Introducing the new product bundles from Reflecmedia. The new chroma key studio in one package. A portable and cost effective solution for schools, small production houses, corporate, iptv and videographers everywhere. The all-in one bundle.

Package Includes:

1 x Deskshoot Lite
1 x BaseMatte
2 x Iztac Lights
1 x Manfrotto Backdrop Stand
2 x Clip-on Backlights
1 x Standard LiteRing Kit

High Definition slow motion instant replay is no longer out of reach with NewTek 3PLAY™. Now, sports broadcasters, teams, leagues, schools and organisations have an affordable alternative for multi-channel HD/SD slow motion instant replay. The small size and portability of 3PLAY enhance production at any venue. The ability to connect to any switcher provides the ultimate flexibility for all production environments. 3PLAY is the perfect instant replay, slow motion solution for live production.

3PLAY gives sports broadcasters, leagues, teams and schools an affordable option to deliver instant replay and slow motion for broadcast, webcast, arena scoreboard displays and more.

• Capture all the action with synchronised, continuous recording and display of up to three video streams
  
• Replace three HD decks at a fraction of the cost
  
• Deliver slow motion instant replays as soon as recording begins without interrupting capture
  
• Organise replays in separate lists using colour coding to easily distinguish teams, players, game periods, event types, highlights and more
  
• Play back key elements at variable speeds from multiple camera angles to give the viewer a comprehensive look at all the action
  
• Quickly export highlight reels of selected video segments including an edit decision list for rapid turn-around
  
• Replay pristine HD footage in 1080i or 720p as well as component, Y/C and composite SD in 4:3 or 16:9
  
• Multi-standard version supports both NTSC and PAL
  
• Choose from two output modes. 1-Out mode allows the 3PLAY operator to send a switched replay from multiple camera angles to the switcher. 3-Out mode allows the operator to control the playback speed while the switcher is fed all three outputs allowing the director to choose the camera angle.
  
• Record three isolated cameras (ISO) simultaneously providing the ability to edit the event in post for maximum flexibility and functionality

Introducing the new product bundles from Reflecmedia. The new chroma key studio in one package. A portable and cost effective solution for schools, small production houses, corporate, iptv and videographers everywhere. The all-in one bundle.

Package Includes:

1 x Chromaflex
1 x BaseMatte
2 x Iztac Lights
1 x Manfrotto Backdrop Stand
2 x Clip-on Backlights
1 x Standard LiteRing Kit

Datavideo CKL-200 is a combination of a dual colour (Green & Blue) LED ring and a unique retro-reflective back drop cloth, which is embedded with tiny glass beads. The LED light ring is mounted on the lens of the camera and projects a highly directional green or blue light on the back drop cloth. Thanks to the embedded glass beads, light is then reflected back to the camera creating a perfect green or blue background, providing you with an excellent keying result with very little effort. The dual colour LED ring is particularly useful if your key is setup to green and someone turns up wearing green. With CKL-200 you can simply switch the LED colour to blue and continue keying The 2.5 x 1.25m (w) x 2.5m (h) retro-reflective back drop with Velcro on the left and right hand side allowing users to use either one cloth on its own, or join them together to form a single 2.5m x 2.5m background (approx). Additional optional cloths, for extended spread, are available. The unique backdrop will even allow you to get away with having the odd crease line, and the whole system is extremely quick to setup.

Key Features:-

• Light ring switchable from Blue to Green
  
• Dimmer control included
  
• Make beautiful chroma keys with the little attention to background lighting
  
• BS5867 compliant (Flame Resistant)

The DVK-100 is the first Chroma Keyer that is designed for schools, small studios, wedding videographers and small size production companies. Now you can easily create a virtual studio effect. All you need is a DVK-100, a single colour background (blue or green is the best), two video cameras and proper lighting.

Key Features:

• 2 camcorder inputs for foreground and 1 background input
  
• Key out background colour selectable (blue, green or black)
  
• Key out level adjustable to reduce the shadow after keying
  
• S (Y/C) and Composite Video input and output
  
• Window adjustable to fit in different sizes of background screen
  
• Built in shrink function (reduce white or black colour edge on subject)
  
• Built in TBC
  
• Built in colour processor, brightness, contrast, colour and tint adjustable (tint is NTSC only)
  
• RS-232 interface for control from other RS-232 devices
  
• GPI trigger interface for switching two different camera foreground sources

• 1 x Power Supply (12V 3.0A)
  
• 1 x Power Cord
  
• 2 x S-Video (Y/C) Plug to Plug Cable 1.2m
  
• 1 x BNC Plug to Plug Cable 1.2m

MicroLite is a lightweight adjustable cradle which allows a Reflecmedia LiteRing to be attached to almost any high street digital stills camera or DV palmcorder, without the need for further lens adapters. It is sold complete with either 2.5m x 2.5m (8ft x 8ft) Deskshoot Lite or 1.4m x 1m (4ft x 3ft) ChromaFlex EL to provide fully functional chromakey facilities in a truly portable way.

Deskshoot Lite is a newly-developed curtain, using the same technology as the highly acclaimed Chromatte fabric, but it's lighter and therefore easier to pack away. As an entry-level product, the MicroLite bundle is priced to ensure it's affordable for smaller users and is ideal for schools, churches, students, small businesses, videographers and home movie makers as well as stills photographers wanting to use chromakey technology in their work.

MicroLite bundles come with the adapter, LiteRing, ChromaFlex EL or Deskshoot Lite curtain, integrated mini controller to adjust the intensity of the LiteRing and a universal power supply, and are compatible with normal chromakey workflows and software.

Features:

• Fits almost any high street camera
  
• Easy to use
  
• Light, small, practical and portable
  
• Excellent value for money
  
• Speedy set up
  
• Reliable results

You’ve got something to express, with TriCaster you can broadcast or web stream your message out to the world and project to a live audience with the tools and techniques used on network television.

TriCaster is a portable production system. At just under 10-pounds and the size of a shoe box you can take TriCaster anywhere. Plug it in and hook up 3 camcorders and you can live mix your camera sources with video from the TriCaster virtual video cassette recorders (VCR’s) using cut and fade transitions or any one of the 200+ video effects that come with the system. Your production can be complete and polished with opening titles, closing credits and graphics to identify your participants and locations.

TriCaster is easy to set up, portable for use in numerous environments and lets you capitalise on the following benefits:

• The flexibility to quickly connect and switch live between three composite or S-Video cameras
  
• RCA video connectors for hook-up to any camera
  
• Audio connectors for professional audio mixing
  
• Record either full-screen .avi or archive your Internet stream
  
• Enjoy the flexibility of simultaneous output to broadcast, projector and live web stream for both in-house and remote audiences
  
• Template-based titling system makes creating powerful graphics and titles quick and easy
  
• With NewTek's iVGA™, any PC or Mac on the same network as TriCaster can be added as an input for your TriCaster live production
  Tailor your production using any of the 200+ different effects to transition from one camera or source to another
  
• 200+ different effects allow you to transition from one camera or source to another with style
  
• Integrated VCR allows you to playback pre-recorded video in your live presentation
  
• Built-in audio mixer allows you to effectively blend microphones, musical score and other sound elements
  
• TriCaster picture player allows you to include photos and still images in your production
  
• Easily record your productions in either AVI or WMV formats
  
• Built-in video editing lets you prepare video segments in advance for replay during your live production

• LC-11 - Control surface
  
• TimeWarp - Slow motion and DDR command
  
• LiveText - Remote CG software

World renowned for their broadcast products, Ultimatte have produced a keyer aimed at the DV market. With connectivity for composite, svideo and firewire signals for foreground, background and composite output, Ultimatte DV provides the solution to many users searching for a cost effective tool for live production.

Logical and simple to operate, Ultimatte DV offers the user unrivalled control over the matte parameters. Via a single monitor connection, the operator can quickly compare the input, the matte and the composite output. Internally generated test signals ensure the highest quality output is maintained. An internal frame store allows non synchronous signals to be combined (a big advantage as many DV cameras do not have genlock) and also enables the user to store a background frame in memory. The unit will also function as a transcoder enabling the user to convert between video formats. On location it can be used as a pre-visualisation tool, enabling the director and crew to evaluate the final composite, rather than seeing just the camera feed on a preview monitor.

Combined with Reflecmedia's products, Ultimatte DV provides the perfect chromakey solution for independent production companies, education users and budget conscious programme makers.

See Adobe Acrobat pdf datasheet (left) for more information.

Chromatte is a fabric designed specifically for use as a background for chroma key production. Unlike conventional chroma key fabrics that are usually blue or green in colour, Chromatte is grey to the eye in ambient light. The fabric contains millions of tiny glass beads that act as reflectors, returning any light shone on them back to it's source.

By generating the background colour through a retro-reflective process Chromatte offers unrivalled benefits;

Lighting
The only light required to light Chromatte comes from the LiteRing.

Ease of use
Quick, simple, effective and achieves consistent results.

Portability
Reflecmedia's ChromaFlex takes the Chroma key shoot out of the studio.

Adaptability
Chromatte drapes and panels can be custom manufactured to fit almost any environments.

Flexibility
Reflecmedia's LiteRing colour determines whether the production is shot against blue screen or green screen. Should circumstances change and the alternative colour be required, the LiteRing can simply be exchanged. No need to repaint or relight.

Space
Chromatte can be installed into the largest of studios or the smallest office. There is no 'spill' in a Chromatte installation.

Time
Unlike conventional Chroma key installations, a Chromatte installation takes very little time, therefore allowing extra time to concentrate on lighting and composing the scene.

Chromatte is supplied in a range of standard size or custom produced studio drapes, where the fabric is backed with a black light-proof drape and hemmed with eyelets across the top for easy hanging from studio tracking or rail.

Standard Studio Drape Sizes
Wideshot 2.1m x 3.75m (7' x 12')
Small Studio 4.0m x 3.0m (13' x 10')
Wide Studio 5.0m x 3.0m (16' x 10')
Studio 5.0m x 4.0m (16' x 13')

Sizes shown in width x height in metres.

Please note - Chromatte Fabric is available both in the form of raw material sold by the linear metre @ £200 plus VAT per metre or Custom sewn per square metre @ £175.00 Plus VAT per Sq M

Please call our sales team on 01274 713400 for a quote on either of these options.

Ultimatte DV
World renowned for their broadcast products, Ultimatte have produced a keyer aimed at the DV market. With connectivity for composite, svideo and firewire signals for foreground, background and composite output, Ultimatte DV provides the solution to many users searching for a cost effective tool for live production.

Logical and simple to operate, Ultimatte DV offers the user unrivalled control over the matte parameters. Via a single monitor connection, the operator can quickly compare the input, the matte and the composite output. Internally generated test signals ensure the highest quality output is maintained. An internal frame store allows non synchronous signals to be combined (a big advantage as many DV cameras do not have genlock) and also enables the user to store a background frame in memory. The unit will also function as a transcoder enabling the user to convert between video formats. On location it can be used as a pre-visualisation tool, enabling the director and crew to evaluate the final composite, rather than seeing just the camera feed on a preview monitor.

Combined with Reflecmedia's products, Ultimatte DV provides the perfect chromakey solution for independent production companies, education users and budget conscious programme makers.

Props Pack
3m Pack of Chromatte in pieces (may contain marks or blemishes)

Please specify the size of LightRing you require when purchasing a Reflecmedia Wide Studio Standard Bundle.

See Adobe Acrobat pdf datasheet (left) for more information.

Chromatte is a fabric designed specifically for use as a background for chroma key production. Unlike conventional chroma key fabrics that are usually blue or green in colour, Chromatte is grey to the eye in ambient light. The fabric contains millions of tiny glass beads that act as reflectors, returning any light shone on them back to it's source.

By generating the background colour through a retro-reflective process Chromatte offers unrivalled benefits;

Lighting
The only light required to light Chromatte comes from the LiteRing.

Ease of use
Quick, simple, effective and achieves consistent results.

Portability
Reflecmedia's ChromaFlex takes the Chroma key shoot out of the studio.

Adaptability
Chromatte drapes and panels can be custom manufactured to fit almost any environments.

Flexibility
Reflecmedia's LiteRing colour determines whether the production is shot against blue screen or green screen. Should circumstances change and the alternative colour be required, the LiteRing can simply be exchanged. No need to repaint or relight.

Space
Chromatte can be installed into the largest of studios or the smallest office. There is no 'spill' in a Chromatte installation.

Time
Unlike conventional Chroma key installations, a Chromatte installation takes very little time, therefore allowing extra time to concentrate on lighting and composing the scene.

Chromatte is supplied in a range of standard size or custom produced studio drapes, where the fabric is backed with a black light-proof drape and hemmed with eyelets across the top for easy hanging from studio tracking or rail.

Standard Studio Drape Sizes
Wideshot 2.1m x 3.75m (7' x 12')
Small Studio 4.0m x 3.0m (13' x 10')
Wide Studio 5.0m x 3.0m (16' x 10')
Studio 5.0m x 4.0m (16' x 13')

Sizes shown in width x height in metres.

Please note - Chromatte Fabric is available both in the form of raw material sold by the linear metre @ £200 plus VAT per metre or Custom sewn per square metre @ £175.00 Plus VAT per Sq M

Please call our sales team on 01274 713400 for a quote on either of these options.

Ultimatte DV
World renowned for their broadcast products, Ultimatte have produced a keyer aimed at the DV market. With connectivity for composite, svideo and firewire signals for foreground, background and composite output, Ultimatte DV provides the solution to many users searching for a cost effective tool for live production.

Logical and simple to operate, Ultimatte DV offers the user unrivalled control over the matte parameters. Via a single monitor connection, the operator can quickly compare the input, the matte and the composite output. Internally generated test signals ensure the highest quality output is maintained. An internal frame store allows non synchronous signals to be combined (a big advantage as many DV cameras do not have genlock) and also enables the user to store a background frame in memory. The unit will also function as a transcoder enabling the user to convert between video formats. On location it can be used as a pre-visualisation tool, enabling the director and crew to evaluate the final composite, rather than seeing just the camera feed on a preview monitor.

Combined with Reflecmedia's products, Ultimatte DV provides the perfect chromakey solution for independent production companies, education users and budget conscious programme makers.

Props Pack
3m Pack of Chromatte in pieces (may contain marks or blemishes)

Please specify the size of LightRing you require when purchasing a Reflecmedia Studio Standard Bundle.

See Adobe Acrobat pdf datasheet (left) for more information.

Light the Scene Forget the Set
Utilising Reflecmedia’s Chromatte system means the light on the background can be ignored, allowing more time to concentrate on subject lighting enabling more creativity. iZtac Sunstar embraces the company’s philosophy to provide a simple and easy to use solution, enhancing the quality of chroma key production.

Light with Confidence
The iZtac Sunstar is an economical choice for strong, soft lighting with low heat output and low running costs. Florescent units supplied with both tungsten and daylight tubes, manufactured with optimum reflector technology and beam control; it has worldwide operational soft start ballasts for improved tube life.

iZtac Sunstar can be used in almost any environment and is ideal for outside broadcasts, TV or film units, remote units, in-house AV departments, digital video/photography studios, webcasting and internet image capture.

The units are ideally suited to mounting in environments with suspended ceilings. They are supplied with a 16mm spigot yoke allowing simple fixing onto any standard light stand. Lighting stands are also available from Reflecmedia.

An installation of Reflecmedia’s Chromatte along with iZtac Sunstar ensures a cool, comfortable studio environment

Key Features:-

• Available in tungsten and daylight tubes
  
• Concentrate on subject lighting
  
• Simple and easy to use
  
• Enhances quality of chroma key production
  
• Cool, energy efficient and optimum portability
  
• Worldwide power compatibility
  
• Twin tube, 2 x 36 watt, multivoltage input
  
• Output: 720 lumens - 1150 lux at 1m
  
• Lamps: 2 x 36 watt, 5000 hour, PL-L.
  
• CRI: Tungsten (830) or Daylight (954)
  
• Size: 540mm x 160mm x 120mm
  
• Weight: 2.1 Kg

The LiteRing connects to the camera with a specially designed adapter ring, similar to those used for matte box mounting, which is attached to the inner thread of the lens. The LiteRing is then placed on to the adapter and simply locked with a single screw. This enables users to quickly release the LiteRing in between shots, or change from a green to a blue ring based upon their chosen keying colour.

We have taken the blue or green colour away from the fabric and completely removed the need to separately light the background. The ability to change the background keying colour in seconds cannot be achieved any quicker - no need to hang a different drape or repaint the studio walls. Tungsten, HMI and Fluorescent lights can be large in size, expensive to power and uncomfortable to work under. Typically you require thousands of watts to light absorbent chroma key fabrics, whereas the LiteRing output of around 10 watts provides all the light required by Chromatte.

By relocating the colour and the light into one camera-mounted device, we have significantly reduced the set-up time and overcome many of the difficulties associated with conventional chroma key.

The LiteRing is available in both green and blue, and in three sizes to fit different size cameras. Each size of ring has a series of adapters to ensure maximum compatibility with camera lens sizes. Further custom adapters and fixing mechanisms are available.

Small
72mm with adapters for 72 | 62 | 58 | 52 | 37 | 30 lenses

Medium
112mm with adapters for 105 | 95 | 94 | 86 | 82 | 80 | 77 | 72 | 67 lenses

Large
147mm with an adapter to fit 127 lens

See Adobe Acrobat pdf datasheet (left) for more information.

Reflecmedia have not only used Chromatte to create a studio background but have also developed BasseMatte

Specialist Chromatte flooring
BaseMatte has been specifically designed to be utilised as flooring. It is Chromatte cloth laminated to a close cell, high density, resilient neoprene rubber base that provides a flat, even surface. This backing forms easily to most carpets and solid floors and provides a flat chromatte panel with no creases. When used with a ChromaFlex or Chromatte curtain it will enable the cameraman to frame full body shots.

Adaptable
Reflecmedia deliver BaseMatte in 2m x 1.4m tiles. Should a larger area of BaseMatte be required, Reflecmedia have developed a Chromatte tape which can be used to join together as many pieces of BaseMatte as is needed to cover the desired space, thus allowing a user to ti