MKH 20
The MKH 20 (shown left) is usually used as a main microphone for orchestras and solo instruments, and picks up the natural acoustics of the room, though it does have a much wider range of applications as omni-directional microphones do not suffer from 'proximity effect'.

MKH 30
The symmetrical transducer design of the MKH 30 produces an unusually wide and smooth frequency response. It is particularly suited to soloists and small instrumental groups and can also serve as an 'S' microphone in MS stereo applications. As a support microphone it is particularly useful in the effective suppression of sounds from adjacent sound sources.

MKH 40
The MKH 40 has a large number of applications, for example as a main microphone, especially in lightly reverberant or acoustically less perfect rooms, with instrumental groups or for speech applications. Its wide-angled, neutral directional characteristics and high level of reverse attenuation ensure an exceptionally balanced sound.

MKH 50
The super-cardioid MKH 50 offers a higher attenuation of diffuse field and lateral sound than the cardioid microphone. It is principally designed for use as a soloist's or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection. The directional characteristics are frequency-independent.

MKH 60
The MKH 60 is a lightweight short gun microphone. It is versatile and easy to handle and its superb lateral sound muting makes it an excellent choice for film and reporting applications. Its high degree of directivity ensures high sound quality for distance applications.

MKH 70
The MKH 70 is a lightweight long gun microphone. Its excellent directivity is particularly suited to applications undertaken in difficult conditions, such as high background noise and distance microphone positioning. Its frequency-independent directivity prevents sound colouration from off-axis sound sources.

MKH 800
The MKH 800 condenser microphone is the first microphone to fully utilise the wider frequency response and dynamic range of the new high bitrate standard of advanced digital recording systems (for example SACD). Featuring five switchable pick-up patterns, the MKH 800 is a superior microphone for any recording application, offering high clarity and the absolute minimum colouration.

The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pickup direction. Matt black, anodised, scratch-resistant finish.

Key Features:

• Super-cardioid/lobar pick-up pattern
  
• Highly directional
  
• Low inherent self-noise
  
• High sensitivity
  
• Wide frequency response

HD 25 SP II (Shown left)
The HD 25 SP are closed dynamic headphones for monitoring, recording and outdoor applications. They are a lower-cost alternative to the HD 25, featuring a simpler headband and a slightly different capsule design.

HD 280 Pro
Based on the closed-back, dynamic HD 280 PRO headphones, the HMD 280 PRO headset has been especially designed for communications in high-noise environments. Its dynamic, super-cardioid microphone has been optimised for close talking distances.

HD 280-13
As HD 280, 600 Ohm version.

HD 25 II
The closed-back HD 25s are purpose-designed, professional monitoring headphones offering high attenuation of background noise. Capable of handling very high sound pressure levels and of extremely robust construction, these headphones perform exceptionally well in high-noise environments, e.g. ENG, sound reinforcement, studio monitoring and audio equipment testing. The capsule is rotatable for one-ear listening. Ideal monitoring headphones for cameramen and DJs.

HD 25-13 II
As HD 25 II, 600 Ohm version for studio and DJ use on mains-powered equipment.

See Adobe Acrobat pdf datasheet (left) for more information.

MKE 44
The MKE 44 P is a permanently polarised condenser microphone with two cardioid microphone capsules set at 90° for XY stereo applications.

Key Features:

• Light, robust and easy to handle
  
• Phantom (12 - 48 V) or battery powered (1 x 1.5 V AA size)
  
• Easy handling even in outdoor applications
  
• Sprung-mounted capsule ensures good suppression of handling noise
  
• 2-position low-frequency roll-off filter
  
• Transformerless balanced output on 5-pin XLR connector

• Rugged all-metal housing
  
• Maximum side noise rejection, optimised for video recordings
  
• Switchable sensitivity for long and short distances
  
• Switchable wind noise filter
  
• Integral shock-mount for rejection of handling noise
  
• Foam windshield included

Designed for stage performance, the transmitter and receiver are built with durable metal housings to endure even the toughest tours. Automatic frequency management, infrared transmitter sync, and soundcheck mode make setup and operation easier than ever. The 100 series is affordable, yet offers premium sound quality combined with features you normally only see on much more expensive wireless systems. For musicians, presenters, and reporting teams, the 100 series is a reliable partner for every situation.

ew 100-ENG G3
This ENG set offers a great amount of flexibility for portable recording indoors or outdoors. Its SKP 100 G3 plug-on transmitter transforms XLR equipped devices (such as microphones and mixing consoles) into wireless devices by simply plugging the unit in. The bodypack transmitter, as well as the plug on, can by synced up to the receiver with the simple push of a button. A very small high-quality directional clip-on microphone completes this set.

ew 112 G3
Make your presentations come to life. The included omni-directional microphone provides natural speech reproduction while remaining inconspicuously small. The bodypack transmitter has a rechargeable battery option so you can concentrate on your presentation - not on purchasing batteries. Demand the best in wireless presentation technology with quick setup, user-friendly operation, and absolute reliability due to the true diversity receiver. Now featuring wireless infrared transmitter sync for easy setup.

ew 112-p G3
The ME 4 clip-on cardioid microphone compliments this ENG set by blocking out extraneous background noise due to its high-directivity. The bodypack transmitter and portable adaptive diversity receiver are equipped with charging contacts built-in to the housing for use with Sennheiser’s optional rechargeable batteries. Reception stays strong as the receiver is upgraded to utilize its line cable as a second antenna for adaptive-diversity operation.

ew 122 G3
Discrete and easy on the voice: the compact cardioid clip-on microphone in this system rejects noises coming from the side which means less risk of feedback. Without having to speak very loudly, the presenter’s voice is delivered in a rich and full manner. The bodypack transmitter features charging contacts for the optional rechargeable battery. Sync up the bodypack to the receiver wirelessly with the new wireless sync. Lastly, the true diversity receiver provides for reliable signal transmission, even in large rooms.

ew 122-p G3
The ME 4 clip-on cardioid microphone compliments this ENG set by blocking out extraneous background noise due to its high-directivity. The bodypack transmitter and portable adaptive diversity receiver are equipped with charging contacts built-in to the housing for use with Sennheiser’s optional rechargeable batteries. Reception stays strong as the receiver is upgraded to utilize its line cable as a second antenna for adaptive-diversity operation.

ew 135 G3
Versatility for every style of music and presentations: you can depend on great performance from the ew 135 G3 vocal system. The handheld microphone now allows you to charge the optional rechargeable pack while it remains in the transmitter. Wirelessly link up the transmitter with the receiver with a single touch of the sync button. The true diversity receiver has a backlit graphic display that makes it easy to read under all lighting conditions.

ew 135-p G3
A handheld system designed for field operation: this system is the perfect choice for ENG professionals. The rugged hand-held cardioid wireless microphone provides professional sound quality for interviews and reporting, even under unfavorable conditions. At the camera end of the wireless signal path is the portable and reliable EK 100 G3 adaptive diversity receiver.

ew 145 G3
Pure sound: the super-cardioid capsule captures more of what you want while rejecting off-axis noise. This makes the mic very resistant to feedback as well as a great choice for those working with loud stage volume levels. The included soundcheck mode on the receiver makes it possible to check the RF signal strength and audio levels continuously. The new G3 sync function allows you to wirelessly link the transmitter with the receiver with a simple push of a button. Lastly, the true diversity receiver has a built-in 5 band equalizer which completes this professional sound package.

ew 152 G3
Express yourself hands free: cover the whole stage and focus on your performance rather than on holding your microphone. The included cardioid condenser headset microphone is easy to wear, has great pop protection and produces powerful sound. Also included in this system is a stage-tested true diversity receiver and a bodypack transmitter with charging contacts for the optional BA2015 rechargeable battery.

ew 165 G3
Condenser microphone technology designed for the stage: This system’s microphone capsule is based on the well-known evolution e 865 condenser. With a wide frequency response and high sensitivity, this is the elite handheld model in the G3 100 series. With excellent sound and simple operation, this system delivers all the emotion and passion of the performer directly to the audience - without making any compromises.

ew 172 G3
You have worked hard to get your guitar tone, now retain that great tone but go wireless. The system’s new cable emulator feature allows you adjust virtual cable lengths to get sound response just like a cable. Another great new feature for guitarists is the built-in guitar tuner, right on the display. A built in 5 band EQ allows you to fine tune your sound even further. Bass players in particular will be pleased with the enhanced AF frequency response: it starts at a thundering 25 Hz, which will especially please players with 5 string bass guitars. – Plug in and play!

The evolution wireless G3 500 series offers the most features in the evolution wireless lineup. The 500 series brings state-of-the-art technology to the stage and the backline with pro features. Now with a built-in Ethernet port for computer based control of Sennheiser’s “Wireless Systems Manager,” the system can be setup and observed right on a PC. Microphone capsules based on the evolution e 900 series, including the flagship e 965’s true condenser capsule, make the 500 series the best in the evolution line. The G3 500 series has it all: Incredible sound, high flexibility, and extreme durability for touring. All of this combined with a myriad of frequency options place the e 500 series in a league of its own.

ew 512 G3
Success can be shared: based on the MKE 2 Gold, the included MKE 2-ew is one of Sennheiser’s most successful and trusted clip-on condenser microphones. This set relays its high-quality signal via a compact bodypack transmitter to the flagship evolution EM 500 true diversity receiver. Sync up the bodypack to the receiver with a simple press of the sync button. Sennheiser’s technical prowess in wireless technology allows you to focus on delivering your most successful presentation ever without worrying about your wireless.

ew 572 G3
You have worked hard to achieve your signature tone, Sennheiser ew 572 G3 lets you keep that tone while clearing the stage of cables. Guitarists and bass guitarists will enjoy the features of this system even before they play a single note. In addition to automatic wireless setup via the enhanced sync function, the components can programmed without transmitting RF (silent configuration mode). The set also is equipped with soundcheck mode, which allows the signal strength and the RF and audio levels to be checked continuously on the large front panel display. An enhanced AF frequency response that starts at 25 Hz will satisfy even the most discriminating 5-string bass players. An integrated 5-band equalizer, guitar tuner, and a guitar cable virtual length emulator complete this feature-rich set.

ew 500-935 G3
Great vocals begin with great capsules: All 500 series vocal sets are equipped with capsules from Sennheiser’s successful evolution 900 stage line. The evolution 900 series is stage proven and used by many acts on tour. Enjoy one-touch setup with the sync function. This system uses a dynamic cardioid microphone capsule based on the evolution e 935 which allows the vocals to cut-through the mix while remaining warm and full sounding.

ew 500-945 G3
Great technology throughout the microphone system make this system the ideal singing partner. The feedback-resistant, super-cardioid microphone capsule reproduces vocals prominently and with a smooth response. The powerful hand-held transmitter shows all important information on its large graphic display. Its optional rechargeable batteries can be recharged just by placing the handheld in the optional charging station.

ew 500-965 G3
A dream come true in sound. This set is equipped with Sennheiser’s flagship e 965 true condenser microphone adapted for evolution wireless G3 hand-held transmitters. Breathtakingly resonant and free of distortion, this large diaphragm dual capsule microphone can be easily switched between cardioid and super-cardioid. Impressive studio technology meets impressive wireless designed for the stage.

With the evolution wireless 300 G3 series, Sennheiser is introducing six top of the line sets. The 300 series features fast setup due to infrared synchronization of the transmitters, as well as a soundcheck mode that can monitor both audio and RF levels. Convenient and programmable mute functions allow the presenter to interrupt or release the signal path at any time. All sets can be monitored and remotely controlled from a PC with Sennheiser’s “Wireless Systems Manager” software due to the built-in Ethernet port. For presenters, performers, and musicians, the G3 300 series combines both power and flexibility while remaining easy to use.

ew 312 G3
Communicating in harmony: when the settings on the receiver are changed, the components adjust to each other automatically with one push of the front panel sync button. The bodypack transmitter is equipped with charging contacts for the optional BA2015 rechargeable battery. The inconspicuous omni-directional clip-on microphone is optimized for best reproducing the sound of the human voice and provides supreme speech intelligibility.

ew 322 G3
Small but mighty: the clip-on microphone in this professional set is nearly invisible. The included cardioid pattern microphone has both great resistance to feedback and clear voice reproduction. The true diversity receiver means you get the highest degree of signal reliability at all times. Sync up the bodypack with the receiver with a single touch of a button. Especially convenient: you can connect an external mute button (option) to the additional 2.5 mm jack socket on the bodypack transmitter.

ew 335 G3
Power with control: this system not only ensures vocals cut through, but also provides the user with a programmable mute button on the mic. Add in a backlit graphic display, intuitive menu navigation, and you have a professional wireless system. Enjoy one-touch programming of the transmitter to the receiver via the wireless sync function. The Ethernet jack on the receiver allows for remote PC monitoring and control using Sennheiser’s “Wireless Systems Manager” software. The ew 335 G3’s hand-held transmitter is perfect for spontaneous dialogue and interviews.

ew 345 G3
Focused and powerful: the heart of this set is the super-cardioid microphone capsule adapted from the successful evolution 800 series. Its immediate and gripping sound is immediately noticeable, while the narrow pattern greatly reduces the risk of feedback. The equalizer integrated into the true diversity receiver also enables fine sound adjustments by the user.

ew 352 G2
The lightweight and comfortable headset microphone allows for absolute freedom of movement for a more animated and impressive performance. High quality condenser technology provides clear, brilliant sound. All rack-mountable G3 300 series receivers are equipped with an Ethernet port. This port means you can monitor and remotely control the system from a PC with Sennheiser’s “Wireless Systems Manager” software.

ew 365 G3
The best that the G3 300 series has to offer for the voice: top-notch condenser technology coupled with a true diversity receiver. This system captures every last nuance and detail of the vocalist. A programmable mute button on the microphone lets the user decide when it is time to go “on-air.”

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