simultaneous output of both formats. For audio, the FS1 supports 8-channel AES, Balanced analog, or embedded audio with full flexibility. The FS-1 supports closed captioning and the conversion of closed captioning between SD and HD formats. The FS-1 is also network ready, supporting SNMP monitoring and web-based remote control.

See Adobe Acrobat pdf datasheet (left) for more information.

The ADA4 is a 4-channel converter that can be configured as a 4-channel A/D, a 4-channel D/A, 2-channel A/D and 2-channel D/A, or an AES Synchroniser . The ADA4 can accept a AES11, word clock or video sync/colour black reference input for synchronisation. Reference input and synchronisation are automatic. Audio levels are configurable via dipswitch control.

Key Features:-

• Simultaneous A/D and D/A, or AES Synchroniser
  
• Fulltime AES11 low jitter reference output
  
• Up to 4 channels of balanced analog to AES/EBU audio
  
• Up to 4 channels of AES/EBU to balanced analog audio
  
• Supplied XLR breakout cable
  
• AES11/Word clock/Tri-level Sync/Colour Black Reference Loop
  
• Adjustable Audio Levels
  
• Sample Rate Conversion Between 96KHz and 48KHz
  
• Dipswitch configuration
  5-18VDC Power

The HD5DA is a miniature, low cost, 1x4 HD-SDI distribution amplifier/repeater. Featuring four separately buffered HD-SDI outputs, the HD5DA provides automatic input cable equalisation to 100 metres and automatically adapts to 143, 177, 270, 360 Mb, and 1.5 Gb.

Key Features:-

• Compact HD-SDI Distribution
  
• Four Separately Buffered Serial HD Outputs
  
• Auto Equalisation
  
• Acts as a Low Cost Repeater
  
• Automatic Multi-Standard
  
• Miniature Size

The HD10DA is a miniature, low-cost 1x6 SD/HD (dual-rate) re-clocking distribution amplifier. Featuring six separately buffered HD-SDI outputs, the HD10DA provides automatic input cable re-clocking and equalisation to 125 metres.

Key Features:-

• Compact SD/HD Distribution
  
• Six Separately Buffered Outputs
  
• Miniature Size
  
• 125m HD cable equalisation (1694 coax)
  
• HD-SDI or SDI input, auto sensing
  
• Bi-colour LED indication of input lock and rate
  
• Passes all ancillary data
  
• +5-18V power supply
  
• No dipswitches or configuration required

The RD20DA is a multi-standard, 2-channel, 1x4 and 1x3 SDI Distribution Amplifier. The SDI input is re-clocked and equalised to 300 meters of cable. In addition, the multi-standard feature allows the RD20DA to automatically adapt to 143, 177, 270, or 360 Mb SDI inputs.

Key Features:-

• 2 Channel Re-Clocking, Equalising SDI Distribution Amplifier
  
• 1x3, 1x4 SDI Outputs
  
• Multi-Standard: 143/177/270/360 Mb

The AJA Video R44E provides four composite analog monitoring outputs from four separate SDI inputs. Each channel has a separate D/A converter with a 10-bit DAC and 8-bit broadcast encoding. Values below black and above white are not clipped. Each channel has a test pattern generator with separate user selectable blanking controls. The R44E also features automatic NTSC or PAL configuration. It fits the AJA R-Series Rack Mount Frames as well as other standard industry frames.

Key Features:-

• 4 Channel SDI to NTSC/PAL Converter
  
• 4 Separate SDI Inputs
  
• 4 Separate Composite Analog Outputs
  
• Built In Test Pattern
  
• Configurable Pedestal
  
• 40 Channels of Conversion in 2 RU

The FSG Frame Sync/Genlock Module is an optional upgrade to AJA's R20 series encoders and decoders. The FSG Module provides user-adjustable output timing relative to an external sync reference. Also, a delay mode provides adjustable delay with respect to the video input. In addition to the frame sync and delay functions, when installed on AJA R20-series encoders, the FSG Module allows the encoder to Genlock to an external reference

Key Features:-

• Optional Frame Sync R20CE, R20D, and R20AD
  
• External or Input Timing Reference
  
• Full Output Timing Adjustment
  
• Passes Vertical Interval Data
  
• 10-bit Data Path

R20AD

The R20AD provides excellent quality, 10-bit conversion of component or composite analog video video to SDI. The R20AD accepts YPbPr (SMTE, EBU-N10), Betacam, or RGB component inputs and NTSC/PAL or YC (S-Video) composite inputs. The R20AD features a 3 Line Adaptive Comb Filter for high quality decoding of composite sources. The comb filter can be switched to 2 line or notch modes for minimum delay requirements. The R20AD also accommodates the optional FSG card (Frame Sync) offering choices for synchronising the output video relative to an external reference or the input video. NTSC/PAL configuration is automatic. Video format, AGC, H/V blanking, and pedestal are all user configurable.

Key Features:-

• Excellent Quality, 10-bit, Universal A/D Conversion
  
• Component, Composite, or YC Analog Input
  
• 3 Line Adaptive Comb Filter
  
• Full 10-bit Data Path, 2x Oversampling
  
• YPbPr, Betacam, or RGB Component Formats
  
• NTSC or PAL Composite Formats
  
• AGC Mode
  
• 4 SDI Outputs
  
• Optional Frame Synchroniser

• Optional Frame Sync R20CE, R20D, and R20AD
  
• External or Input Timing Reference
  
• Full Output Timing Adjustment
  
• Passes Vertical Interval Data
  
• 10-bit Data Path

The R20DA is a multi-format, 1x8 SDI Distribution Amplifier. The SDI input is re-clocked and equalised to 300 meters of cable. In addition, the multi-standard feature allows the R20DA to automatically adapt to 143, 177, 270 or 360 Mb SDI inputs.

Key Features:-

• Re-Clocking, Equalising SDI DA
  
• SDI Input
  
• 8 SDI Outputs
  
• Multi-Standard

The RH10DA is a multi-standard Dual Rate 1x8 SDI/HD-SDI Distribution Amplifier. The input is re-clocked and equalised to 100/300 meters (HD/SD) of coax cable. The RH10DA automatically configures to 143, 177, 270, 360mb, or 1.485gb SDI inputs. The re-clock function can be by-passed with an on-board jumper.

Key Features:-

• Dual Rate HD-SDI/SDI
  
• Equalising and Re-clocking, 8 outputs
  
• Automatic Input configuration

The RD10MD is a 10-bit broadcast-quality dual HD down converter. Channels 1 and 2 are fully independent. Channel 1 has 2 re-clocked HD/SD-SDI outputs, and channel 2 has 1. Both channel 1 and 2 have 2 down-converted outputs, which can be independently configured as SDI or composite analog. All HD formats are supported, including 24p/psf with 3:2 pulldown. The SD output can be formatted for either 4:3 or 16:9 monitors. For 4:3 monitors, both letterbox and crop modes are supported. The RD10MD is also dual-rate (HD/SD) and will support SDI inputs. The RD10MD is compatible with AJA's FR1 or FR2 frames.

Key Features:-

• Dual independent channel HD to SD down conversion
  
• Re-clocking HD-SDI/SDI input loop outputs
  
• Multi-standard HD-SDI or SDI input
  
• SDI and composite analog outputs
  
• 3/2 pulldown for 23.98/24 Hz p/psf inputs
  
• Full 10-bit data path, multi-point interpolation
  
• Configurable for 16:9 or 4:3 monitors
  
• Letterbox and crop modes
  
• 4:3 safe-zone graticule

The RH10UC is a 10-bit SD to HD up-converter. Using motion-adaptive de-interlacing and high quality digital scalers, the RH10UC provides excellent Broadcast quality HD video from SD sources. Output HD video is selectable between 720p and 1080I formats. 4:3 to 16:9 aspect ratio conversion is selectable between 4:3 pillarbox, 14:9 crop, 16:9 anamorphic, and 16:9 zoom. Input SD ITU Rec. 601 colour space is converted to ITU Rec. 709. The RH10UC passes 8 channel embedded audio with a compensating delay. Additionally, the RH10UC can operate as a stand-alone HD or SD Frame Synchroniser. The RH10UC is compatible with AJA's FR1 or FR2 frames.

Key Features:-

• Broadcast-Quality 10-bit SD to HD Upconverter
  
• Motion-adaptive de-interlacing
  
• Frame Synchroniser function with Genlock input
  
• Selectable aspect ratio conversion
  
• Selectable HD output format
  
• HD-SDI or SDI stand-alone Frame synchroniser modes

The FR1 and FR2 mounting frames provide high-density rackmount solutions for AJA's R-Series modules. The FR1 is a 1 RU frame with 4 slots; the FR2 is a 2 RU frame with 10 slots. Both frames feature high-capacity power supplies with no power restrictions for any module combination. Also, both frames feature multi-fan forced-air cooling, which provides ample cooling capacity without the need for an empty rack space above the units. Both frames feature optional redundant power supplies - the FR2's power supplies are easily changed from the front of the unit. Also, both the FR1 and FR2 feature a frame colour black reference input that is distributed to all slots.

The D5DA is a multi-format, 1x4 re-clocking SDI Distribution Amplifier. The D5DA can be used as a low cost SDI DA or repeater. The SDI input is re-clocked and equalised to 300 metres of cable. In addition, the multi-standard feature allows the D5DA to automatically adapt to 143, 177, 270, or 360Mb SDI inputs.

Key Features:-

• Compact 1x4 Re-Clocking SDI Distribution Amplifier
  
• Low Cost
  
• Automatic Multi-Standard
  
• Useful as a Repeater

The D4E SDI Encoder provides the lowest cost all-digital conversion of SDI to analog NTSC or PAL. The D4E is useful for monitoring, level and phase checking, dubbing etc. The D4E automatically adapts to NTSC or PAL video standards and outputs analog NTSC (525 line inputs) or PAL (625 line inputs). Pedestal and narrow/wide H/V blanking are user configurable via dip-switches. The D4E encodes the full dynamic range of input video. Levels below black and above white are not clipped.

Key Features:-

• Lowest Cost SDI to NTSC/PAL Available
  
• 1 SDI Input, 2 Composite/YC Analog Outputs
  
• Automatic NTSC/PAL Selection
  
• Built-In Test Pattern
  
• Ultra Miniature Size

The D5CE provides low cost, all digital conversion of SDI to either composite or component analog video. Three analog BNC outputs are user configurable to cover a wide range of format combinations including 3 composite, 1 composite and Y/C, YPbPr (SMPTE, EBU-N10), Betacam, or RGB. The D5CE also features a re-clocked, loop-through SDI output. The D5CE automatically adapts to NTSC or PAL video standards. Pedestal and narrow/wide H/V blanking are user configurable via dip-switches.

Key Features:-

• Low Cost SDI to
• Component or Composite Analog
  
• User Selectable Composite/YC or Component Outputs
  
• YPbPr, Betacam, or RGB Component Formats
  
• Re-Clocked loop through SDI Output
  
• Automatic NTSC/PAL Selection
  
• User Selectable Vertical/Horizontal Blanking

The D10AD provides excellent quality 10-bit conversion of component or composite analog video to SDI. The D10AD accepts YPbPr (SMPTE, EBU-N10), Betacam, or RGB component inputs and NTSC/PAL or YC (S-Video) composite inputs. The D10AD features a 3 Line Adaptive Comb Filter for high quality decoding of composite sources. The comb filter can be switched to 2 line or notch modes for minimum delay requirements. NTSC/PAL configuration is automatic. Video format, AGC, and pedestal are all user configurable via dipswitches.

Key Features:-

• Excellent Quality 10-bit Universal A/D Conversion
  
• Component, Composite or YC Analog Input
  
• Full 10-bit Data Path, 2x Oversampling
  
• YPbPr, Betacam, or RGB Component Formats
  
• NTSC or PAL Composite Formats
  
• AGC Mode
  
• 4 SDI Outputs with EDH
  
• Colour Bar Generator
  
• Low Cost

The D10CEA converts SDI video with embedded audio to component or composite analog video and 4 Channel balanced analog audio. The video outputs can be configured as YPbPr (Betacam or SMPTE/EBU-N10), RGB, composite or YC (S-Video). The analog audio outputs can be wired in a balanced or unbalanced configuration. The 4 audio channels can be selected from group 1-4. Audio and video output connections are available on a 25 pin "D" subminiature connector (breakout cable supplied). All video/audio configuration is done by external dipswitch selection. This versatile, low-cost, miniature monitoring solution also outputs two re-clocked loop-through SDI outputs.

Key Features:-

• Digital to Analog Audio and Video Converter
  
• SDI with Embedded Audio Input
  
• Component or Composite Video Outputs
  
• 4 Channel Balanced Audio Output
  
• 2 Re-Clocked, Loop-Through SDI Outputs
  
• Selectable Audio Channel Pair/Group

The D10C2 SDI to Analog Video Converter provides excellent quality 10-bit conversion of SDI to analog component or composite video at a low cost. In the Component mode, the D10C2 outputs are user configurable to YPbPr (SMPTE, EBU-N10), Betacam, or RGB. In the Composite mode, the D10C2 provides 2 composite outputs and a YC (S-Video) output. The D10C2 also provides two re-clocked, loop-through SDI outputs and a composite sync output (Component mode). All functions are user configurable via dip-switches.

Key Features:-

• Excellent Quality 10-bit Universal D/A Conversion
  
• Full 10-bit Data Path, 4x Oversampling
  
• SDI Input, 2 Re-Clocked, Loop-Through SDI Outputs
  
• Component or Composite Analog Output
  
• YPbPr, Betcam, or RGB Component Formats
  
• NTSC or PAL Composite Formats
  
• Digital Noise Reduction
  
• Low Cost

The D10CE SDI to Analog Video Converter provides excellent quality 10-bit conversion of SDI to both component and composite video formats simultaneously. The component outputs are user configurable to YPbPr, (SMPTE, EBU-N10), Betacam, or RGB (or composite YC). The composite output is user configurable to composite video or sync. The component and composite outputs are completely independent including optimum chroma filtering for each and independent pedestal configuration. The D10CE also features an exclusive PLL jitter filter/memory to reduce the effects of SDI jitter on the output analog video. This feature, along with the precision 4x over sampled D/A filters, provides the highest quality analog outputs including very low phase noise in composite outputs. The D10CE also provides two re-clocked, loop-through SDI outputs. All functions are user configurable via dipswitches.

Key Features:-

• Excellent Quality 10-bit Universal D/A Conversion
  
• Full 10-bit Data Path, 4x Over-sampling
  
• SDI Input, 2 Re-Clocked, Loop-Through SDI Outputs
  
• Simultaneous Component and Composite Analog Outputs
  
• YPbPr, Betacam, or RGB Component Formats
  
• NTSC or PAL Composite Formats
  
• Precision PLL Jitter Filter For Stable Composite Outputs
  
• Digital Noise Reduction
  
• Low Cost

The GEN10 is a cost effective and flexible SD/HD/AES sync generator. The GEN10 features 7 outputs including 2 groups of independently controlled SD/HD sync outputs and 1 AES-11 output. The SD outputs can be switched between Colour Black or Colour Bars. HD tri-level sync can be switched between 19 different HD formats including all that are in use today. The AES-11 output can be switched between SILENCE and TONE. All outputs are in sync with each other and are sourced from an accurate master time base.

Key Features:-

• HD Tri-level sync generation
  
• SD Colour Black or Colour Bars
  
• Two groups of independently switchable outputs allows simultaneous HD and SD sync generation
  
• AES-11 output switchable between silence and tone
  
• Multiple outputs can synchronise entire systems without requiring a Sync DA
  
• 5-18VDC Power
  
• External Dip Switch Configuration

The HD10AMA is a dual rate 4-channel analog audio Embedder/Disembedder. The Disembedder is always functional providing 4 outputs. The Embedder is user selectable, on a channel pair basis, to either "pass" input audio or embed input audio from the breakout cable. Analog audio levels are selectable. The HD10AMA automatically detects and configures to the input video standard.

Key Features:-

• Dual rate HD-SDI/SDI Embedder/Disembedder
  
• 4-Channel Balanced Analog Audio I/O
  
• Supplied XLR breakout cable
  
• HD-SDI/SDI input, 2 HD-SDI/SDI outputs
  
• Dipswitch configuration
  
• 5-18VDC Power

The HD10AM is a dual rate 8 channel AES audio Embedder/Disembedder. The Disembedder is always functional providing 4 AES outputs. The Embedder is user selectable, on a channel pair basis, to either "pass" SDI input audio or to embed input AES audio from the breakout cable. AES inputs are sample rate converted to a 48KHz rate synchronous to the video input. The HD10AM automatically detects and configures to the input video standard.

Key Features:-

• Dual rate HD-SDI/SDI Embedder/Disembedder
  
• 8 Channel AES I/O
  
• Supplied breakout cables for balanced AES - XLR connectors
  
• HD-SDI/SDI input, 2 HD-SDI/SDI outputs
  
• Dipswitch configuration
  
• 5-18VDC Power

The HD10A is a miniature, high-quality, 10-bit analog to digital converter for HDTV. A companion to the popular HD10C D/A converter, the HD10A can add an HD-SDI output to cameras, computers with HD RGB graphics, VTRs, or other analog-only HD equipment. The HD10A accepts HD YPbPr or RGB analog and outputs three duplicate HD-SDI signals. Works in 1080i, 1035i, 1080psf and 720p with internal or external sync (tri-level).

Key Features:-

• Low Cost, High Quality, 10-bit HDTV A/D Conversion
  
• Full Bandwidth Component HD RGB or YPbPr Input
  
• 3 HD-SDI Outputs
  
• Multi Standard
  
• Internal or External Sync

The HD10C2, AJA's second generation HD D/A converter, brings exciting new features. In addition to being a high-quality 10-bit HD converter, the HD10C2 is "dual-rate" and works with both HD-SDI and SDI inputs. For HD-SDI inputs, the HD10C2 outputs full bandwidth HD component or VGA-style RGBHV video. For SDI inputs, component or composite SD outputs are supported. When connected to a multi-format monitor like the Sony 20L5, the HD10C2 will automatically provide an image from almost any HD or SD input format. The HD10C2 also features 2 equalised HD-SDI outputs.

Key Features:-

• Low Cost, High Quality, 10-bit Dual Rate HD/SD D/A Conversion
  
• Full Bandwidth HD Analog RGB or YPbPr Output (HD input)
  
• Component/Composite SD Output (SD input)
  
• 2 Equalised Loop-Through HD-SDI/SDI Outputs
  
• RGBHV VGA style HD output using supplied adapter
  
• HD Sync Selectable Between Bi-level and Tri-Level
  
• 4:3 Safe Area Graticule (HD)
  
• 5-18VDC Power
  
• External Dipswitch Configuration

The HD10AVA is a miniature, high-quality, audio/video, HD/SD A/D converter. The HD10AVA automatically detects the video input format and embeds the audio inputs in the SDI/HD-SDI outputs. The HD10AVA is useful for adding an SDI/HD-SDI audio/video output to tape decks or any professional video equipment with analog outputs. The HD10AVA is especially useful for adding HD-SDI outputs to most HDV cameras or decks by using the component outputs of such devices. The HD10AVA uses a breakout cable for audio/video inputs and provides 3 SDI-HD-SDI on BNCs.

Key Features:-

• High-quality SD/HD audio/video A/D converter
  
• SD component, composite or Y/C video input
  
• HD analog component video input
  
• Four channel balanced analog audio input
  
• 3 SDI/HD-SDI with embedded audio outputs
  
• 12-bit video, 24-bit audio A/Ds
  
• Automatic multi-standard
  
• External dip switch configuration
  
• 5-18V power

Portable and powerful digital and analog I/O
Compact enough to take on location yet powerful enough to serve as the core of a professional video-editing suite, Avid Mojo SDI and Avid Mojo hardware connect to both laptop and desktop systems, both Mac and PC, with a single IEEE-1394 (FireWire) cable. Unlike other add-on hardware, they let you capture audio or video while also providing output of the same source, so you can monitor what you're capturing, including watching video on a client monitor while recording voiceover – impossible with hardware from other manufacturers. In addition, Avid Mojo and Avid Mojo SDI let you monitor and output HD timelines in SD with realtime down-convert.

Avid Mojo SDI
Avid Mojo SDI provides the highest quality professional SD connections to facility-class cameras, decks and digital pipelines. In addition to serial digital video, Avid Mojo SDI also provides I/O for IEEE-1394, and either component or composite and S-video. Mojo SDI supports up to 8 channels of embedded audio over SDI and 2 channels of optical S/PDIF audio, with additional connections for 4 channels of AES/EBU audio.

See Adobe Acrobat pdf datasheet (left) for more information.

Click here for Avid Training DVDs

The new Blackmagic OpenGear Converters give you a great range of conversion, all packed with the latest video technologies at an affordable price! OpenGear is the television industry’s open standard for rack based conversion and processing. Get the freedom and cost savings of an open standard combined with centralised network control and monitoring using the OpenGear DashBoard software on Windows™, Mac OS X™ and Linux™.

Auto Switching SD and HD
Blackmagic OpenGear Converters instantly switch between all SD and HD video formats the instant the video input changes. A huge range of standards are supported including NTSC, PAL, 1080i/59.94, 1080i/50, 1080PsF/23.98, 1080PsF/24, 720p/59.94, 720p/50 and new formats can be added via USB.

8 Great Models
Choose from analogue, HDMI, audio, optical fiber, and sync generator models! There’s a single card model for each type of video conversion. All models have 3 Gb/s SDI technology that auto switches between SD, HD and 3 Gb/s HD-SDI formats. All AES/EBU audio inputs feature sample rate converters, and all audio connections can be switched between analogue and AES/EBU audio.

Open Architecture Converters
Blackmagic OpenGear Converters are fully compatible with the OpenGear standard. OpenGear is an open standard for rack mount converters and processing for television broadcasters. OpenGear uses a 2 rack unit rack frame that holds up to 10 plug in cards, or a double density frame can be used to hold up to 20 cards. Many manufacturers develop OpenGear cards and frames that can be mixed and matched. OpenGear cards are hot swappable and can be controlled by java based DashBoard network control and monitoring software on Windows™, Mac OS X™, and Linux™.

Redundant SDI Input
Blackmagic OpenGear Converters feature 24 bit analogue and 24 bit digital audio. You can select either analogue or AES/EBU digital audio via mini switches, or remotely via the DashBoard network control software. Blackmagic OpenGear Converters will then switch to use either analogue or AES/EBU digital audio. Blackmagic OpenGear Converters support the standard 2 ch and 4 ch audio rear modules, so they can be used with other brand OpenGear products.

High Quality
Blackmagic OpenGear Converters are built to the highest quality standards with low SDI jitter. You get the longest SDI cable lengths combined with ultra low noise analogue video and audio for a true broadcast quality solution.

Hardware Down Converter
If you have older standard definition analogue equipment in your facility then you’ll know how hard it is when modern SDI equipment unexpectedly changes between SD and HD. Blackmagic OpenGear Converter SDI to analogue includes an incredible quality HD down converter that automatically adapts to the input video format and outputs standard definition video in letterbox, anamorphic 16:9 or center cut 4:3.

Easy to Use
Blackmagic OpenGear Converters are similar, so they’re easy to understand. With advanced 3 Gb/s SDI technology, every card is fully compatible with all your SD and HD equipment, plus you can update new formats via USB. Blackmagic OpenGear Converters can be set up via mini switches, DashBoard, or via USB using Blackmagic Design’s Converter Utility. That’s three completely different ways to configure, so you’re never stuck in a critical live situation.

New 3 Gb/s SDI Technology
With the latest 3 Gb/s SDI technology built into Blackmagic OpenGear Converters, you know you’re getting the latest technology. New standards can be uploaded via the USB port. 3 Gb/s SDI is also fully compatible with all your SD and HD equipment.

Cards to Choose from:

SDI to Analogue
Includes everything you need to convert from SDI to analogue HD/SD component, NTSC and PAL video out, plus balanced AES/EBU and analogue audio out. Easily connect to Betacam SP, VHS and analogue video monitors. Features a built in hardware down converter to connect HD-SDI video to SD equipment.

Analogue to SDI
Perfect for converting from analogue HD/SD component, NTSC, PAL or S-Video to SDI out with balanced AES/EBU and analogue audio embedding. Now you can convert analogue devices such as Betacam SP, VHS, set top boxes, gaming consoles and HDV cameras to incredible quality SD/HD-SDI video.

SDI to HDMI
Converts from SDI to HDMI video out with embedded HDMI audio. Imagine using big screen televisions and video projectors as broadcast video monitors! Now it’s incredibly easily connect a huge range of HDMI displays to SDI based equipment.

HDMI to SDI
Ideal for converting from non copy protected HDMI devices to SDI out with embedded SDI audio from the HDMI input. Now you can convert HDMI video devices to SDI, or add SDI outputs to computers with HDMI compatibility.

SDI to Audio
Includes everything you need to de-embed 4 channels of analogue audio or 8 channels of AES/EBU digital audio from any SDI video connection. Now you can easily access the audio in any SDI video connection for output to audio equipment such as audio mixers, analogue broadcast decks, audio monitors and more.

Audio to SDI
Includes everything you need to embed 4 channels of analogue audio or 8 channels of AES/EBU digital audio into any SDI video connection. Embed audio from audio mixers and analogue decks into SDI video connections for use with SDI routers and decks, or to add extra audio channels to video converters.

Optical Fiber
Convert SDI to Optical Fiber, and Optical Fiber to SDI simultaneously. Blackmagic OpenGear Optical Fiber auto switches between any SD, HD, 3 Gb/s HD-SDI video standards and each direction is completely independent.

Sync Generator
Includes 10 crystal stabilised video reference outputs for referencing all the video equipment in your studio with either high definition tri-sync or standard definition black burst. Perfect for small studios or outside broadcasts.

Key Features:-

• Auto Switching SD and HD
  
• 8 Models to choose from
  
• Easy to use

HDLink Pro with DisplayPort is the world’s first SDI monitoring solution for the newest, deep bit depth DisplayPort monitors. Get the highest quality with the deepest colour bit depths possible in both 4:2:2 and 4:4:4. Perfect for SD, HD and feature film 2K monitoring, HDLink Pro supports both 1.62 and 2.7 Gb/s DisplayPort monitors with 1, 2 and 4 lanes.

Full Resolution HD Monitoring
HDLink connects SDI video directly to any supported DVI-D and DisplayPort based LCD computer monitor for incredible true HDTV resolution video monitoring. HDLink includes 3 Gb/s SDI for high resolution 2K film monitoring when connected to a large 30 inch DVI display. With every individual pixel in the HD or 2K SDI connection digitally mapped directly to the pixels of the LCD display, you get a perfect digital-to-screen pixel for pixel HDTV or 2K display. Connect any HDMI television or video projector to HDLink for cinema style monitoring! Even large 23 inch CRT based monitors can’t display the full resolution of the HD-SDI signal, but with HDLink you see every pixel in the HD signal, so you'll always see a perfect image. You'll be amazed at the quality of High Definition or 2K video when you monitor via HDLink for the first time. There’s simply no higher resolution HDTV monitoring possible!

Colour Management via 3D Lookup Tables
For matching LCD display colourimetry and simulating various types of film stocks, HDLinkl features more advanced 3D lookup tables. Advanced 3D lookup tables increase colour control because a blend of red, green and blue video can be output to each primary colour on the connected display. Only advanced 3D lookup tables can give full colour control for accurate simulation of almost any feature film stock. Lookup tables are fully adjustable via a high speed USB 2.0 host computer connection using the included HDLink Utility software for Windows and Mac OS X. Custom lookup tables also allow film industry log video to be converted to linear for monitoring when used for feature film work. Preset gamma tables for Panasonic™ and Grass Valley Thomson Viper cine-gamma are included.

Full Resolution HD Monitoring
HDLink connects SDI video directly to any supported DVI-D based LCD computer monitor for incredible true HDTV resolution video monitoring. HDLink includes 3 Gb/s SDI for high resolution 2K film monitoring when connected to a large 30 inch DVI display. With every individual pixel in the HD or 2K SDI connection digitally mapped directly to the pixels of the LCD display, you get a perfect digital-to-screen pixel for pixel HDTV or 2K display. Connect any HDMI television or video projector to HDLink for cinema style monitoring! Even large 23 inch CRT based monitors can’t display the full resolution of the HD-SDI signal, but with HDLink you see every pixel in the HD signal, so you'll always see a perfect image. You'll be amazed at the quality of High Definition or 2K video when you monitor via HDLink for the first time. There’s simply no higher resolution HDTV monitoring possible.

Supports both DVI and HDMI
HDLink supports all DVI-D based digital computer displays and now also includes HDMI video support. HDMI supports video at 1080i/50, 1080i/59.94 and 720p/59.94 on any HDMI device. DVI-D supports displays at 1920 x 1200 (16:10) resolution for all 1080 HDTV formats. When working in 720 HDTV formats you can even use lower cost 1280 x 800 resolution display for pixel for pixel 720p viewing. When working in NTSC or PAL, HDLink can 2x oversize the displayed image making viewing easier. Because most computer displays are limited to approximately a 60 Hz refresh rate, HDLink will automatically apply pull-down to allow video frame rates to be displayed. HDLink includes a built-in Power PC processor allowing automatic adjustment of native display resolutions using VESA E-EDID1.3.

Key Features:-

• 3 Gb/s SDI 4:2:2/4:4:4 and Dual Link 4:4:4 input
  
• 3 Gb/s SDI 4:2:2/4:4:4 loop-thru output
  
• 6 channel analog 24 bit audio outputs using RCA connectors de-embedded from SDI input
  
• Fully interactive 3D and 1D lookup tables via USB using independently adjustable lookup tables per colour component
  
• HD support: 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080i50, 1080i59.94, 1080i60, 720p50, 720p59.94 and 720p60. New formats can be added via USB
  
• 2K support: 2048 x 1556PsF23.98, 2048 x 1556PsF24 and 2048 x 1556PsF25
  
• Colour space support: 4:2:2 10 bit YUV, 4:4:4 10/12 bit RGB and 2K 10/12 bit RGB
  
• Firmware upgrade via USB 2.0 on Mac OS X™, Windows XP™ and Windows Vista™
  
• Converts Dual Link SDI 4:4:4 to Single Link 3 Gb/s SDI
  
• 3D LUT’s can be output on 3 Gb/s SDI output.

Now you can route your computer monitor via your SDI router. DVI Extender lets you can extend the DVI-D connection to your computer monitor via simple SDI cables. Now it's much easer to connect your computer displays anywhere in your facility, or even to more than one monitor when using any 3 Gb/s SDI router. DVI Extender also works as a regular DVI to SD/HD-SDI video converter, that’s perfect for broadcast graphics.

Route your Computer Monitor
Imagine the creative freedom to design your facility the way you want. Now you can move noisy computers out of client rooms plus you can even have a duplicate computer monitor for your client to watch. DVI Extender is easy to use and plugs into an HDLink Pro or HDLink Optical Fiber converter at the other end of the monitor extension. This means you can use a single monitor for either computer or video monitoring.

Built in SDI Audio Embedding
DVI Extender includes a standard 3.5mm audio mini jack input so you can connect audio from your computer. That means you get full 3D accelerated graphics and audio from your computer to SDI. That’s a perfect solution for digital signage, Flash™ playback, PowerPoint™, gaming and more. Now any software can be output to crystal clear SDI video.

Convert DVI to SDI Video
With DVI Extender, you can harness your computer’s built in 3D accelerated display to create realtime broadcast graphics in standard definition and high definition video. Simply set the control panel to Video Output and DVI extender will output NTSC, PAL, 720 HD or 1080 HD resolution SDI video with embedded audio from your computer via the audio input jack.

New 3 Gb/s SDI Technology
The latest 3 Gb/s SDI technology is built into DVI Extender, making it fully compatible with all of your SD and HD-SDI equipment. With 3 Gb/s SDI you know that DVI Extender will be fully compatible with new video formats in the future! Adding new formats is easy, as they can be loaded via DVI Extender’s USB connection.

Full Digital Quality
Unlike older scan converters, DVI Extender is a fully digital converter that connects the DVI-D output on your computer to SDI equipment such as HDLink Pro. That’s a direct pixel-for-pixel digital connection to SDI, which is the highest quality possible and eliminates all scaling problems.

Powers from any USB Port
DVI Extender does not need messy power supplies because it connects directly to any USB port on your computer. That’s ideal for portable use, because DVI Extender can be powered directly from your laptop. Or you could even use a portable iPod™ USB power supply.

Key Features:-

• Connections include: 1 x DVI-D input, 1 x 3.5mm audio jack input for computer audio, 1 x USB input for power, updates, configuration and 1 x 3 Gb/s SDI output
  
• Uses display settings to set to either, Extender mode or Video mode
  
• When set to Video mode based resolutions DVI Extender will output conventional SDI video to match the selected video standard. Select 720 x 486 for 525i/59.94 (NTSC), 720 x 576 for 625i/50 (PAL), 1280 x 720 for 720HD and 1920 x 1080 for 1080HD video formats
  
• Requires HDLink Pro or HDLink Optical Fiber when used in Extender mode at computer display resolutions up to 1920 x 1200
  
• 3.5mm audio jack input connects to your computer’s analogue audio output for 2 channel embedded audio on the SDI video output
  
• New video formats can be added via USB
  
• Includes DVI Extender, USB cable, DVI cable and 3.5mm audio cable

• Choose between 640 x 480, 800 x 600, 1024 x 768, 1280 x 1024, 1600 x 1200 and 1920 x 1200. Requires HDLink Pro or HDLink Optical Fiber when used as a DVI Extender

• Choose between 720 x 486, 720 x 576, 1280 x 720 and 1920 x 1080. When selected to Video Mode DVI Extender outputs regular SDI video

Enterprise Videohub is a massive size that’s perfect for the largest facility or broadcaster. Enterprise Videohub is one of the largest routers available, and includes the same advanced technology as the other Videohub models at an affordable price. Enterprise Videohub features a massive 144 inputs, 288 outputs and 144 deck control ports all packed into a 16 rack unit size less than 3 inches thick. Enterprise Videohub features redundant power supplies and uses the same powerful Videohub software.

No Manual Patching
In the past most studios have been forced to use manual patching to connect editing workstations and decks. However this can become too complicated for creative designers, graphic artists and editors to understand, plus it gets even more complicated as your studio grows. Manual patching also caused problems with limited SDI cable lengths, and patch cables quickly wear out, so you get glitches as other uses bump them while patching.
Videohub eliminates this problem because everyone is permanently connected, and no cables need to be physically changed ever. All video connections are changed from an easy to use software application right from your computer desktop. Unlike manual patching, Videohub re-clocks the SDI video signal for long cable lengths. Plus unlike manual patching, you can send one SDI video connection to as many outputs as you like, so multiple people can access any SDI video source, all at the same time.

High end post production and broadcasters have understood the advantages of professional routing switchers for decades, and now with Videohub, everyone can afford these same workflow advantages.

Industrial Strength Routing Switcher
Enterprise Videohub has enough SDI connections for 144 edit systems or decks, and twice as many SDI outputs, so each user can have a completely independent SDI output for monitoring. 144 deck control ports are also included so you get a complete routing solution.

SDI Re-Clocking
Enterprise Videohub also includes built in SDI re-clockers on each SDI input which regenerate the SDI video signal. Every inch of video cable from your SDI video devices degrades the SDI signal. Expensive premium grade "digital" cables can help, however simply cannot eliminate this loss. With SDI re-clocking you can output regenerated and clean SDI signal out to all the SDI devices in your studio. That means longer cable lengths, and no glitches in your video.

Simultaneous SD, HD or 3 Gb/s Video
Videohub makes it easy to run Standard Definition and High Definition equipment now and add 3 Gb/s SDI equipment in the future. That's because Videohub handles mixed SD, HD and 3 Gb/s SDI connections all on the same router at the same time. Videohub automatically detects when an SDI input changes, and instantly sets all SDI outputs connected to that input to match. SDI re-clocking and output SDI slew rates change automatically.

Independent Monitoring
Because most editors love monitoring direct from the router, Enterprise Videohub has 288 independent SDI outputs totally dedicated for monitoring. Independent monitoring outputs are great when you need to quickly look at decks and other editing systems in your facility. You can also use the extra outputs to connect consumer VHS and DVD recorders via external converters.

Deck Control Routing
With 144 independent Sony™ compatible RS-422 serial control ports included, each editing system can control any deck in your facility. Each deck control connection is independently reversible via software control, so it’s easy to connect edit stations or decks to any of the 144 deck control ports.

World’s Highest Quality 3 Gb/s SDI
With the exciting new 3 Gb/s SDI connections built in, Videohub allows twice the SDI data rate than normal HD-SDI. Use 3 Gb/s SDI for high resolution real time 2048 x 1556 feature film editing. 3 Gb/s SDI has full compatibility with SD, HD or 2K in 4:4:4 or 4:2:2 all with a single BNC cable. With 3 Gb/s SDI built in, you have full compatibility with all your current standard definition SDI and high definition SDI equipment, plus any new formats that come along in the future. With Videohub, your studio is future proof.

Network Router Control
Videohub uses software control panels that run on Windows™ and Mac OS X™. This lets you control the router from the same system you edit on. Videohub connects to any computer via USB and is then shared over your local network. Any computer can be the host, and simply connecting to the router via the USB 2.0 connection activates that computer as the host and allows other computers on your network to connect. Router labels can be changed from any computer and are fully unicode compatible for foreign language support.

Key Features:-

• 144 SDI inputs compliant with SMPTE 292M, SMPTE
  259M, SMPTE 424M and ITU-R BT.656.
  
• 288 outputs compliant with SMPTE 292M, SMPTE
  259M, SMPTE 424M and ITU-R BT.656.
  
• Automatically switches between SD-SDI, HD-SDI
  and 3 Gb/s SDI on each input, so each input can be
  running a different television standard.
  
• 144 independent Sony™ compatible RS-422 serial
  control ports. Each port is independently reversible
  via software control to allow broadcast decks or
  editing workstations to be connected to any port.
  
• Simultaneous connection of SD, HD and 3 Gb/s
  equipment in your facility using the one router.
  
• Full SDI reclocking supported allowing long SDI
  cable lengths.
  
• Redundant power supply with automatic failover

Now you can eliminate complicated manual video patching forever! Videohub lets you connect all the equipment in your facility and easily change connections right from your computer’s desktop! Videohub is a powerful broadcast grade routing switcher that features up to a massive 144 inputs, 288 outputs, 144 deck control ports, and auto switching SD, HD, and 3 Gb/s SDI, all in a compact rack mount chassis only a few inches thick.

No Manual Patching
In the past most studios have been forced to use manual patching to connect editing workstations and decks. However this can become too complicated for creative designers, graphic artists and editors to understand, plus it gets even more complicated as your studio grows. Manual patching also caused problems with limited SDI cable lengths, and patch cables quickly wear out, so you get glitches as other uses bump them while patching.
Videohub eliminates this problem because everyone is permanently connected, and no cables need to be physically changed ever. All video connections are changed from an easy to use software application right from your computer desktop. Unlike manual patching, Videohub re-clocks the SDI video signal for long cable lengths. Plus unlike manual patching, you can send one SDI video connection to as many outputs as you like, so multiple people can access any SDI video source, all at the same time.

High end post production and broadcasters have understood the advantages of professional routing switchers for decades, and now with Videohub, everyone can afford these same workflow advantages.

Industrial Strength Routing Switcher
Studio Videohub has enough SDI connections for 16 edit systems or decks, and twice as many SDI outputs, so each user can have a completely independent SDI output for monitoring. 16 deck control ports are also included so you get a complete routing solution.

SDI Re-Clocking
Studio Videohub also includes built in SDI re-clockers on each SDI input which regenerate the SDI video signal. Every inch of video cable from your SDI video devices degrades the SDI signal. Expensive premium grade "digital" cables can help, however simply cannot eliminate this loss. With SDI re-clocking you can output regenerated and clean SDI signal out to all the SDI devices in your studio. That means longer cable lengths, and no glitches in your video.

Simultaneous SD, HD or 3 Gb/s Video
Videohub makes it easy to run Standard Definition and High Definition equipment now and add 3 Gb/s SDI equipment in the future. That's because Videohub handles mixed SD, HD and 3 Gb/s SDI connections all on the same router at the same time. Videohub automatically detects when an SDI input changes, and instantly sets all SDI outputs connected to that input to match. SDI re-clocking and output SDI slew rates change automatically.

Independent Monitoring
Because most editors love monitoring direct from the router, Studio Videohub has 72 independent SDI outputs totally dedicated for monitoring. Independent monitoring outputs are great when you need to quickly look at decks and other editing systems in your facility. You can also use the extra outputs to connect consumer VHS and DVD recorders via external converters.

Deck Control Routing
With 16 independent Sony™ compatible RS-422 serial control ports included, each editing system can control any deck in your facility. Each deck control connection is independently reversible via software control, so it’s easy to connect edit stations or decks to any of the 16 deck control ports.

World’s Highest Quality 3 Gb/s SDI
With the exciting new 3 Gb/s SDI connections built in, Videohub allows twice the SDI data rate than normal HD-SDI. Use 3 Gb/s SDI for high resolution real time 2048 x 1556 feature film editing. 3 Gb/s SDI has full compatibility with SD, HD or 2K in 4:4:4 or 4:2:2 all with a single BNC cable. With 3 Gb/s SDI built in, you have full compatibility with all your current standard definition SDI and high definition SDI equipment, plus any new formats that come along in the future. With Videohub, your studio is future proof.

Network Router Control
Videohub uses software control panels that run on Windows™ and Mac OS X™. This lets you control the router from the same system you edit on. Videohub connects to any computer via USB and is then shared over your local network. Any computer can be the host, and simply connecting to the router via the USB 2.0 connection activates that computer as the host and allows other computers on your network to connect. Router labels can be changed from any computer and are fully unicode compatible for foreign language support.

Key Features:-

• 16 SDI inputs compliant with SMPTE 292M, SMPTE 259M, SMPTE 424M and ITU-R BT.656
  
• 32 outputs compliant with SMPTE 292M, SMPTE 259M, SMPTE 424M and ITU-R BT.656
  
• Automatically switches between SD-SDI, HD-SDI and 3 Gb/s SDI on each input, so each input can be running a different television standard
  
• 16 independent Sony™ compatible RS-422 serial control ports. Each port is independently reversible via software control to allow broadcast decks or editing workstations to be connected to any port
  
• Simultaneous connection of SD, HD and 3 Gb/s equipment in your facility using the one router
  
• Full SDI reclocking supported allowing long SDI cable lengths

Includes everything you need to embed 4 channels of analogue audio, or 8 channels of AES/EBU digital audio into any SDI video connection. Embed audio from devices such as audio mixers and analogue decks into SDI video connections for use with SDI routers and decks or to add extra audio channels to video converters.

Built in AES/EBU or Analogue Audio
Standard 1/4 inch jacks are built in for balanced analogue or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly available from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analogue audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analogue and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronised, or unsynchronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection.

Redundant SDI Input
Mini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors etc. A loop though SDI output is also provided for connecting to other devices. A loop-through SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-through to another Mini Converter to de-embedd extra audio channels.

Auto Switching SD and HD
Mini Converters instantly switch between standard definition and high definition video formats and change over is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB.

New 3 Gb/s SDI Technology
Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment.

High Quality
Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analogue video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analogue audio and video electronics. In fact, Mini Converters uses the same analogue video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit.

International Power Supply
Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight.

Key Features:-

• SDI Audio embedder
  
• Auto Switching SD and HD
  
• New 3 Gb/s SDI Technology
  
• Built in AES/EBU or Analogue Audio
  
• SDI Loop through

Includes everything you need to de-embed 4 channels of analogue audio or 8 channels of AES/EBU digital audio from any SDI video connection. Now you can easily access the audio in any SDI video connection for output to audio equipment such as audio mixers, analogue broadcast decks, audio monitors and more.

Built in AES/EBU or Analogue Audio
Standard 1/4 inch jacks are built in for balanced analogue or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly available from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analogue audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analogue and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronised, or unsynchronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection.

Redundant SDI Input
Mini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors etc. A loop though SDI output is also provided for connecting to other devices. A loop-through SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-through to another Mini Converter to de-embedd extra audio channels.

Auto Switching SD and HD
Mini Converters instantly switch between standard definition and high definition video formats and change over is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB.

New 3 Gb/s SDI Technology
Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment.

High Quality
Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analogue video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analogue audio and video electronics. In fact, Mini Converters uses the same analogue video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit.

International Power Supply
Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight.

Key Features:-

• SDI Audio de-embedder
  
• Auto Switching SD and HD
  
• New 3 Gb/s SDI Technology
  
• Built in AES/EBU or Analogue Audio
  
• SDI Loop through

Now you can convert SDI to Optical Fiber, and Optical Fiber to SDI simultaneously. Mini Converter Optical Fiber automatically switches between any SD, HD, 3Gb/s HD-SDI video standards and each direction can be completely independent.

Auto Switching SD and HD
Mini Converters instantly switch between standard definition and high definition video formats and change over is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB.

New 3 Gb/s SDI Technology
Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment.

High Quality
Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analogue video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analogue audio and video electronics. In fact, Mini Converters uses the same analogue video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit.

International Power Supply
Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight.

Key Features:-

• Bi-directional conversion
  
• Simultaneous Bi-directional conversion
  
• Auto Switching SD and HD
  
• New 3 Gb/s SDI Technology

Eliminate the high cost of HDTV monitoring with HDLink - the world's most advanced full HDTV resolution monitoring converter for DVI and HDMI monitors. Includes the quality of 4:4:4 SDI video, lookup tables via USB and analogue audio outputs.

HDLink Optical Fiber includes amazing quality DVI and HDMI monitoring with 6 channels of RCA analogue audio out, 3D lookup tables, single link 3 Gb/s SDI input, single link 3 Gb/s SDI loop through output, optical fiber SDI input, optical fiber SDI loop through output and support for 24 inch displays for HD monitoring and 30 inch displays for real time 2K monitoring.

Built in Optical Fiber
The HDLink Optical Fiber model is the worlds first broadcast monitoring solution with built in optical fiber SDI connections. Optical fiber easily handles long distances, is low cost, and optical fiber cables last virtually forever because you can keep plugging them into faster equipment in the future, and the same cables will go much faster. Optical fiber cables can be installed by your local electrician, and the cables can be purchased from your local electrical wholesaler. That's because optical fiber is used all the time in computer networking, so it's low cost and commonly available! Now you can build a native optical fiber facility.

Colour Management via 3D Lookup Tables
For matching LCD display colourimetry and simulating various types of film stocks, HDLink features more advanced 3D lookup tables. Advanced 3D lookup tables increase colour control because a blend of red, green and blue video can be output to each primary colour on the connected display. Only advanced 3D lookup tables can give full colour control for accurate simulation of almost any feature film stock. Lookup tables are fully adjustable via a high speed USB 2.0 host computer connection using the included HDLink Utility software for Windows and Mac OS X. Custom lookup tables also allow film industry log video to be converted to linear for monitoring when used for feature film work. Preset gamma tables for Panasonic™ and Grass Valley Thomson Viper cine-gamma are included.

Full Resolution HD Monitoring
HDLink connects SDI video directly to any supported DVI-D based LCD computer monitor for incredible true HDTV resolution video monitoring. HDLink includes 3 Gb/s SDI for high resolution 2K film monitoring when connected to a large 30 inch DVI display. With every individual pixel in the HD or 2K SDI connection digitally mapped directly to the pixels of the LCD display, you get a perfect digital-to-screen pixel for pixel HDTV or 2K display. Connect any HDMI television or video projector to HDLink for cinema style monitoring! Even large 23 inch CRT based monitors can’t display the full resolution of the HD-SDI signal, but with HDLink you see every pixel in the HD signal, so you'll always see a perfect image. You'll be amazed at the quality of High Definition or 2K video when you monitor via HDLink for the first time. There’s simply no higher resolution HDTV monitoring possible.

Supports both DVI and HDMI
HDLink supports all DVI-D based digital computer displays and now also includes HDMI video support. HDMI supports video at 1080i/50, 1080i/59.94 and 720p/59.94 on any HDMI device. DVI-D supports displays at 1920 x 1200 (16:10) resolution for all 1080 HDTV formats. When working in 720 HDTV formats you can even use lower cost 1280 x 800 resolution display for pixel for pixel 720p viewing. When working in NTSC or PAL, HDLink can 2x oversize the displayed image making viewing easier. Because most computer displays are limited to approximately a 60 Hz refresh rate, HDLink will automatically apply pull-down to allow video frame rates to be displayed. HDLink includes a built-in Power PC processor allowing automatic adjustment of native display resolutions using VESA E-EDID1.3.

Key Features:-

• 3 Gb/s SDI support: 4:2:2, 4:4:4 and 2K.
  
• Optical Fiber SDI support: 4:2:2, 4:4:4 and 2K.
  
• Video formats supported on DVI Displays: 2K 2048 x 1556 at 23.98PsF, 24PsF. 1080 HD at 23.98PsF, 24PsF, 25PsF, 48i, 50i, 59.94i, 60i. 720 HD at 50p, 59.94p, 60p. Standard Definition NTSC and PAL
  
• Video formats supported on HDMI Displays: 1080 HD at 23.98p, 24p, 25p, 29.97p, 30p, 48i, 50i, 59.94i, 60i. 720 HD at 50p, 59.94p, 60p. Standard Definition NTSC and PAL
  
• Selectable 16:9 or full screen resize in SD
  
• Colour precision support: 4:2:2 10 bit, 4:4:4 10 bit and 2K 10 bit. Colour space support: 4:2:2 YUV, 4:4:4 RGB and 2K RGB
  
• Fully interactive 3D lookup tables via USB using independently adjustable lookup tables per colour component
  
• Firmware upgrade via USB 2.0 on Mac OS X™,Windows XP™ and Windows Vista™

Broadcast Converter combines most mini converters features into a 1 rack unit chassis that allows bi-directional conversion. Convert SDI to analog/HDMI while at the same time converting analog to HDMI to SDI. Broadcast Converter is a complete solution for connecting analog decks such as Betacam SP to SDI based systems in a compact rack mount design. Broadcast Converter does feature some different specifications to Mini Converter models, so please check the Tech Specs page for full details on the differences.

More about Blackmagic Mini Converters:

Build your SDI studio with the worlds most advanced and easy to use converters! Only Mini Converters include auto SD/HD switching, redundant input, AES/EBU and analog audio on standard 1/4 inch jack connections, combined with advanced 3 Gb/s SDI technology. There's 4 great models to choose from depending on the conversion you need, plus a sync generator model.

Auto Switching SD and HD
Mini Converters instantly switch between standard definition and high definition video formats and changeover is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB.

Redundant SDI Input
Mini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you can use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors etc. A loop though SDI output is also provided for connecting to other devices. A loop-through SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-through to another Mini Converter to de-embed extra audio channels!

New 3 Gb/s SDI Technology
Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment.

Built in AES/EBU or Analog Audio
Standard 1/4 inch jacks are built in for balanced analog or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly available from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analog audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analog and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronised, or unsynchronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection.

High Quality
Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analog video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analog audio and video electronics. In fact, Mini Converters uses the same analog video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit.

International Power Supply
Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight.

See Adobe Acrobat pdf datasheet (left) for more information.

Mini Converter Sync Generator includes 6 crystal stabilised video reference outputs for referencing all the video equipment in your studio in either high definition Tri-Sync or standard definition Black Burst television standards.

More about Blackmagic Mini Converters:

Build your SDI studio with the worlds most advanced and easy to use converters! Only Mini Converters include auto SD/HD switching, redundant input, AES/EBU and analog audio on standard 1/4 inch jack connections, combined with advanced 3 Gb/s SDI technology. There's 4 great models to choose from depending on the conversion you need, plus a sync generator model.

Auto Switching SD and HD
Mini Converters instantly switch between standard definition and high definition video formats and changeover is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB.

Redundant SDI Input
Mini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you can use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors etc. A loop though SDI output is also provided for connecting to other devices. A loop-through SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-through to another Mini Converter to de-embed extra audio channels!

New 3 Gb/s SDI Technology
Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment.

Built in AES/EBU or Analog Audio
Standard 1/4 inch jacks are built in for balanced analog or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly available from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analog audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analog and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronised, or unsynchronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection.

High Quality
Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analog video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analog audio and video electronics. In fact, Mini Converters uses the same analog video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit.

International Power Supply
Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight.

See Adobe Acrobat pdf datasheet (left) for more information.

Mini Converter HDMI to SDI is ideal for converting from HDMI devices to SDI video with the choice to embed SDI audio from HDMI, AES/EBU or balanced analog audio inputs. Now you can add SDI outputs to cameras with HDMI connections, or if your computer supports HDMI compatibility via DVI to HDMI adapters, then you can add SDI outputs to computers.

More about Blackmagic Mini Converters:

Build your SDI studio with the worlds most advanced and easy to use converters! Only Mini Converters include auto SD/HD switching, redundant input, AES/EBU and analog audio on standard 1/4 inch jack connections, combined with advanced 3 Gb/s SDI technology. There's 4 great models to choose from depending on the conversion you need, plus a sync generator model.

Auto Switching SD and HD
Mini Converters instantly switch between standard definition and high definition video formats and changeover is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB.

Redundant SDI Input
Mini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you can use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors etc. A loop though SDI output is also provided for connecting to other devices. A loop-through SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-through to another Mini Converter to de-embed extra audio channels!

New 3 Gb/s SDI Technology
Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment.

Built in AES/EBU or Analog Audio
Standard 1/4 inch jacks are built in for balanced analog or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly available from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analog audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analog and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronised, or unsynchronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection.

High Quality
Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analog video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analog audio and video electronics. In fact, Mini Converters uses the same analog video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit.

International Power Supply
Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight.

Please Note: HDCP Not Supported

See Adobe Acrobat pdf datasheet (left) for more information.

Mini Converter SDI to HDMI converts from SDI to HDMI video with embedded HDMI audio, plus balanced AES/EBU or analog audio. Imagine using big screen televisions and video projectors for broadcast video monitoring! Now you can easily connect HDMI displays to SDI based equipment.

More about Blackmagic Mini Converters:

Build your SDI studio with the worlds most advanced and easy to use converters! Only Mini Converters include auto SD/HD switching, redundant input, AES/EBU and analog audio on standard 1/4 inch jack connections, combined with advanced 3 Gb/s SDI technology. There's 4 great models to choose from depending on the conversion you need, plus a sync generator model.

Auto Switching SD and HD
Mini Converters instantly switch between standard definition and high definition video formats and changeover is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB.

Redundant SDI Input
Mini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you can use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors etc. A loop though SDI output is also provided for connecting to other devices. A loop-through SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-through to another Mini Converter to de-embed extra audio channels!

New 3 Gb/s SDI Technology
Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment.

Built in AES/EBU or Analog Audio
Standard 1/4 inch jacks are built in for balanced analog or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly available from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analog audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analog and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronised, or unsynchronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection.

High Quality
Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analog video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analog audio and video electronics. In fact, Mini Converters uses the same analog video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit.

International Power Supply
Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight.

See Adobe Acrobat pdf datasheet (left) for more information.

Mini Converter Analog to SDI is perfect for converting from analog video in HD/SD component, NTSC, PAL or S-Video to SDI video with the choice to embed SDI audio from balanced AES/EBU or analog audio inputs. Now you can convert analog devices such as Betacam SP, VHS, Set top box's and HDV cameras to SDI video.

More about Blackmagic Mini Converters:

Build your SDI studio with the worlds most advanced and easy to use converters! Only Mini Converters include auto SD/HD switching, redundant input, AES/EBU and analog audio on standard 1/4 inch jack connections, combined with advanced 3 Gb/s SDI technology. There's 4 great models to choose from depending on the conversion you need, plus a sync generator model.

Auto Switching SD and HD
Mini Converters instantly switch between standard definition and high definition video formats and changeover is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB.

Redundant SDI Input
Mini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you can use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors etc. A loop though SDI output is also provided for connecting to other devices. A loop-through SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-through to another Mini Converter to de-embed extra audio channels!

New 3 Gb/s SDI Technology
Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment.

Built in AES/EBU or Analog Audio
Standard 1/4 inch jacks are built in for balanced analog or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly available from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analog audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analog and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronised, or unsynchronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection.

High Quality
Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analog video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analog audio and video electronics. In fact, Mini Converters uses the same analog video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit.

International Power Supply
Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight.

See Adobe Acrobat pdf datasheet (left) for more information.

Mini Converter SDI to Analog includes everything you need to convert from SDI to analog in HD/SD component, NTSC and PAL video, plus balanced AES/EBU and analog audio. Now you can easily connect equipment such as Betacam SP, VHS, and analog video monitors to SDI based equipment.

More about Blackmagic Mini Converters:

Build your SDI studio with the worlds most advanced and easy to use converters! Only Mini Converters include auto SD/HD switching, redundant input, AES/EBU and analog audio on standard 1/4 inch jack connections, combined with advanced 3 Gb/s SDI technology. There's 4 great models to choose from depending on the conversion you need, plus a sync generator model.

Auto Switching SD and HD
Mini Converters instantly switch between standard definition and high definition video formats and changeover is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB.

Redundant SDI Input
Mini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you can use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors etc. A loop though SDI output is also provided for connecting to other devices. A loop-through SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-through to another Mini Converter to de-embed extra audio channels!

New 3 Gb/s SDI Technology
Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment.

Built in AES/EBU or Analog Audio
Standard 1/4 inch jacks are built in for balanced analog or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly available from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analog audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analog and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronised, or unsynchronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection.

High Quality
Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analog video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analog audio and video electronics. In fact, Mini Converters uses the same analog video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit.

International Power Supply
Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight.

See Adobe Acrobat pdf datasheet (left) for more information.

Broadcast Videohub is a powerful broadcast grade routing switcher that features a massive 72 inputs, 144 outputs, 72 deck control ports, and auto switching SD, HD, and 3 Gb/s SDI, all in a compact rack mount chassis only a few inches thick.

No Manual Patching
In the past most studio's have been forced to use manual patching to connect editing workstations and decks. However this can become too complicated for creative designers, graphic artists and editors to understand, plus it gets even more complicated as your studio grows. Manual patching also caused problems with limited SDI cable lengths, and patch cables quickly wear out, so you get glitches as other uses bump them while patching.

Broadcast Videohub eliminates this problem because everyone is permanently connected, and no cables need to be physically changed ever. All video connections are changed from an easy to use software application right from your computer desktop. Unlike manual patching, Broadcast Videohub re-clocks the SDI video signal for long cable lengths. Plus unlike manual patching, you can send one SDI video connection to as many outputs as you like, so multiple people can access any SDI video source, all at the same time.

High end post production and broadcasters have understood the advantages of professional routing switchers for decades, and now with Broadcast Videohub, everyone can afford these same workflow advantages.

Industrial Strength Routing Switcher
With 72 inputs and 144 outputs, Broadcast Videohub is big enough to grow with your company. Broadcast Videohub has enough SDI connections for 72 edit systems or decks, and twice as many SDI outputs, so each user can have a completely independent SDI output for monitoring. 72 deck control ports are also included so you get a complete routing solution.

SDI Re-Clocking
Broadcast Videohub also includes built in SDI re-clockers on each SDI input which regenerate the SDI video signal. Every inch of video cable from your SDI video devices degrades the SDI signal. Expensive premium grade "digital" cables can help, however simply cannot eliminate this loss. With SDI re-clocking you can a regenerated and clean SDI signal out to all the SDI devices in your studio. That means longer cable lengths, and no glitches in your video.

Simultaneous SD, HD or 3 Gb/s Video
Broadcast Videohub makes it easy to run Standard Definition and High Definition equipment now and add 3 Gb/s SDI equipment in the future. That's because Broadcast Videohub handles mixed SD, HD and 3 Gb/s SDI connections all on the same router at the same time. Broadcast Videohub automatically detects when an SDI input changes, and instantly sets all SDI outputs connected to that input to match. SDI re-clocking and output SDI slew rates change automatically.

Independent Monitoring
Because most editors love monitoring direct from the router, Broadcast Videohub has 72 independent SDI outputs totally dedicated for monitoring. Independent monitoring outputs are great when you need to quickly look at decks and other editing systems in your facility. You can also use the extra outputs to connect consumer VHS and DVD recorders via external converters.

Deck Control Routing
With 72 independent Sony™ compatible RS-422 serial control ports included, each editing system can control any deck in your facility. Each deck control connection is independently reversible via software control, so it’s easy to connect edit stations or decks to any of the 72 deck control ports.

World’s Highest Quality 3 Gb/s SDI
With the exciting new 3 Gb/s SDI connections built in, Broadcast Videohub allows twice the SDI data rate than normal HD-SDI. Use 3 Gb/s SDI for high resolution real time 2048 x 1556 feature film editing. 3 Gb/s SDI has full compatibility with SD, HD or 2K in 4:4:4 or 4:2:2 all with a single BNC cable. With 3 Gb/s SDI built in, you have fully compatibility with all your current standard definition SDI and high definition SDI equipment, plus any new formats that come along in the future. With Broadcast Videohub, your studio is future proof.

Network Router Control
Broadcast Videohub uses software control panels that run on Windows™ and Mac OS X™. This lets you control the router from the same system you edit on. Broadcast Videohub connects to any computer via USB and is then shared over your local network. Any computer can be the host, and simply connecting to the router via the USB 2.0 connection activates that computer as the host and allows other computers on your network to connect. Router labels can be changed from any computer and are fully unicode compatible for foreign language support.

Video Recording for a new age
Now you can capture analog video from VHS, Video-8, video cameras and more, direct to the H.264 file format as used by iPod™, iPhone™, Apple TV™ and YouTube™. Blackmagic Video Recorder plugs directly into your computer’s USB and includes easy to use software. Get the highest quality video capture from any component video or regular video device. Blackmagic Video Recorder eliminates time consuming processing because it captures into the native file format of your mobile device. It can even copy to iTunes ready for syncing!

Highest Quality Video Capture
Regular video input is included, plus you can select super high quality component video for incredible quality movies. Use regular video input to capture from VHS machines, televisions, Video-8 cameras, and any other composite video device. Use super high quality component video for capture from set top boxes, DV cameras or DVD players*.

Capture Direct For Your Mobile Device
To make capture easy, simply select the device you want to capture for. The Video Recorder software will automatically set the size and quality for you! If you're using a custom device, then just enter the resolution and data rate you need for your media files, and Video Recorder SDI will take care of all scaling.

Easy Cropping Tools
Sometimes analog video has black borders, or VHS switching at the bottom of the picture. Easily adjust the cropping to make perfect movies every time! Simply slide the cropping tool along until any artifacts are removed. This means all your captured media will be pixel perfect without annoying black lines at the edges.

Exciting Recording Options
For recording videos automatically, you can set the recording time so you can walk away and recording will stop at a specific time. If you're uploading movies to YouTube, then you can select to auto segment files into 9 min segments, or if you want to put captured videos on CD's you can also select to segment recording into 700 MB sized files.

See Adobe Acrobat pdf datasheet (left) for more information.

Eliminate the high cost of HDTV monitoring with HDLink - the world's most advanced full HDTV resolution monitoring converter for DVI and HDMI monitors. Includes the quality of 4:4:4 SDI video, lookup tables via USB and analogue audio outputs.

HDLink Pro is the worlds first full resolution HDTV and 2K monitoring solution for DVI and HDMI displays. With new 3Gb/s SDI for 2K, HD and SD compatibility, built in 3D lookup table colour management and 6 channel analogue audio outputs, HDLink Pro is easily the most advanced monitoring solution available.

3D Lookup Table Colour Management
With built in 3D lookup tables, you can accurately any film stock or calibrate for the colourimetry of you connected display. The included HDLink Utility software for Windows and Mac OS X allows real time colour adjustments, software updates, audio channel selections and downloading custom lookup tables.

High Resolution 3 Gb/s SDI Film Monitoring
HDLink Pro features the new 3 Gb/s SDI video connection for 4:2:2 and 2K video monitoring using a single BNC connection. Only HDlink Pro supports real time 2K playback via SDI at a massive 2048 x 1556 resolution when used with a 30 inch LCD display.

Works with DVI and HDMI Monitors
Connect to a 24 inch LCD computer display for through 1920 x 1080 HDTV monitoring, or 30 inch displays for full 2048 x 1556 2k feature film monitoring. Connect HDMI televisions and video projectors for incredible cinema style monitoring that's perfect for edit suites, location shoots, client monitoring and more.

Key Features:-

• HDTV and standard definition support in 4:2:2 and 4:4:4
  
• All HDTV formats supported: 1080 lines at 24p, 25p, 30p, 48i, 50i, 60i, and 720 lines at 30p, 50p, 60p
  
• Standard definition SDI format support for NTSC and PAL
  
• Full HDTV resolution pixel for pixel support on LCD displays
  
• 10 bit 4:2:2 YUV and 10/12 bit 4:4:4 RGB or YUV support
  
• Gamma correction via real time adjustable 10 bit lookup tables for each colour component. Downloadable via USB
  
• Supports most DVI-D digital computer displays
  
• Adaptive pull down processor for smooth motion display even when DVI-D display does not support all video frame rates
  
• Analogue 24 bit stereo audio output using RCA connectors
  
• High speed USC 2.0 (480Mb/s) host computer interface
  
• Firmware upgradeable via USB on Mac OS X or Windows XP

blueThing is a compact multi-standard SD/HD-SDI to DVI-I converter designed to meet the increasing demand for HD/SDI or SD/SDI monitoring.

It enables HD-SDI or SD-SDI signals to be viewed using practically any LCD, plasma or projector display, and also features an audio de-embedder with AES/S-PDIF digital, line analogue, and headphone audio outputs for audio monitoring.

Incoming signals and output resolution are auto-sensed to enable ease of use and to ensure accurate image conformity when viewed on 16:9 and 4:3 screens. The converters’ high-quality spatial and temporal video processing deliver excellent frame-rate conversion, scaling and de-interlacing, that results in images having an amazing quality even when used on inexpensive LCD monitors.

In addition to the excellent image quality, blueThing is very easy to configure if needed. An on-screen display that allows the unit to be configured without the need of a computer. Alternatively an Ethernet port enables the unit to be configured remotely via web browser without having to install any software.

Key Features:-

• SD/HD-SDI to DVI-I conversion for projector, LCD & plasma displays
  
• Accepts SD-SDI at 525/625 line-rates, or 720p/1080i/1080p/1080PsF HD-SDI.
  
• Broadcast based filters for superior image detail
  
• Proprietary frame rate conversion for superior image motion
  
• De-interlacing and up/down scaling
  
• Support for anamorphic SD-SDI inputs
  
• Auto image sizing for widescreen and standard monitors
  
• Auto scaling to monitor’s native resolution
  
• Manual resolution selection of between 1024 by 768 to 1920 by 1200
  
• Proc-amp, gamma and colour matrix controls
  
• DVI-D, DVI-I output
  
• HDMI or analogue RGB output via optional adaptors
  
• Audio de-embed to AES/SPDIF, line and headphone outputs for complete A/V solution
  
• Audio group, pair and output level controls
  
• Remote control via web browser using Ethernet interface
  
• Local control via on screen display
  
• Safe area marker insertion
  
• Colour temperature control in 100 K steps between 4,500 and 9,500 K
  Test pattern generator
  
• Compact size 126 x 102 x 28 mm
  
• Powered by an external AC/DC supply via a locking 2.1 mm connector

The FIRST CompactFlash based HD XStream Data Recorder.

Connect any HD-SDI source via coax (up to 150 metres) to the Flash XDR. Use internal or external time-code source; the internal real-time clock will automatically add date and time information. Turn on the Flash XDR and notice the instant start-up and silent operation. Record some video to one of the two hot-swappable CompactFlash cards. Start your edit session by forcing a card eject (the box will automatically start recording to the second card). Quickly transfer the QuickTime or .m2t file to your laptop editor using the Firewire-800 reader. Now “edit while you (continue to) shoot", productively using your laptop as an editing tool, avoiding lengthy ingests from the old FireWire direct-to-laptop capture method.

The ultra-portable, low-power design means you can carry the Flash XDR on any shoot, and enjoy a full-day of battery-powered operation. The rugged, lightweight, self-contained unit can be easily carried in a backpack, placed in a helicopter or used as a pool-feed recorder. Off-line edits of high-end projects (HDCAM SR) are simple to create using HDV data rates. CompactFlash cards can be readily swapped-out for endless recording possibilities (including
surveillance). Finally, for maximum versatility, ASI and 1394 outputs support satellite uplink, Internet streaming (via ASI-->IP), or recording to an HDV deck / camcorder / FireWire drive / Walkman device.

Features:

• HD-SDI <-> HDV or XDCAM HD MPEG2 Streams
  
• Also supports MPEG2 4:2:2 @ 50 Mbps
  
• 1080i, 720p, 1080p23.98
  
• Embedded or External Audio, Time-code inputs
  
• Two Hot-swappable CompactFlash Card Slots
  
• Enables File-Based Transfer - 5X~12X Real-time
  
• Rugged solid state; silent operation
  
• Compact, Ultra-Portable, under 2kg in weight
  
• 8 Hour Li-Ion Battery included
  
• Size= 5.0"(L) x 3.5" (W) x 6.5"(H)

• Live-Event recording (churches, concerts, etc)
  
• Pool Feed Recorder from Live-News, Courtroom events
  
• Mobile Trucks, Local TV Station Broadcast, Post Production & Pole Cams
  
• ASI --> IP (MPEG2 over Internet), ASI -->Satellite Uplink
  
• Sports, Nature shoots, Film documentaries, etc.
  
• Helicopters, Race-Cars, Horse-Races, Airplanes, Helmet cameras
  
• Military / Law Enforcement Surveillance
  
• Sports, Medical, Corporate, ENG, EFP, Underwater cameras
  
• Tape Dubs HDCAM --> HDV

The latest HD/SD-SDI converter from Convergent-Design is the nanoConnect. Launched at NAB 2007, the nanoConnect supports a very wide range of video formats, including: 1080i60/59.94/501080p30/29.97/25/24/23.98, 720p60/59.94/50, 486i29.97, and 576i25. The 100% digital conversion produces far superior video quality compared to analog conversion techniques.

Features:

• HDMI–›HD/SD-SDI conversion (with embedded audio & time-code)
  
• HDV, DV and AVCHD Playback Support!
  
• 720/60p, 720/59.94p, 720/50p, 1080/60i, 1080/59.94i, 1080/50i, 1080/30p, 1080/29.97p, 1080/25p, 1080/24p, 1080/23.97p, 486i and 576i HDMI support
  
• Eliminates Long-GOP (HDV or AVCHD) editing (and associated render times) by enabling REAL-TIME conversion of HDV/AVCHD to DNxHD, DVCProHD and other I-Frame Codecs
  
• YUV 4:2:2 or RGB 4:4:4 HDMI/DVI Support
  
• 50Hz and 59.94/60Hz compatible
  
• Saves the cost of purchasing multiple decks for 720p and 1080i support. For example, the Sony M25U deck or HDR-HC3 camcorder will playback both 720p and 1080i tapes (except 720p24 and 1080i24F). (Not possible with Native HDV Editing).
  
• Cross Conversion and down-scale as provided by the deck. (see compatibility chart below)
  
• 100% digital, no A/D or D/A conversions or losses.
  
• 1394 deck control direct from your computer NLE for batch captures: offline/online workflows
  
• Compatible with Sony HDCam & DigiBeta Decks
  
• Verified with: Avid Adrenaline HD, Avid DS Nitris, Avid Media Composer, Final Cut Pro (with AJA or Blackmagic Card), Adobe Premiere, Media 100 & Quantel products
  
• NOTE: Will not convert HDCP encrypted content.
  
• Colour Bar Output with no HDMI input
  
• Extremely low latency (<100 usec)
  
• Ability to force 1080i, 720p or SD (486i or 576i) from HDMI devices that would not otherwise support these formats (eg Sony HDC-HC3)
  
• Size= 3.5"(L) x 5.0" (W) x 1.1"(H)

• Ingest HDV, DV and AVCHD into an SDI based NLE
  
• Convert from DVI Source (such as a computer) to HD/SD-SDI
  
• Play 720p and 1080i HDV and DV tapes in Sony HDV cameras and decks and get HD/SD-SDI output (save the cost of purchasing extra decks)
  
• Use consumer grade HDV camera to play back tapes at same quality as higher end decks (including scaling)

The HD-Connect MI is an HDMI to HD/SDI-SDI converter box featuring embedded audio and time-code.

This unique box converts the uncompressed (YCbCr 4:2:2) video and audio from Sony / JVC deck or camcorder HDMI output into the HD/SD-SDI format used in professional video applications. The HD-Connect MI offers two distinct advantages over other HDV converters: DV as well as HDV support and the ability to playback both 1080i and 720p tapes from a single deck. Users can connect the HD/SD-SDI output to their NLE systems and convert HDV/DV to DVCProHD, DNxHD or uncompressed HD/SD in real-time. Additionally, the HD-Connect MI converts RS-422 deck commands to 1394, so the HDV deck or camcorder can be directly controlled from an editing application. Offline/ Online workflows as well as batch captures are therefore easily supported. Finally, tape dubs from HDV to HDCAM or DigiBeta entail only a single coax connection via the HD/SD-SDI cable which carries video, audio and time-code.

Features:

• HDMI–›HD/SD-SDI conversion (with embedded audio & time-code)
  
• HDV, DV and AVCHD Playback Support!
  
• Eliminates Long-GOP (HDV) editing (and associated render times) by enabling REAL-TIME conversion of HDV to DNxHD, DVCProHD and other I-Frame Codecs
  
• Works with JVC HDV BR-HD50U Deck, Sony HDV HVR-M25U Deck, Sony HDV HDR-HC3 Camcorder and upcoming AVCHD camcorders
  
• Saves the cost of purchasing multiple decks for 720p and 1080i support. For example, the Sony M25U deck or HDR-HC3 camcorder will playback both 720p and 1080i tapes (except 720p24 and 1080i24F). (Not possible with native HDV editing).
  
• Cross conversion and down-scale as provided by the deck
  
• 100% digital, no A/D or D/A conversions
  
• RS-422–›1394 deck control for batch captures: offline/online workflows
  
• DVI Support (requires adaptor cable)
  
• Auto detection of drop-frame and non drop-frame tapes
  
• Verified with: Avid Adrenaline HD, Avid DS Nitris, Avid Media Composer, Final Cut Pro (with AJA or Blackmagic Card), Adobe Premiere, Media 100 & Quantel products
  
• Size= 3.5"(L) x 5.0" (W) x 1.1"(H)

• Ingest HDV, DV and AVCHD into an NLE
  
• Create Tape Dubs to Digi-Beta or HDCAM
  
• Convert from DVI Source (such as a computer) to HD/SD-SDI
  
• Play 720p and 1080i HDV and DV tapes in Sony HDV cameras and decks and get HD/SD-SDI output (save the cost of purchasing extra decks)
  
• Use consumer grade HDV camera to play back tapes at same quality as higher end decks (including scaling)

The ultra-portable unit offers a cost-effective solution for converting HDV material from Sony, JVC or Canon decks or camcorders to uncompressed HD/SD-SDI. Users can connect the HD/SD-SDI output to their NLE systems and convert HDV to DVCProHD, DNxHD or uncompressed HD in real-time, thus eliminating all the Long GOP (and long render times) associated with HDV editing. Additionally, the HD-Connect SI converts RS-422 deck commands to 1394, so the HDV deck or camcorder can be directly controlled from an editing application. Offline/ Online workflows as well as batch captures are therefore easily supported. Finally, tape dubs from HDV to HDCAM or DigiBeta require only a single coax connection via the HD/SD-SDI cable which carries video, audio and time-code.

Features:

• HDV (over 1394)–›HD/SD-SDI (with embedded audio & time-code
  
• Eliminates Long-GOP (HDV) editing (and associated render times) by enabling REAL-TIME conversion of HDV to DNxHD, DVCProHD and other I-Frame Codecs
  
• 50Hz and 59.94Hz compatible
  
• Excellent video and audio quality and remains fully synchronised
  
• 1080i and 720p HDV Support (tested with Sony, JVC, and Canon camcorders and decks)
  
• Supports 720/24p, 720/25p, 720/30p, 720/50p and 720/60p HDV
  
• Supports 1080i/24, 1080i/50 and 1080i/60 HDV
  
• Cross Conversion 1080i‹–›720p
  
• Down-scale to SD (anamorphic, letterbox or edge-crop output)
  
• 100% digital, no A/D or D/A conversions
  
• RS-422–›1394 deck control for batch captures: offline/online workflows
  
• Compatible with Sony HDCam & DigiBeta Decks
  
• Verified with: Avid Adrenaline HD, Avid DS Nitris, Avid Media Composer, Final Cut Pro (with AJA or Blackmagic Card), Adobe Premiere, Media 100 & Quantel products
  
• Size= 3.5"(L) x 5.0" (W) x 1.1"(H)

• Ingest HDV into an NLE
  
• Create Tape Dubs to Digi-Beta or HDCAM
  
• Playout from native HDV NLE to HD-SDI for dubs or broadcast

The HD-Connect LE is an HDV to HD/SD-SDI convertor box featuring embedded audio and time-code as well as analog component, AES and LTC outputs.

This small unit offers a cost-effective solution for converting HDV material from Sony, JVC or Canon decks or camcorders to uncompressed HD/SD-SDI. Users can connect the HD/SD-SDI output to their NLE systems and convert HDV to DVCProHD, DNxHD or uncompressed HD in real-time, thus eliminating all the Long GOP (and long render times) associated with HDV editing. Additionally, the HD-Connect LE converts RS-422 deck commands to 1394, so the HDV deck or camcorder can be directly controlled from an editing application. Offline/Online workflows as well as batch captures are therefore easily supported. Finally, the HD-Connect LE enables tape dubs from HDV to HDCAM, DigiBeta or BetaCam SP decks.

Features:

• HDV (over 1394) to HD-SDI (with embedded audio and time code)
  
• 720p and 1080i Support
  
• 50Hz and 59.94Hz compatible
  
• HDV Deck Control via RS-422 to 1394 translation
  
• All outputs simultaneously active
  
• Component and Composite Support
  
• Monitor Audio Out
  
• Gamma Correction
  
• Size= 5.0"(L) x 4.25" (W) x 1.5"(H)

• HDV to HD-SDI Based Editing (frame accurate captures)
  
• HDV to HD-CAM Tape transfer (with time code)
  
• HDV to SD-SDI (Down-Convert), output to DigiBeta with deck control
  
• Native HDV NLE playout to HD/SD-SDI for dub or broadcast

The Datavideo DAC-50 is a HD & SD-SDI to Y:U:V Component & Composite Video signal converter with built in up/down scaling. The built in scaler allows users to convert from a HD-SDI (1080i & 720p) or SD-SDI signal to a HD (1080i & 720p) or SD (576/50i) Y:U:V Component or Composite Video signal. The DAC-50 can also cross convert from 1080i to 720p.

The DAC-50 is built in rugged metal housing for use in even the roughest condition.

Key Features:-

• Inputs:
  HD-SDI
  SD-SDI
  
• Outputs:
  Y:U:V Component
  Composite Video
  
• Built in scaler to convert a HD-SDI (1080i / 720p) or SD-SDI signal to a HD (1080i / 720p) or SD (576 50i) Y:U:V Component or Composite signal
  
• Cross convert from 1080i to 720p
  
• Rugged metal housing for use in event the roughest conditions

The DAC-8 is small and intelligent converter for converting HD & SD-SDI to HDMI.

Datavideo's DAC-8 converts from both HD-SDI and SD-SDI to HDMI enabling users to utilise traditional and affordable LCD and Plasma televisions as well as video projectors for broadcast video monitoring.

With the DAC-8 it is now easy to connect HDMI displays to SDI based equipment, simply run a low cost SDI cable from your equipment to the projector or television screen, and let the Datavideo DAC-8 convert the signal into the widely used HDMI connector, it even passes the audio through.

In combination with Datavideo's DAC-9, HDMI to HD/SD-SDI converter, system installers now have a perfect and very affordable solution for distribution HDMI over long distances, without compromising on quality.

Key Features:-

• Small and intelligent converter for converting HD / SD-SDI to HDMI
  
• Use LCD / Plasma TVs and projectors for broadcast video monitoring
  
• SDI embedded audio is passed through
  
• Wide range DV input from 9V to 15V

Datavideo DAC-7 is a small but powerful mini converter that enables users to convert the output from any camera, including prosumer level cameras, to professional HD-SDI or SD-SDI for easy connection to existing professional or broadcast equipment; for example SDI switchers such as Datavideo’s SE-900 or SE-1000.

The DAC-7 can accommodate two channels of audio input via RCA or balanced XLR and embed them both in the SDI signal, requiring only one SDI cable for both video and audio transmission. The DAC-7 is extremely portable, can easily and quickly be mounted between a tripod and a camera, or directly on the camera.

Key Features:-

• Video input:
  1 X CVBS, BNC connector 75 Ohms
  1 X S-Video
  1 X YUV (3 x BNC connectors, 75 Ohms)
  
• Audio input:
  2 x Balance stereo audio, mini-XLR connector
  2 x Unbalanced stereo audio, RCA jack
  
• Output:
  2 x BNC connector, 75 Ohms for SDI signal
  
• Power consumption:
  DC12V, 1.0A

Only professional TV monitors can be switched between PAL and NTSC standards automatically. Recording equipment is always NTSC or PAL, it is extremely rare for any recording device to support both. If you want to provide an NTSC TV series to PAL countries or vice versa, you will need an easy to install, simple to operate and quality PAL / NTSC bi-directional standard converter; the Datavideo STC-100 is just that.

Features:

• PAL and NTSC standard converter, stand alone unit, real time conversion, no need to spend hours capturing footage into a computer
  
• Inputs / Outputs:
  • Component YUV
  • S (YC) Video
  • Composite Video
• Built In TBC
  
• Brightness, Contrast, Colour and Tint Adjustable (Tint NTSC only)
  
• 0 or 7.5 IRE output selectable, may also convert between 0 and 7.5 IRE
  
• Audio level calibration, adjust audio output level

• 3 x 1.2M BNC – BNC Cable
  
• 1 x 1.2M S-Video – S-Video Cable
  
• 12V DC Power Adaptor (100-240V AC input - 12V 1.5 A output)

Designed for a wide range of workflows in mid, post and live video productions, the VC Series offers flexible format conversion of Digital/Analogue, HD/SD or compressed/uncompressed signals. The VC series also accepts signals and direct connections from computer RGB sources. A wide variety of output devices like record decks, data projectors or plasma/LCD displays can be directly connected.

Designed for the Highest Quality Image
The VC Series uses high quality A/D and D/A converters for input and output along with internal 4:4:4 10 bit signal processing. From simple format conversion to MPEG encode/decode to complex frame rate conversions, the VC Series delivers professional results.

Compatible with HDV devices
Compatible with wide variety of HDV cameras and VTR’s from Sony, Canon and JVC, the VC Series offers a high quality processor for encoding and decoding HDV in real-time. EDIROL’s audio technology also makes simultaneous processing of the audio signal possible.

Auto format detection and simultaneous output from multiple terminals
The VC 300HD/VC-200HD features automatic detection of the input source and simultaneous output of the converted signal to multiple terminals such as SDI, IEEE 1394, DVI and analogue component. This enables the recording or display of a single source to multiple recording devices or displays.

Bi-directional conversion and scaling
Bi-directional conversion of different formats including 59.94i, 29.97p, etc. are possible with the VC Series. Multiple resolutions like 480i/p,720p or 1080i can be input/output along with NTSC/PAL conversion.

Gen lock with external devices
The input and output to and from the VC series can be gen-locked with external devices. The VC supports variety of sync signals including analogue BB, Bi-level (SD) or Tri-level (HD). The VC Series’ built-in frame synchroniser helps to lock signals from consumer products or computers.

Time code and embedded audio
When performing HD-SDI/SDI <> HDV/DV conversion*, the VC Series can pass the original time code and audio stream signals. The audio embedded in the HD-SDI or SDI signal can be separated and sent from the analogue outputs. The VC Series can embed audio from the analogue inputs to the HD-SDI/SDI or HDV/DV signal.

Audio Delay Function
Audio can be precisely delayed by milliseconds or frames to compensate for the video delay caused by frame synchronising or conversion processing. The Audio Delay function makes the perfect “lip sync” possible.

*HD-SDI/SDI Input/output VC-300HD only

See Adobe Acrobat pdf datasheet (left) for more information.

MC-HD1 is a powerful conversion product that is capable of HD and SD signal conversion, SD to HD upscaling, HD to SD downscaling and HD cross scaling.

An Ideal Front-end Solution
The MC-HD1 is ideally suited as a front-end to non-linear editing (NLE) and media asset management (MAM) systems or as a video conversion tool for live-production or post-production use. The MC-HD1 also makes it possible to monitor an SD down-conversion of any output source.

The MC-HD1 features HD/SD-SDI, HDMI, component, composite (SD) and Y/C (SD), unbalanced/balanced audio and dual channel AES/EBU digital audio inputs and outputs. In addition, de-interlacing/interlacing, frame-rate conversion, audio embed/de-embed, SD/HD up/down scaling and adaptive audio delay compensation for increased flexibility. The MC-HD1 is packaged in a compact 1RU chassis with a backlit LCD display for settings and status and an easy to use scroll wheel for menu navigation. Settings can be controlled and viewed using the MC-HD1's built in web server via a simple network connection from any web browser. External devices such as VTR's can be controlled via RS422 and outputs genlocked.

Key Features:-

• SDI / HD-SDI, HDMI, Component Y:U:V, S-Video, Composite input and output
  
• RS-422 Control
  
• 19" 1U rackmount case
  
• Dimensions: 310 x 435 x 45mm (12.2 x 17.2 x 1.8")

A powerful converter in a portable package, the MCSDI-1 enables you to convert the output from any camera including prosumer-level cameras to professional-grade HD-SDI or SD-SDI for outstanding, broadcast-quality video.

Flexible and Affordable
With it’s ability to convert SD, HD, or HDMI inputs to SD-SDI or HD-SDI, the MCSDI-1 delivers multiple conversion options in one, cost-effective unit.

Portable
With its small footprint, the MCSDI-1 is extremely portable, can be mounted on a camera, and powered by a 7.2V DC camera battery (Adapter required).

Multiple Input Options
The MCSDI-1 accommodates HD analogue, SD analogue, and HDMI inputs.

Input Signal Auto Sensing
With built-in auto sensing, no signal-setting is required for video inputs, making the unit very simple to use.

Extends the Usage of Prosumer Cameras
Prosumer-level HD cameras (with analogue or HDMI output) can now be used in live studio shoots when combined with the MCSDI-1.

Two-Channel Audio Input
The MCSDI-1 can accommodate two channels of audio input and embed them both in the SDI signal, requiring only one SDI cable for both video and audio transmission.

Key Features:-

• Video Formats1080i (50/59.94/60Hz) and 720p (50/59.94/60Hz) with auto sensing
  
• Video Inputs HD component: YPbPr (SMPTE 274); SD component/composite/YC (S-video); HDMI
  
• Video Input Ports3 x RCA; 1 x 19-pin HDMI
  
• Video Outputs SD-SDI (SMPTE 259); HD-SDI (SMPTE 292/296)
  
• Audio Input 2-channel (SMPTE 299; SMPTE 272M-A)
  
• Audio Input Ports 2 x RCA
  
• Audio Input Settings Selector switch
  
• Audio Output Embedded SDI (SMPTE 299; SMPTE 272M-A)
  
• Analogue/Digital Conversion Video: 10 bits; Audio: 24 bits (48kHz); 16 bits (48kHz)
  
• Audio Levels +4 dB; 0 dB; -8 dB
  
• Power Requirements 7.2–30V DC battery (not included)

Designed for broadcast and professional postproduction, the MediaConverter MC-2E makes advanced, bidirectional video conversion affordable, reliable, and easy. With a variety of inputs and outputs, the MediaConverter MC-2E enables you to convert DV to analog video, analog video to DV, and analog or DV to SDI. No matter what your conversion needs are DV, CV, Y/C, YUV, or SDI the MediaConverter has you covered.

NLE System Compatibility
The perfect complement to popular editing systems such as Avid Xpress DV, Pinnacle Liquid, Apple Final Cut Pro, and Adobe Premiere, the MediaConverter MC-2E enables you to work with footage from any source including video recorded on older tape formats by converting it to digital video for nonlinear editing. Once your program is edited, you can transfer it to tape for archiving.

Audio Conversion
The MediaConverter MC-2E also includes a full-featured audio signal converter with connections for unbalanced stereo, balanced stereo, AES/EBU, and DV/SDI embedded audio. The audio input can be selected independently from the video signal and all audio outputs are available simultaneously, enabling the MediaConverter MC-2E to embed or de-embed audio.

TBC and Genlock
The Focus MediaConverter MC-2E includes full-frame time base correction and Genlock, making it perfect for broadcast applications.

Timecode Conversion and Control
Featuring bidirectional D-VITC to DV TC conversion, the MediaConverter MC-2E ensures that users of nonlinear editing systems can easily maintain the same timecode values as tape. The MediaConverter MC-2E includes an RS-422 interface that enables smooth conversion of RS-422 LTC to DV TC and an RS-232 interface for firmware updates and system settings. Video levels, audio levels, and colour phase (HUE) can be adjusted by the user for maximum control over picture and sound.

See Adobe Acrobat pdf datasheet (left) for more information.

ADVC700 is a bidirectional analog/DV video converter with Canopus® PerfectSync technology to ensure impeccable conversion of every frame. A 19-inch breakout box with component video, composite, S-Video, and balanced and unbalanced audio I/O, ADVC700 offers high-end features including LTC input/output and RS422 signal conversion for professional VTR control.

Key Features:-

• Connects to all video cameras, decks and editing systems
  
• Converts professional and consumer analog video formats to DV and back in one simple step
  
• Converts DV device control signals to RS422 for professional VTR control
  
• Canopus PerfectSync technology eliminates signal disturbances, frame skips and duplications for perfect conversion of every frame
  
• Compatible with leading editing and DVD authoring applications including Canopus EDIUS, Final Cut Pro®, Avid Xpress®, Vegas®, Adobe® Premiere® Pro and more
  
• YUV component, S-Video and composite video I/O
  
• Reference input and LTC time code I/O
  
• XLR balanced and RCA unbalanced audio I/O
  
• Can be used as a stand-alone bidirectional analog/digital video converter without needing a computer
  
• Quick configuration using front panel dial control with LCD status and settings display
  
• 1U 19-inch rackmount design
  
• NTSC and PAL compatible

The Grass Valley® HDSC1 is an SDI-to-component signal converter that converts HD-SDI signals to HD component output or SD-SDI signals to SD component output. HDSC1 provides instant output of HD content to HD component displays, such as HDTVs and RGB computer monitors, and SD content to component, S-Video and composite displays. HDSC1 incorporates a sync generator for both HD (Tri-Level sync) and SD (Black Burst). HDSC1 automatically detects the video format currently being output, and supports SDI signal pass-through. HDSC1 offers audio level adjustment options with embedded audio support. HDSC1 is a solid 8-inch, half-1U rack mount unit, with optional rack mount kit available.

Additional Features
In addition to HD-SDI and SD-SDI conversion and audio level adjustment options, HDSC1 also offers several unique features, including Embedded audio support, conversion of SD-SDI to S-Video and composite, HD-SDI conversion to RGB for PC monitors that feature BNC inputs, and front panel displays for video format and audio level outputs. HDSC1 automatically detects the video format currently being output, and supports SDI signal pass-through.

HDSC1 is a solid 8-inch, half-1U rackmount unit, with outputs for YPbPr, RGB, S-Video and composite. The unbalanced RCA stereo output can be configured to output any pair of eight-channel embedded audio via the front control panel. An optional 19-inch rackmount kit is available to install the HDSC1 unit into a standard A/V rack.

Key Features:-

• Converts HD-SDI to HD component (YPbPr or RGB)
  
• Converts SD-SDI to SD component (YPbPr or RGB), S-Video and composite
  
• Converts HD/SD-SDI embedded audio to unbalanced analogue audio
  
• Sync Generator for SD (Black Burst) and HD (Tri-Level Sync)
  
• Automatic signal detection of video input
  
• Convenient front-panel video format and audio level meter displays
  
• Solid 8-inch, half-1U rack mount unit, with optional rack mount kit available

The Thomson Grass Valley ADVC-HD50 converter lets you instantly convert uncompressed HD video and audio from HDMI devices to the HDV format, output via IEEE 1394 FireWire, for use in your nonlinear editor of choice. Carrying on the design philosophy already present with standard definition (SD) ADVC products, the ADVC-HD50 converter sports a sleek, portable design with an emphasis on simplicity and compatibility; the converter does not require any drivers or software to set up, and is compatible with both PC- and Mac-based editors.

The ADVC-HD50 converter will convert any uncompressed HDMI source, such as an AVCHD camcorder, to the HDV format for easier editing. This also reduces the need for a high-performance system or costly hard disk drive storage configurations to work with uncompressed HD video. The converter may also be used to convert non-HDCP-protected video from other HDMI sources, such as game consoles and set-top boxes.

Bringing affordable HD flexibility into the professional videography and prosumer workflow, the ADVC-HD50 converter is ideal for:

• Anyone creating video productions from HDMI sources, with limited resources and/or hardware
  
• Gamers and 3D graphics artists seeking to capture from HDMI sources
  
• Laptops and desktops that need HDMI ingest without internal hardware to support the input

• Connects HDMI*-equipped video equipment to FireWire (IEEE 1394)-equipped computers and devices for video editing
  
• Converts 1280x720 HDMI to 1280x720 HDV, and 1920x1080 to 1440x1080 HDV
  
• Compatible with Windows and Macintosh operating system-based HDV editors
  
• No need to install drivers or any software applications
  
• Powered by FireWire (IEEE 1394) connector**
  
• NTSC- and PAL-compatible

The ADVC300 is the latest addition to Canopus’ successful digital video converter range. It incorporates high quality image enhancement, using time base correction and digital noise reduction, to convert analogue (Hi 8/VHS) video to DV.

Key Features:-

• High quality bi-directional analog to DV conversion and analogue video enhancement
  
• Custom codec chip – superior picture quality from proven Canopus technology
  
• Locked audio support (capture long clips with perfect audio sync)
  
• High quality component output support (D1 connector)
  
• Analogue reference out

• 2D/3D Y/C separation - separates the Y/C and composite signals
  
• Digital 2D/3D digital noise reduction - eliminates noise in the analogue video signal
  
• Digital 3D frame synchroniser – stores incoming signals in the frame buffer to supply a stable synchronisation signal to the DV encoder chip
  
• Digital line time base corrector - detects and corrects image jitter
  
• Digital AGC (Auto Gain Control) - automatically adjusts the input video signal level for a clearer picture
  
• Adjustable black stretch; white gain; white step
  
• Edge sharpening filter
  
• Colour bar display

• Mac OS 10.2.7/10.2.8/10.3
  
• Windows 2000 + Service Pack 3 or later (DirectX 8.0 or later)
  
• Windows XP + Service Pack 1 or later

• NTSC
  
• PAL
  
• SECAM (input only)

• Windows/Macintosh hybrid application
  
• Analogue input signal quality adjustment/audio setting adjustment
  
• Preview window for monitoring input image

• ADVC 300 unit
  
• DV cable 6-pin to 4-pin (2m)
  
• AC adaptor
  
• CD-ROM
  
• Manual
  
• User registration card

• DV (4-pin or 6-pin)
  
• Composite (RCA jack)
  
• S-video (mini 4-pin DIN)

• DV (4-pin or 6-pin)
  
• Composite (RCA jack)
  
• S-Video (mini 4-pin DIN)
  
• D1 component

• 48 kHz 16-bit, 2-channel
  
• 32 kHz 12-bit 4-channel (input for 2 channels only)
  
• RCA jack x 2 (stereo x 1)

The Canopus ADVC1000 is a professional, high-quality bidirectional SDI/DV video converter designed for use with broadcast studio equipment. Featuring front-side controls and LCD display, analog video and unbalanced audio outputs for monitor preview, and a solid half 19-inch rack mount design, ADVC1000 is an ideal SDI in/out solution for any DV interface in a studio environment.

Key Benefits:

• Canopus's proprietary DV technologies provide the best picture quality preservation
  
• SDI and DV I/O - Digital audio I/O (AES/EBU) – Reference input
  
• Analog video and unbalanced audio output (for monitor preview)
  
• Quick configuration using front panel controls
  
• Front LCD panel for status and settings display
  
• 9-pin serial port (AV/C - RS422 command convert function)
  
• Solid half 19-inch rack mount design
  
• NTSC and PAL compatible
  
• Windows and Mac OS compatible

• ADVC1000 converter box
  
• AC adapter
  
• User Manual
  
• 1 x FireWire cable (4-pin – 6-pin)

• Digital Video Input/Output
  • 1 x 4-pin FireWire
    
  • 1 x 6-pin FireWire
• Video Input
  • 2 x BNC (SDI and Active Through, SMPTE 259M-C)
• Video Output
  • 1 x BNC (SDI, SMPTE 259M-C)
    
  • 1 x BNC (EDH, SMPTE RP165)
    
  • 1 x composite video (RCA)

The ADVC55 is a compact analogue-to-DV converter that connects externally to the computer or DV camcorder/recorder via the IEEE 1394 OHCI interface.

The ADVC-55 can be powered by a powered IEEE 1394 6-pin connector, making it the perfect mobile converter unit for both Macintosh and PC video enthusiasts. An external Power Supply Unit is also available for those without a powered IEEE 1394 interface.

Key Features:-

• High quality analogue to DV conversion
  
• Renowned Canopus codec technology
  
• Compact and light for portability
  
• Powered via IEEE 1394 connector (6-pin)
  
• Connects to both Macintosh and PC

The Grass Valley ADVCHDM1 converter, engineered by Canopus, brings the world-renowned ADVC lineup into the high definition world, providing editors with high-quality bidirectional conversion between HD-SDI and HDV, complete with embedded audio. ADVCHDM1 not only lets you easily and instantly convert HD-SDI output to HDV and ingest HDV material into HD-SDI systems for archiving, but it can also encode HD MPEG-2 transport streams up to a full 1920x1080 resolution, using any one choice of eight different bitrate settings that best suits your workflow. And as always with an ADVC product, you’re assured of platform-agnostic support, whether using a Windows- or Mac OS-based NLE application, NTSC or PAL video, or a camera, deck, or video editing board.

Key Features:-

• Converts HD-SDI to HDV with embedded audio
  
• Converts HDV to HD-SDI with embedded audio
  
• Encode MPEG-2 transport streams with a choice of eight different bitrate settings, from 11Mbps to 40Mbps
  
• Supports HD video resolutions up to and including 1920x1080
  
• Input external timecode when encoding HDV
  
• Control HD-SDI decks via HDV and vice versa, with AV/C-RS422 device control conversion
  
• Simple, two-button control for encoding/decoding and timecode mode via the front panel
  
• Perfect for recording from HD-SDI sources to a Grass Valley Turbo iDDR
  
• Compatible with Windows- and Mac OS-based NLE software applications that support HDV/HD-SDI
  
• Can be used as a stand-alone bidirectional HD-SDI/HDV video converter without needing a computer
  
• Solid 8-inch, half-1U rack mount, with optional rack mount kit available

Offering the widest video device connectivity options in any ADVC product to date, Grass Valley ADVC3000, engineered by Canopus, provides instant, high-quality bidirectional video conversion between analog and digital equipment. Combining and enhancing the features of both the ADVC700 and ADVC1000 converters, ADVC3000 can convert between analog and DV, DV and SD-SDI, and analog and SD-SDI. Whether you need to convert YUV component video to uncompressed SDI, DV to Y/C S-Video, or simply to de-embed and re-embed audio from a digital video stream, ADVC3000 is designed to meet the conversion requirements of broadcasters, cable operators, video professionals and post-production.

ADVC-3000 is the ultimate SD converter. Offering bi-directional Analogue to Digital & Digital to Digital converter.

Key Features:

• Analogue component to uncompressed SDI conversion
  
• Uncompressed SDI to analogue component conversion
  
• Analogue component to DV conversion
  
• DV to analogue component conversion
  
• DV to uncompressed SDI conversion
  
• Uncompressed SDI to DV conversion
  
• Simultaneous conversion of 4-channel audio between SDI Embedded Audio, DV embedded audio, AES/EBU balanced audio
  
• Industry-standard connections (BNC, XLR)

Use ADVC 110 to connect all analog and digital video cameras, decks and editing systems. ADVC 110 is a portable and easy-to-use digital video converter compatible with Windows and Mac OS computers.

ADVC110 is the ideal device for capturing and outputting analog video from any FireWire equipped notebook and desktop computer. There are no drivers to install and ADVC 110 does not require a power supply when used with a 6-pin FireWire cable.

Key Features:-

• Connects to all widely used DV and analog video equipment
  
• Compatible with Windows and Mac OS DV editing systems
  
• Compatible with leading editing and DVD authoring applications including Canopus EDIUS, Canopus Let’s EDIT, Final Cut Pro®, Adobe® Premiere® Pro, Vegas®, iLife®, Ulead MediaStudio® Pro, and Windows Movie Maker
  
• Audio-only conversion
  
• No need to install drivers or any software applications
  
• Powered by IEEE 1394 FireWire connector*
  
• NTSC and PAL compatible
  
• Colour bar reference signal generator
  * Using the 4-pin IEEE 1394 FireWire connector requires a power adapter
  (sold separately)

• Windows® 2000 (requires Service Pack 3 or higher), Windows® XP Home or Windows® XP Professional (requires Service Pack 1 or higher)

• Mac OS X 10.1 or later

• NTSC: 720x480 @ 29.97fps
  
• PAL: 720x576 @ 25fps
  *ADVC110 also accepts SECAM video (input only)

• 2-channel 48kHz 16-bit
  
• 2-channel 32kHz 12-bit

• 1 x 4-pin S100 FireWire (100Mbps)
  
• 1 x 6-pin S100 FireWire (100Mbps)

• 1 x S-Video (4-pin miniDIN)
  
• 1 x composite (RCA)

• 1 x S-Video (4-pin miniDIN)
  
• 1 x composite (RCA)

• 1 x stereo (RCA)

• 1 x stereo (RCA)

• IEEE 1394 bus powered or DC5V from EIAJ#2 DC jack

• 4.5W

Canopus ACEDVio is an Analogue/DV video capture board for video enthusiasts.

Use ACEDVio to Capture video from various analog sources such as VCRs, or from DV camcorders using DV device control. You can also connect various OHCI devices such as hard drives to your system using ACEDVio!

Key Features:-

• Provides analog and DV input/output for compatibility for leading editing and DVD authoring applications.
  
• Connects to all widely used analog and DV camcorders and decks.
  
• Compatible with Windows and Mac OS *
  
• Provides the industry's highest quality analog-to-DV and DV-to-analog video conversion with locked audio support.
  
• Provides video output to a monitor or television while editing.
  
• Features adjustable brightness, contrast, saturation, hue and sharpness controls on analog video input *
  
• Encoding and authoring of fully interactive DVD titles with Ulead DVD MovieFactory SE

• ACEDV series board
  
• DV Cable (4pin-4pin)
  
• Video Cable (S-Video / Composite conversion)
  
• Audio Cable (Stereo minijack / RCA conversion)
  
• CD-ROM
  
• Ulead DVD Movie Factory 2.0 SE
  
• Manual

Matrox Convert DVI is a multi-purpose device. It’s ideal for creating broadcast video from computer applications such as video games, PowerPoint presentations, YouTube videos, Google Earth animations, and web browser sessions. It’s a user-friendly way to create software application training videos. It’s the perfect appliance to drive projectors and large displays at live events and in houses of worship. It’s also a very low-cost HD preview monitoring solution for video editors using applications such as Avid Media Composer.

Key features of Matrox Convert DVI

• DVI input up to 1920 x 1200
  
• Digital outputs: HD/SD SDI
  
• Stereo audio input can be embedded into the SDI output signal
  
• Analog outputs: HD/SD analog component, S-Video, and composite
  
• Simultaneous analog and digital output
  
• SD analog black burst (bi-level) or HD tri-level genlock with timing offset controls
  
• Realtime HD to SD hardware downscaling with proper colour space and aspect ratio conversion
  
• Region of interest output support
  
• Anti-flicker filter
  
• Can operate as a stand-alone appliance

TriCaster™ is the gold standard in portable live production and TriCaster, model XD300, raises the bar, capabilities and expectations. TriCaster, model XD300, is the latest entry in the TriCaster family for live production and streaming. TriCaster, model XD300, provides a small footprint and easy one-person or small team operation making it possible to live produce in HD/SD and stream from literally anywhere.

Pristine Video:

• Video processed internally in floating-point colour with 32-bits per pixel precision (well beyond the industry state-of-the-art 10-bit).
  
• Audio processed at 96kHz floating point.
  
• Video processed internally at 4:4:4:4 component (YCbCrA).
  
• Ability for all video inputs, including titles and DDRs to be proc amped and keyed.
  
• Output proc amp with independent settings for main, stream and VGA outputs.
  
• Capture with support for full 4:2:2 video or stills at 1920x1080 resolution.
  
• Next generation interface design with key live production tools readily available, supported by quick access to extensive controls for configuring each source.
  
• Full 64-bit native architecture.

• Virtual inputs which allow several sets to be assigned to one camera.
  
• Ability to zoom and pan for easy setup of virtual sets and talent.
  
• Capability to zoom and pan on all virtual set monitor sources.
  
• Easy interactive control over zoom of the virtual camera.
  
• Alpha channel sources to be included within virtual sets.

• For HD, component and HD-SDI inputs. For SD, SDI, component, composite and Y/C inputs. All switcher inputs have on-screen ISO monitoring.
  
• Virtual inputs that deliver advanced mixed effects rows capabilities.
  
• Two downstream and one upstream overlay per virtual input with full positioning and scaling of sources.
  
• Sophisticated effects system for transitions, bringing in overlays and more.
  
• Ability to intermix all resolutions and aspect ratios (including HD and SD video) in a production.
  
• Simultaneous HD and SD output.
  
• Audio follows video.
  
• Next generation LiveMatteHD™ for incredibly clean keying.
  
• Ability to store and create presets throughout the application, including DDR playlists, virtual inputs, audio mixers and more.
  
• Separate DDR audio outs for external mixing.
  
• Ability to make on-the-fly changes to titles, including fonts, text sizes and more.
  
• AutoPlay which provides easy on-air cueing of titles.
  
• Easy access to all important controls during live production.

TriCaster BROADCAST™ with SDI support delivers enhanced efficiency and reliability. With audio embedded with the video signal you can depend on a fast, professional setup. Whether you rely on a team or operate on your own, TriCaster BROADCAST makes it possible for you to deliver your network quality program to video, projector and web stream with a full range of professional tools including six camera inputs, live virtual sets, double box effects and much more.

TriCaster BROADCAST, provides the full range of professional broadcast tools with SDI support. Whether you work with a team or operate on your own, TriCaster BROADCAST is easy to set up, portable and provides all of the following system benefits:

• NewTek LiveSet™ technology makes it possible for you to turn a very small space into a larger than life network-style studio
  
• Quickly connect and mix six serial digital cameras to provide full camera coverage of any venue
  
• Small footprint allows live production setup in small spaces
  
• Optional LiveText™ character generator allows remote control over show titles
  
• Dual virtual VCRs that can be played on cue for perfect cut-ins every time
  
• Either virtual VCR may be used to overlay scrolls, crawls and motion titles
  
• Lock titles and graphics upstream to any input,
  
• Total flexibility with operation in either six-camera or three-camera mode. Switch six cameras with shared preview or three cameras with a dedicated preview for each
  
• Record, broadcast and stream either 4:3 or 16:9 productions
  
• Multi-format live clip playback
  
• TriCaster auto-detects and compensates for aspect on playback
  
• iVGA™ imports up to three displays, Mac and PC, as inputs for your TriCaster live production
  
• VC-1 streaming support
  
• Digital BNC video connectors provide increased durability and reliability for your camera hook-ups
  
• Four balanced XLR or phone jack audio connectors for professional audio mixing
  
• Simultaneously record full-screen .avi while archiving your web stream
  
• Easily cut to video using the on-board VCRs at any time without needing another person to cue them up

• LC-11 - Control surface
  
• TimeWarp - Slow motion & DDR command
  
• LiveText - Remote CG software

Planet PC is excited to present our new ‘On-Location’ range of creative media studios in a box especially designed for the primary curriculum. The range comprises three inclusive Planet MovieBox kits, each one containing everything required to successfully integrate creative media based technology into the teaching learning process.

On-Location MovieBox
This MovieBox is aimed at primary schools wanting to make high quality programmes, films and recording of school productions along with work within the primary curriculum. This bundle is designed to take learners through the complete process of making a TV programme or film and includes the creative tools required to perform the following tasks;

• Planning and storyboarding
  
• Two camera filming
  
• Enhanced chroma key set with larger collapsible screen and flooring
  
• Lighting
  
• Audio
  
• Virtual set technology
  
• Customisable video titling
  
• Live video production
  
• Video editing
  
• Stop motion animation
  
• Delivery of a final production
  
• Live broadcast and streaming

• Extra camera for adding another dimension to your creative process
  
• Virtual sets for injecting imagination into your creative process
  
• Video titling for personalising your creative process
  
• Live video production for instant delivery of your creative process
  
• Live streaming for sharing your creative masterpiece
  
• Specialist 1 day on-site training session for mastering the creative process
  
• Training and set up guide on DVD

Planet PC is pleased to present our new ‘On-Air’ range of creative media studios especially designed for the secondary curriculum. The range comprises three fully inclusive live video production solutions. Two are mobile Planet StudioBox kits, containing everything required to successfully integrate creative media technology into the cross curricular teaching learning process and one is a fixed TV studio designed for installation into a dedicated learning space.

On-Air TV Studio - Take 3
The Planet TV studio is a fixed solution which builds on the scope of the mobile kits by providing a full broadcast based environment using all disciplines found in a professional broadcast quality TV studio. This solution is designed to take students through the complete process of making a TV programme or film. It provides greater scope for collaborative team work and typically students would be split into small teams to run a curricular project or a live production in the studio.

One team would adopt the role of researchers and journalists responsible for writing the scripts with a second team working on the studio floor adopting roles as camera operators, autocue operators, presenters and floor managers. Finally a third team would work in the studio gallery on video titling, virtual sets, live video production and sound and vision mixing. A final person would be allocated the important role of communication with the entire team via a talkback system.

The Planet TV studio is designed to fulfil the following disciplines:

• Researching and scriptwriting
  
• Prompting
  
• Planning and storyboarding
  
• Multi camera filming
  
• Versatile audio work
  
• Lighting with stands
  
• Enhanced chroma key work incorporating a fixed curtain and enhanced floor work
  
• Virtual set technology
  
• Customisable video titling
  
• Enhanced live video production with hardware control surface
  
• Enhanced video monitoring
  
• Enhanced video editing post production capability
  
• Communication via talkback for synchronisation of productions
  
• Delivery of a final production
  
• Live broadcast and streaming

• Storyboarding software
  
• 2 x camcorders with tripods and dolly’s
  
• Boom microphone and 2 x tie clip microphones
  
• 4m x 3m chroma key curtain on a wall mounted curtain track
  
• Chroma key floor mats and accessories
  
• 2 x on-camera prompters
  
• Live video production hardware
  
• Hardware control surface
  
• Additional virtual set options
  
• Enhanced video monitoring with multiviewer and programme out.
  
• Personalised video titling
  
• Lighting on floor stands
  
• Talkback system
  
• Wall boxes, connectors and site specific cable set
  
• Full standard installation and project management service included*
  
• Training and set up guide on DVD
  
• Specialist 1 day on-site training on the TV studio and the workflow

Planet PC is excited to present our new ‘On-Location’ range of creative media studios in a box especially designed for the primary curriculum. The range comprises three inclusive Planet MovieBox kits, each one containing everything required to successfully integrate creative media based technology into the teaching learning process.

On-Location MovieBox - Take 1
An ideal introduction to using media technology in the primary curriculum, this
MovieBox comes with a training and set up guide and includes the creative tools
required to perform the following tasks;

• Planning and storyboarding
  
• Filming
  
• Chroma key work
  
• Video editing
  
• Stop motion animation
  
• Delivery of a final production

• All in one customised lockable mobile case for storing the creative toolkit
  
• Storyboarding software for igniting the creative process
  
• Camcorder with accessories and tripod for filming the creative process
  
• Collapsible chroma key kit and accessories for enhancing the creative process
  
• Webcam and stop motion software for animating the creative process
  
• Apple MacBook with iMovie and Final Cut Express for producing your creative masterpiece
  
• Training and set up guide on DVD

High-Speed Distributed Enterprise Transcoding

Multiple Carbon Coder nodes can be configured as a rendering farm, controlled by one or more Carbon Servers. Distributed enterprise transcoding with Carbon Server provides maximum flexibility, future-proofing and cross-vendor interoperability. Carbon Server allows for automated processing of high-volume transcoding tasks, as well as pre-emptive special case jobs, managing job distribution, job prioritisation, load balancing, FTP transfer, status monitoring, and job notification.

All interaction with the server software is through an administrative Web interface that can be accessed from remote machines. Carbon Sever can be run via its user interface or via an XML-based API that is included with the product. The same API controls both Carbon Coder and Carbon Server.

Additional Features:-

• Basic Operation:
  Frame size conversion
  Frame rate conversion
  colour space conversion
  Aspect ratio conversion
  Interlace/de-interlace
  Telecine/inverse telecine
  PAL/NTSC conversion
  SD/HD conversion
  Cropping
  Key-frame extraction
  Multiple target outputs
  Batch processing
  
  
• Advanced Operation:
  Timecode imprint
  Subtitle/CC imprint
  XML controllable titler
  Metadata transport/conversion
  Line 21/CC conversion
  Watermarking
  Logo insertion
  601/709 colour space support
  Video capture board support
  Remote job submission
  Watch folder automation
  Segment extraction/insertion
  
  
• Video Filtering:
  Fade in/out
  Median
  Blur
  Sharpen
  NTSC-safe
  Rotate
  Black/white correction
  colour correction
  Gamma correction
  Temporal noise reduction
  
  
• Audio Filtering:
  Normalise
  Low-pass
  Fade In/Out
  Volume
  Dynamic range compressor

• MPEG-1, MPEG-2, MPEG-4
  
• H.263, H.264, VC-1, Flash
  
• DV25, DV50, DVCPro
  
• DPS, DivX, JPEG 2000
  
• Image Sequences
  
• Windows Media, RealVideo
  
• PCM, MP3, DTS
  
• AAC, AMC, AMR-NB
  
• WM Audio, RealAudio
  
• HDV
  
• MXF (including D-10/IMX)
  
• MPEG-2 PS, MPEG-2 TS
  
• GXF, LXF, QuickTime
  
• WMV, ASF, AVI, VOB
  
• 3GPP, 3G2
  
• WMA, WAV, Broadcast WAV

• Adobe Premiere Pro
  
• Apple Final Cut Pro
  
• Avid Editing Systems
  
• Quantel sQ
  
• Grass Valley Edius
  
• Omneon Spectrum
  
• Grass Valley Profile, K2
  
• Leitch VR, Nexio

Carbon Coder is a universal transcoding application that facilitates the transfer of media between acquisition, editing, playout, archive, Web, mobile and more. Supporting all major formats (currently more than 40), Carbon Coder is continually updated to accommodate new formats. Carbon Coder can run as a stand-alone application or as part of a multi-node, fully-automated rendering farm under the control of Carbon Server.

As part of the transcode process, Carbon Coder handles a wide array of critical operations including SD/HD conversion, PAL/NTSC conversion, logo insertion, colour space conversion, colour correction, Close Captioning extraction and more. Carbon Coder provides high-performance, scalable and cost-effective transcoding for a broad range of business environments, from specialised studios to enterprise-scale installations. Carbon Coder can be run via its user interface or via an XML-based API that is included with the product. The same API controls both Carbon Coder and Carbon Server.

Carbon 3.13 introduces a number of new features, which include support for new codecs, improved performance, new intuitive managements of automated transcoding processes and many more.

1. XDCam Importer Enhancement - added the ability to import XDCam EX files.

2. Avid DNxHD Importer Enhancement - Carbon 3.13 can now import MXF wrapped Avid DNxHD source material which follows the OPATOM standard.

3. Panasonic AVCIntra - Carbon 3.11 can now import and export Panasonic's AVCIntra codec.

4. H.264 Exporter Enhancement - with Carbon 3.11 you can now create MP4-wrapped H.264 video with Dolby Digital audio.

5. DPX Importer Enhancement - Carbon 3.11 can now import timecode from a DPX sequence as well as associated information, such as colour correction data, contained in separate LUT file.

6. Carbon Hardware Platform - with Carbon Server or Carbon Docer pre-installed.

7. Video Timecode Inject Filter - Allows you to manually set the Start Timecode of a target. This can be controlled through the Carbon Coder application as well as the API.

Additional Functions

Basic Operation:

• Frame size conversion
  
• Frame rate conversion
  
• Colour space conversion
  
• Aspect ratio conversion
  
• Interlace/de-interlace
  
• Telecine/inverse telecine
  
• PAL/NTSC conversion
  
• SD/HD conversion
  
• Cropping
  
• Key-frame extraction
  
• Multiple target outputs
  
• Batch processing

• Fade in/out
  
• Median
  
• Blur
  
• Sharpen
  
• NTSC-safe
  
• Rotate
  
• Black/white correction
  
• Colour correction
  
• Gamma correction
  
• Temporal noise reduction