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KONA 3, the capture card for uncompressed SD, HD, and Dual Link HD on OSX. Visualise uncompressed video, 8-channel AES and embedded audio, up/down HD/SD format conversion, hardware downstream keyer, and HD/SD component analog output—all yours on a state-of-the-art 4-lane PCI Express card.
Like other members of the KONA family, KONA 3 is designed for no-holds-barred design and editing—with support for Apple Final Cut Studio—plus hardware acceleration for the DVCPROHD and HDV codecs, and Dynamic RT Extreme effects in Final Cut Pro 5. KONA 3, the new standard bearer for quality, flexibility, and future-safe architecture in a QuickTime I/O card.
KONA 3's 4-Lane PCI-Express bus interface with our own integrated AJA QuickTime™ drivers team up perfectly with the new Apple PowerMacs to give you unparalleled power and efficiency within Final Cut Pro. Supporting any uncompressed SD or HD format, including Dual Link, KONA 3 captures and plays back uncompressed 10-bit and 8-bit digital video and 24-bit 48kHz digital audio in standard definition (SMPTE 259M), high definition (SMPTE 292M), and Dual Link high definition (SMPTE 372M). KONA 3 also includes a variety of 10-bit broadcast-quality features, such as hardware-based up-and-down-conversion to and from HD-and adds a live hardware keyer for compositing bugs, live video, and other elements over your video
Dual Link KONA 3 supports Dual Link 4:4:4 HD-SDI, a new technology on the Macintosh platform. Commonly known as Sony HDCAM SR or Thompson Viper Format, KONA 3 Dual Link supports full bandwidth 4:4:4 RGB at 10-bits (12-bit capable) for 1080i, 1080p, and 720p formats. KONA 3 can also convert between 4:4:4 and 4:2:2 formats for single link HD-SDI output
Broadcast-Quality Conversion KONA 3 features full 10-bit, broadcast-quality, motion-adaptive SD to HD up-conversion, HD to SD down-conversion, and automatic HD/SD 12-bit component analog output. That's the equivalent of rolling AJA's stand-alone HD D/A converter, HD to SD downconverter, and our SD to HD up-converter into one convenient, cost-efficient KONA 3 board - at half the price. The quality is identical to AJA's award-winning stand-alone products, and all functionality is hardware-based, making it available full time, all the time, on digitise or playback.
Internal HD/SD Live Hardware Keyer Available for the first time on any QuickTime capture card is a powerful hardware keyer that can place graphic files with an alpha channel over video in, a selectable matte, or the contents of the card's framebuffer (KONA TV/Final Cut Pro). If that weren't enough, you can also key video that has an alpha channel over video input or a matte. For example, you could load a QuickTime clip that has an alpha-channel—a flying logo perhaps—into KONA TV (an AJA software utility supplied) and then place it over live video coming into the card.
Audio KONA 3's extensive audio support makes installation a breeze, working with 8-channel 24-bit 48kHz AES audio via XLR (balanced) connections, and 8-channel embedded 24-bit 48kHz embedded SDI/HD-SDI audio. KONA 3 also features high-quality input sample rate conversion on AES inputs, which eliminates the need for audio source synchronisation. If you're using a digital Betacam deck, HDCAM, DVCPRO HD, D5, D9, or even an HDCAM SR, you'll have the proper connections
KONA 3 boasts two HD/SD SDI video inputs and outputs and a component analog output, each independently switchable between HD and SD (SD analog can be configured as composite). For example, if you are working in HD, you can have simultaneous HD-SDI, SDI, and HD or SD component analog output. You can also use the two SDI outputs for a split video and key output for use with switchers, DVEs, and other professional equipment. Using KONA 3's full-time format conversion features, monitoring can be as simple as a single composite monitor for both SD and HD projects. Dual Link can be monitored via Dual Link HD-SDI outputs, Single Link HD-SDI, or HD component analog.
Looking for unsurpassed cable connectivity? Well look no further, because when you plug in KONA 3's breakout cables, they automatically configure. For SDI video, the card features two HD/SD inputs and two outputs for Single or Dual Link, one connection for Genlock input, and three for HD/SD component analog video out. Also included is a 9-pin D connector for RS-422 machine control. The SDI inputs and outputs use a separate cable with special mini-BNC connectors on one end and full-sized BNCs on the other for ease of connection and superior reliability.
Flexible I/O The K3-Box for KONA 3 simplifies interfacing by offering a 19-inch, 1RU rack-mountable breakout box that attaches to the KONA 3 with just two cables. This option offers all the same inputs and outputs as the standard breakout cable, and can be easily rack-mounted or placed on top of a broadcast monitor or editing desk. Additional functionality includes simultaneous XLR and BNC AES output, 2-channel RCA analog audio monitoring, and looping BNC Genlock reference connectors.
Key Features:- - SDI, HD-SDI, Dual Link HD-SDI 4:4:4, and 4:4:4:4
- 4-Lane PCI-Express Bus Interface
- HDV hardware acceleration
- DVCProHD hardware acceleration
- Dynamic RT Extreme hardware acceleration
- Broadcast Quality hardware 10-bit Up-convert
- Broadcast Quality hardware 10-bit Down-convert
- 12 bit HD component and SD component/composite analog output
- HD/SD Video/Key Output
- Internal HD/SD Live Hardware Keyer
- 8-Channel 24-bit AES and Embedded Audio
- AJA QuickTime™ Drivers
- Support for Apple Final Cut Pro™
- Support for Adobe AfterEffects, PhotoShop...and Much More!
- RS-422 Machine Control
- Cables Standard—K3-Box Breakout Optional
- 3-year Warranty
The KONA 3X is identical to the KONA 3 in terms of function and cabling, its only difference being it is a PCI-X 133 card, whereas the KONA 3 is a 4-lane PCIe card. KONA 3X is perfect for use on PCI-X Apple G5 systems.
See Adobe Acrobat pdf datasheet (left) for more information.
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