Analog and Digital capture card for standard definition workflows

The affordably priced KONA LSe is the perfect video capture and playback card for a standard definition editing system on Mac or PC. KONA LSe offers full featured SD connectivity and integration with Apple Final Cut Pro on a Mac, support for software applications like Adobe After Effects and Apple Motion - and can work with a wide range of popular file formats (QuickTime, TGA, TIFF, BMP, AVI, YUV)

KONA LSe can capture to QuickTime™ at uncompressed 10 bit 4:2:2 or 8bit 4:2:2 and allows ingest from-and mastering to- BetacamSP, Digital Betacam, DVCPro50 as well as other standard definition VTRs. KONA LSe also supports capture and playback from compressed SD formats like DV and DVCPro50, to provide the most flexibility for your SD workflows (formats and file type support varies by platform and software used).

KONA LSe also has great audio I/O support: 2-channel balanced XLR analog, 2-channel balanced XLR AES/EBU, and multi-channel embedded SDI audio. Hardware sample-rate conversion is provided on AES inputs, eliminating source synchronising requirements.

Key Features:-

• 12-bit SD component, composite or S-video analog input/output
  
• SDI input and 2 SDI outputs
  
• AES digital audio input/output; sample rate conversion on input (2 channel, balanced XLR)
  
• Balanced analog audio I/O (2 channel, balanced XLR)
  
• Genlock and RS-422 machine control
  
• Supports all popular standard definition formats: 8 and 10-bit uncompressed, JPEG, DV25, DV50 and more
  
• Cables standard, KL-Box breakout optional
  
• 3-year warranty

An Affordable Professional Card for Analog and Digital I/O

Not an entry-level card, KONA LHe offers a full host of professional no-compromise features: 10-bit or 8-bit uncompressed video, 2-channel AES digital audio and 8-channel SDI embedded digital audio, analog composite or s-video or SD/HD component video I/O, 2-channel balanced analog audio I/O, and broadcastquality hardware down-conversion from HD to SD. KONA LHe bridges the analog and digital worlds by offering I/O for both. Flexibility defined.

Connectivity
For SDI video, the KONA LHe features one input and two outputs and can be configured independently for HD or SD. It offers one connection for Genlock input, and three BNCs which may be configured for analog video input and output (HD or SD). Also included is a 9-pin connector for RS-422 machine control. Because the KONA LHe supports analog component HD input and output, devices with analog HD output, such as HDV decks and even game consoles, can be connected to the KONA LHe for a variety of workflows.

Broadcast-quality conversion
Like the AJA KONA 3 product, the KONA LHe features full 10-bit, broadcast-quality, motion-adaptive HD to SD down-conversion, and automatic HD/SD 12-bit component analog output. Since KONA LHe's conversion is hardware-based, it's available all the time - during ingest or playback. Outputs can be configured independently allowing you to have simultaneous HD and SD output at the same time.

Key Features:-

• SDI, HD-SDI, analog HD/SD
  
• 12-bit HD analog component I/O
  
• 12-bit SD analog component or composite S-Video I/O
  
• 10-bit hardware HD to SD downconversion
  
• Apple ProRes 422 and Apple ProRes 422 HQ supported
  
• DVCProHD hardware acceleration
  
• HDV hardware acceleration
  
• Dynamic RT Extreme hardware acceleration
  
• SDI or HD-SDI input
  
• 2 independent SDI/HD-SDI outputs
  
• 2-ch balanced XLR AES and 2-ch balanced XLR analog audio I/O
  
• 8-ch SDI embedded audio I/O
  
• HD/SD Genlock and RS-422 machine control
  
• Final Cut Pro 5, Motion, After Effects, Combustion and more
  
• Cables standard, KL-Box-LH breakout optional
  
• 3-year warranty

The RH10UC is a 10-bit SD to HD up-converter. Using motion-adaptive de-interlacing and high quality digital scalers, the RH10UC provides excellent Broadcast quality HD video from SD sources. Output HD video is selectable between 720p and 1080I formats. 4:3 to 16:9 aspect ratio conversion is selectable between 4:3 pillarbox, 14:9 crop, 16:9 anamorphic, and 16:9 zoom. Input SD ITU Rec. 601 colour space is converted to ITU Rec. 709. The RH10UC passes 8 channel embedded audio with a compensating delay. Additionally, the RH10UC can operate as a stand-alone HD or SD Frame Synchroniser. The RH10UC is compatible with AJA's FR1 or FR2 frames.

Key Features:-

• Broadcast-Quality 10-bit SD to HD Upconverter
  
• Motion-adaptive de-interlacing
  
• Frame Synchroniser function with Genlock input
  
• Selectable aspect ratio conversion
  
• Selectable HD output format
  
• HD-SDI or SDI stand-alone Frame synchroniser modes

The RD10MD is a 10-bit broadcast-quality dual HD down converter. Channels 1 and 2 are fully independent. Channel 1 has 2 re-clocked HD/SD-SDI outputs, and channel 2 has 1. Both channel 1 and 2 have 2 down-converted outputs, which can be independently configured as SDI or composite analog. All HD formats are supported, including 24p/psf with 3:2 pulldown. The SD output can be formatted for either 4:3 or 16:9 monitors. For 4:3 monitors, both letterbox and crop modes are supported. The RD10MD is also dual-rate (HD/SD) and will support SDI inputs. The RD10MD is compatible with AJA's FR1 or FR2 frames.

Key Features:-

• Dual independent channel HD to SD down conversion
  
• Re-clocking HD-SDI/SDI input loop outputs
  
• Multi-standard HD-SDI or SDI input
  
• SDI and composite analog outputs
  
• 3/2 pulldown for 23.98/24 Hz p/psf inputs
  
• Full 10-bit data path, multi-point interpolation
  
• Configurable for 16:9 or 4:3 monitors
  
• Letterbox and crop modes
  
• 4:3 safe-zone graticule

Everyone from broadcasters to indie filmmakers can probably agree on one thing: the possible choices for image acquisition are daunting. Different cameras, different formats, different recording media and different compression schemes. Wouldn't it be nice if there was a way to simplify acquisition so that virtually any camera, digital or analog, could record the same format and resolution? Enter the AJA Ki Pro.

The AJA Ki Pro is a tapeless video recording device that records high-quality Apple ProRes 422 QuickTime files onto computer-friendly media. Because it features SD/HD-SDI, HDMI, and analog inputs, you can interface with virtually any type of camera you might own or rent. Enjoy monitoring flexibility through Ki Pro's numerous simultaneous outputs, connecting to both professional and consumer monitors.

Ki Pro is portable and rugged; designed for real production environments. With the optional exo-skeleton it can sit below your camera-out of the way of your battery adapters, wireless mics and other accessories. Integration with your other production gear is seamless.

Ki Pro is intuitive to operate. Alongside the camera, the familiar VTR-like buttons provide immediate controls for basic operation. From a distance, use a web browser via ethernet or WiFi to control operations from a laptop or iPhone.

A revolution in production and post
Eliminate the cost and inconvenience of logging and capturing footage. Ki Pro produces Apple ProRes 422 QuickTime files that are ready for immediate use within Final Cut Studio. Simply connect the media to a host computer and begin editing. Unify SD, 720 and 1080 cameras and formats with one superior 10-bit full-raster codec-Apple ProRes 422. Ki Pro features cross-conversion so you can have a 720p camera produce a 1080i recording to match your other camera... or vice versa. And if you've got high-quality SD cameras, Ki Pro can even help you extend their use since it also up-converts SD camera signals to HD recordings.

• No more digitising
  
• No more worrying about which camera to use
  
• High-quality ready-to-edit video

• Simultaneously record to host camera and Ki Pro
  
• Bridge proprietary compression schemes by recording to Apple ProRes 422
  
• Bridge media complexity by recording to portable file-based storage
  
• Bridge format chaos via hardware up/down/cross-conversion
  
• Extend client review capabilities
  
• Bridge production and post-production, effectively eliminating log and capture
  
• Extend productive life of existing cameras
  
• Embrace future workflows with powerful conversion capabilities

The FR1 and FR2 mounting frames provide high-density rackmount solutions for AJA's R-Series modules. The FR1 is a 1 RU frame with 4 slots; the FR2 is a 2 RU frame with 10 slots. Both frames feature high-capacity power supplies with no power restrictions for any module combination. Also, both frames feature multi-fan forced-air cooling, which provides ample cooling capacity without the need for an empty rack space above the units. Both frames feature optional redundant power supplies - the FR2's power supplies are easily changed from the front of the unit. Also, both the FR1 and FR2 feature a frame colour black reference input that is distributed to all slots.

The HD10AVA is a miniature, high-quality, audio/video, HD/SD A/D converter. The HD10AVA automatically detects the video input format and embeds the audio inputs in the SDI/HD-SDI outputs. The HD10AVA is useful for adding an SDI/HD-SDI audio/video output to tape decks or any professional video equipment with analog outputs. The HD10AVA is especially useful for adding HD-SDI outputs to most HDV cameras or decks by using the component outputs of such devices. The HD10AVA uses a breakout cable for audio/video inputs and provides 3 SDI-HD-SDI on BNCs.

Key Features:-

• High-quality SD/HD audio/video A/D converter
  
• SD component, composite or Y/C video input
  
• HD analog component video input
  
• Four channel balanced analog audio input
  
• 3 SDI/HD-SDI with embedded audio outputs
  
• 12-bit video, 24-bit audio A/Ds
  
• Automatic multi-standard
  
• External dip switch configuration
  
• 5-18V power

The HD10A is a miniature, high-quality, 10-bit analog to digital converter for HDTV. A companion to the popular HD10C D/A converter, the HD10A can add an HD-SDI output to cameras, computers with HD RGB graphics, VTRs, or other analog-only HD equipment. The HD10A accepts HD YPbPr or RGB analog and outputs three duplicate HD-SDI signals. Works in 1080i, 1035i, 1080psf and 720p with internal or external sync (tri-level).

Key Features:-

• Low Cost, High Quality, 10-bit HDTV A/D Conversion
  
• Full Bandwidth Component HD RGB or YPbPr Input
  
• 3 HD-SDI Outputs
  
• Multi Standard
  
• Internal or External Sync

AJA's Io HD is the latest in the award-winning Io family of products an effortless to use, transportable plug-in solution for working with HD and SD in Final Cut Studio 2. With a single FireWire 800 connection, Io HD uniquely supports the amazing new Apple ProRes 422 Codec natively, in hardware, to bring production-quality HD editing to the Mac Pro desktop and even the MacBook Pro laptop.

Io HD is the only device in the world that supports Apple’s ProRes 422 codec in hardware, enabling true 10-bit video editing on a MacPro desktop or a MacBook Pro laptop. With this high performance hardware and innovative codec from Apple, you can work anywhere in SD or HD all in full-raster 10-bit 4:2:2 quality.

Like other members of the Io family, Io HD offers unparalleled video and audio connectivity. Within its portable and ruggedly cool form factor, Io HD offers SD/HD analog I/O, SD/HD digital I/O including HD-SDI and HDMI, Balanced analog and digital AES audio, as well as RS-422, Genlock, and even LTC timecode connections. Io HD also includes AJA’s realtime hardware 10-bit up/down/cross conversion.

Io Flexibility with KONA-level Power
Io HD is a versatile powerhouse, bringing features pioneered on AJA's industry-leading KONA lineup such as 10-bit hardware-based up-conversion, cross-conversion, and down-conversion all performed in realtime. Just tap into its flexibility, and you can configure a Mac as a professional HD or SD editing suite, or high-powered field-editing system and just about anything in-between. Both analog and digital ports are offered, allowing connection to virtually every kind of video/audio peripheral from the most current HD digital decks to analog legacy devices.

Io HD Software
Io HD runs on a new AJA-built driver, similar to the KONA driver, which brings features such as Core Audio and very low latency capture and playback. The Io HD driver also provides RGB support, allowing for the direct video output of applications such as Adobe After Effects,™ Autodesk Combustion™ and Apple Motion.™ Co-developed with Apple for use with Final Cut Studio 2, Io HD delivers powerful audio/video capture, editing and post-production capabilities all in a single, integrated system.

Key Features:-

• Apple ProRes 422 and Apple ProRes 422 HQ Codec
  
• SD, HD 720/1080,
  
• Full-raster 10 bit 4:2:2, realtime,in hardware
  
• Up/down/cross-conversion, 10-bit, realtime, in hardware
  
• SD-SDI and HD-SDI I/O (2)
  
• Component I/O (SD and HD)
  
• Composite and S-video I/O
  
• HDMI video w/2-channel audio I/O
  
• Embedded SDI 8-channel audio I/O
  
• AES/EBU 8-channel unbalanced audio I/O
  
• Analog 4-channel balanced audio I/O (XLR)
  
• Analog 2-channel unbalanced audio output (RCA)
  
• Genlock with loopthrough
  
• RS-422 machine control
  
• LTC Timecode I/O
  
• Connects to Mac via a single FireWire 800 cable
  
• For Apple Final Cut Studio 2 on Mac OS X
  
• 3-year Warranty

The HD10C2, AJA's second generation HD D/A converter, brings exciting new features. In addition to being a high-quality 10-bit HD converter, the HD10C2 is "dual-rate" and works with both HD-SDI and SDI inputs. For HD-SDI inputs, the HD10C2 outputs full bandwidth HD component or VGA-style RGBHV video. For SDI inputs, component or composite SD outputs are supported. When connected to a multi-format monitor like the Sony 20L5, the HD10C2 will automatically provide an image from almost any HD or SD input format. The HD10C2 also features 2 equalised HD-SDI outputs.

Key Features:-

• Low Cost, High Quality, 10-bit Dual Rate HD/SD D/A Conversion
  
• Full Bandwidth HD Analog RGB or YPbPr Output (HD input)
  
• Component/Composite SD Output (SD input)
  
• 2 Equalised Loop-Through HD-SDI/SDI Outputs
  
• RGBHV VGA style HD output using supplied adapter
  
• HD Sync Selectable Between Bi-level and Tri-Level
  
• 4:3 Safe Area Graticule (HD)
  
• 5-18VDC Power
  
• External Dipswitch Configuration

The HI5 converts SDI or HD-SDI to HDMI for driving HDMI monitors. Embedded SDI/HD-SDI audio is supported in the HDMI output allowing a convenient single cable audio/video connection. The HI5 provides 2 Channel RCA style audio outputs for separate audio monitoring if needed. The HI5 also provides a looping SDI/HD-SDI output useful for connecting additional equipment, or for “daisy chaining” multiple monitors to the same SDI-HD-SDI source.

Key Features:-

• SDI/HD-SDI to HDMI
  
• Full HDMI support including embedded audio
  
• Additional 2 Channel RCA jack audio output
  
• Equalised looping SDI/HD-SDI output
  
• HDMI cable included

The HD10MD3 is a miniature digital downconverter for converting HD-SDI video to standard definition SDI and analog component/composite video. The HD10MD3 uses a full 10-bit data path and multi-point interpolation to produce broadcast quality downconverted video. In addition, the HD10MD3 converts either 1080p24 or 1080p24sf to 59.94 Hz output video using the standard 3:2 pulldown technique. The output can be formatted for either 4:3 or 16:9 standard definition monitors. Four-channel input embedded HD-SDI audio is passed to the SDI output.

Key Features:-

• Low Cost Digital HD Downconverter
  
• Dual rate HD-SDI/SDI Input
  
• HD-SDI/SDI Outputs
  
• Multi-Standard Input Including 1080p24/sf
  
• 10-bit Data Path, Multi-Point Interpolation
  
• Configurable for 16:9 or 4:3 Output
  
• 4:3 Safe-Zone Graticule
  
• Dipswitch User Configuration

The D10CE SDI to Analog Video Converter provides excellent quality 10-bit conversion of SDI to both component and composite video formats simultaneously. The component outputs are user configurable to YPbPr, (SMPTE, EBU-N10), Betacam, or RGB (or composite YC). The composite output is user configurable to composite video or sync. The component and composite outputs are completely independent including optimum chroma filtering for each and independent pedestal configuration. The D10CE also features an exclusive PLL jitter filter/memory to reduce the effects of SDI jitter on the output analog video. This feature, along with the precision 4x over sampled D/A filters, provides the highest quality analog outputs including very low phase noise in composite outputs. The D10CE also provides two re-clocked, loop-through SDI outputs. All functions are user configurable via dipswitches.

Key Features:-

• Excellent Quality 10-bit Universal D/A Conversion
  
• Full 10-bit Data Path, 4x Over-sampling
  
• SDI Input, 2 Re-Clocked, Loop-Through SDI Outputs
  
• Simultaneous Component and Composite Analog Outputs
  
• YPbPr, Betacam, or RGB Component Formats
  
• NTSC or PAL Composite Formats
  
• Precision PLL Jitter Filter For Stable Composite Outputs
  
• Digital Noise Reduction
  
• Low Cost

The D10AD provides excellent quality 10-bit conversion of component or composite analog video to SDI. The D10AD accepts YPbPr (SMPTE, EBU-N10), Betacam, or RGB component inputs and NTSC/PAL or YC (S-Video) composite inputs. The D10AD features a 3 Line Adaptive Comb Filter for high quality decoding of composite sources. The comb filter can be switched to 2 line or notch modes for minimum delay requirements. NTSC/PAL configuration is automatic. Video format, AGC, and pedestal are all user configurable via dipswitches.

Key Features:-

• Excellent Quality 10-bit Universal A/D Conversion
  
• Component, Composite or YC Analog Input
  
• Full 10-bit Data Path, 2x Oversampling
  
• YPbPr, Betacam, or RGB Component Formats
  
• NTSC or PAL Composite Formats
  
• AGC Mode
  
• 4 SDI Outputs with EDH
  
• Colour Bar Generator
  
• Low Cost

The HD10AMA is a dual rate 4-channel analog audio Embedder/Disembedder. The Disembedder is always functional providing 4 outputs. The Embedder is user selectable, on a channel pair basis, to either "pass" input audio or embed input audio from the breakout cable. Analog audio levels are selectable. The HD10AMA automatically detects and configures to the input video standard.

Key Features:-

• Dual rate HD-SDI/SDI Embedder/Disembedder
  
• 4-Channel Balanced Analog Audio I/O
  
• Supplied XLR breakout cable
  
• HD-SDI/SDI input, 2 HD-SDI/SDI outputs
  
• Dipswitch configuration
  
• 5-18VDC Power

The D10C2 SDI to Analog Video Converter provides excellent quality 10-bit conversion of SDI to analog component or composite video at a low cost. In the Component mode, the D10C2 outputs are user configurable to YPbPr (SMPTE, EBU-N10), Betacam, or RGB. In the Composite mode, the D10C2 provides 2 composite outputs and a YC (S-Video) output. The D10C2 also provides two re-clocked, loop-through SDI outputs and a composite sync output (Component mode). All functions are user configurable via dip-switches.

Key Features:-

• Excellent Quality 10-bit Universal D/A Conversion
  
• Full 10-bit Data Path, 4x Oversampling
  
• SDI Input, 2 Re-Clocked, Loop-Through SDI Outputs
  
• Component or Composite Analog Output
  
• YPbPr, Betcam, or RGB Component Formats
  
• NTSC or PAL Composite Formats
  
• Digital Noise Reduction
  
• Low Cost

The R20CE SDI to Analog Video Converter provides excellent quality 10-bit conversion of SDI to component and composite video formats simultaneously. The 4 analog outputs are user configurable to NTSC/PAL, YC (S-Video), YPbPr (SMPTE, EBU-N10), Betacam, or RGB. The component and composite outputs are completely independent including optimum chroma filtering for each and independent pedestal configuration. The R20CE also features an exclusive PLL jitter filter/memory to reduce the effects of SDI jitter on the output analog video. This feature, along with the precision 4x oversampled D/A filter, provides the highest quality analog outputs - including very low phase noise in composite outputs. The optional FSG (Frame Sync/Genlock) Module allows genlock to an external reference with full timing adjustment. Without the FSG Module, the reference input provides colour frame timing. The R20CE fits the AJA R-Series Rack Mount Frames, as well as other common industry frames.

Key Features:-

• Excellent Quality 10-Bit Universal D/A Conversion
  
• Full 10-Bit Data Path, 4x Oversampling
  
• SDI Input, 2 Re-Clocked, Loop-Through SDI Outputs
  
• Simultaneous Component & Composite Analog Outputs
  
• YPbPr, Betacam, or RGB Component Formats
  
• NTSC or PAL Composite Formats
  
• Digital Noise Reduction
  
• Optional Frame Synchroniser Allows Genlock to Reference, Full Timing Adjustment

The D10CEA converts SDI video with embedded audio to component or composite analog video and 4 Channel balanced analog audio. The video outputs can be configured as YPbPr (Betacam or SMPTE/EBU-N10), RGB, composite or YC (S-Video). The analog audio outputs can be wired in a balanced or unbalanced configuration. The 4 audio channels can be selected from group 1-4. Audio and video output connections are available on a 25 pin "D" subminiature connector (breakout cable supplied). All video/audio configuration is done by external dipswitch selection. This versatile, low-cost, miniature monitoring solution also outputs two re-clocked loop-through SDI outputs.

Key Features:-

• Digital to Analog Audio and Video Converter
  
• SDI with Embedded Audio Input
  
• Component or Composite Video Outputs
  
• 4 Channel Balanced Audio Output
  
• 2 Re-Clocked, Loop-Through SDI Outputs
  
• Selectable Audio Channel Pair/Group

The GEN10 is a cost effective and flexible SD/HD/AES sync generator. The GEN10 features 7 outputs including 2 groups of independently controlled SD/HD sync outputs and 1 AES-11 output. The SD outputs can be switched between Colour Black or Colour Bars. HD tri-level sync can be switched between 19 different HD formats including all that are in use today. The AES-11 output can be switched between SILENCE and TONE. All outputs are in sync with each other and are sourced from an accurate master time base.

Key Features:-

• HD Tri-level sync generation
  
• SD Colour Black or Colour Bars
  
• Two groups of independently switchable outputs allows simultaneous HD and SD sync generation
  
• AES-11 output switchable between silence and tone
  
• Multiple outputs can synchronise entire systems without requiring a Sync DA
  
• 5-18VDC Power
  
• External Dip Switch Configuration

The ADA4 is a 4-channel converter that can be configured as a 4-channel A/D, a 4-channel D/A, 2-channel A/D and 2-channel D/A, or an AES Synchroniser . The ADA4 can accept a AES11, word clock or video sync/colour black reference input for synchronisation. Reference input and synchronisation are automatic. Audio levels are configurable via dipswitch control.

Key Features:-

• Simultaneous A/D and D/A, or AES Synchroniser
  
• Fulltime AES11 low jitter reference output
  
• Up to 4 channels of balanced analog to AES/EBU audio
  
• Up to 4 channels of AES/EBU to balanced analog audio
  
• Supplied XLR breakout cable
  
• AES11/Word clock/Tri-level Sync/Colour Black Reference Loop
  
• Adjustable Audio Levels
  
• Sample Rate Conversion Between 96KHz and 48KHz
  
• Dipswitch configuration
  5-18VDC Power

Io Express is the perfect Mac or PC interface for anyone who needs an inexpensive monitoring and mastering solution when working with Apple ProRes 422 and Apple ProRes 422 (HQ), XDCAM HD, DVCPRO HD, and more. Portable and simple to use, Io Express is ideal for file based workflows.

Options:

• Rackmount kit
  
• PCIe card interface

• DVCPRO HD
  
• DV25/DV50
  
• SD Uncompressed
  
• Apple ProRes 422 (Mac Pro and MacBook Pro only)
  
• SD and limited HD

• DVCPRO HD
  
• DV25/DV50
  
• SD Uncompressed
  
• Apple ProRes 422 HD/SD
  
• HDV
  
• XDCAM
  
• XDCAM EX, XDCAM HD

• HD/SD-SDI input/output
  
• HDMI v1.3a with Deep Colour support at 30 and 36 bits per pixel
  
• HD/SD Component Video output
  
• 2-Channel RCA audio output
  
• LTC I/O (selectable LTC Input/Reference Video Input)
  
• RS422
  
• ExpressCard/PCIe interfaces, over 1-lane PCIe cable (ExpressCard standard, PCIe card optional for Mac Pro or Windows workstation)
  
• For Mac OSX and Windows XP/Vista
  
• Support for Final Cut Studio and Adobe CS4
  
• Small, portable case design
  
• 3-meter PCIe tether cable
  
• 12v DC power supply
  
• Rackmount kit optional
  
• AJA 3-year warranty

The HD5DA is a miniature, low cost, 1x4 HD-SDI distribution amplifier/repeater. Featuring four separately buffered HD-SDI outputs, the HD5DA provides automatic input cable equalisation to 100 metres and automatically adapts to 143, 177, 270, 360 Mb, and 1.5 Gb.

Key Features:-

• Compact HD-SDI Distribution
  
• Four Separately Buffered Serial HD Outputs
  
• Auto Equalisation
  
• Acts as a Low Cost Repeater
  
• Automatic Multi-Standard
  
• Miniature Size

The HD10CEA converts SDI/HD-SDI video with embedded audio to analog video and 4 channel balanced analog audio. SD video outputs can be configured as YPbPr (Betacam or SMPTE/EBU-N10), RGB, composite or YC (S-Video). HD video outputs can be configured as YPbPr or RGB. The analog audio outputs can be wired in a balanced or unbalanced configuration. The 4 audio channels can be selected from group 1-4. Audio and video output connections are available on a 25 pin “D” subminiature connector (breakout cable supplied). All video/audio configuration is done by external dipswitch selection. This versatile, low-cost, miniature monitoring solution also outputs two loop-through SDI/HD-SDI outputs.

Key Features:-

• Digital to Analog Audio and Video Converter
  
• SDI/HD-SDI with Embedded Audio Input
  
• SD Component or Composite Video Outputs (SD Input)
  
• HD Component Video Outputs (HD Input)
  
• 4 Channel Balanced Audio Output
  
• 2 Equalised, Loop-Through SD/HD-SDI Outputs
  
• Selectable Audio Channel Pair/Group

The HD10AM is a dual rate 8 channel AES audio Embedder/Disembedder. The Disembedder is always functional providing 4 AES outputs. The Embedder is user selectable, on a channel pair basis, to either "pass" SDI input audio or to embed input AES audio from the breakout cable. AES inputs are sample rate converted to a 48KHz rate synchronous to the video input. The HD10AM automatically detects and configures to the input video standard.

Key Features:-

• Dual rate HD-SDI/SDI Embedder/Disembedder
  
• 8 Channel AES I/O
  
• Supplied breakout cables for balanced AES - XLR connectors
  
• HD-SDI/SDI input, 2 HD-SDI/SDI outputs
  
• Dipswitch configuration
  
• 5-18VDC Power

The D4E SDI Encoder provides the lowest cost all-digital conversion of SDI to analog NTSC or PAL. The D4E is useful for monitoring, level and phase checking, dubbing etc. The D4E automatically adapts to NTSC or PAL video standards and outputs analog NTSC (525 line inputs) or PAL (625 line inputs). Pedestal and narrow/wide H/V blanking are user configurable via dip-switches. The D4E encodes the full dynamic range of input video. Levels below black and above white are not clipped.

Key Features:-

• Lowest Cost SDI to NTSC/PAL Available
  
• 1 SDI Input, 2 Composite/YC Analog Outputs
  
• Automatic NTSC/PAL Selection
  
• Built-In Test Pattern
  
• Ultra Miniature Size

R20AD

The R20AD provides excellent quality, 10-bit conversion of component or composite analog video video to SDI. The R20AD accepts YPbPr (SMTE, EBU-N10), Betacam, or RGB component inputs and NTSC/PAL or YC (S-Video) composite inputs. The R20AD features a 3 Line Adaptive Comb Filter for high quality decoding of composite sources. The comb filter can be switched to 2 line or notch modes for minimum delay requirements. The R20AD also accommodates the optional FSG card (Frame Sync) offering choices for synchronising the output video relative to an external reference or the input video. NTSC/PAL configuration is automatic. Video format, AGC, H/V blanking, and pedestal are all user configurable.

Key Features:-

• Excellent Quality, 10-bit, Universal A/D Conversion
  
• Component, Composite, or YC Analog Input
  
• 3 Line Adaptive Comb Filter
  
• Full 10-bit Data Path, 2x Oversampling
  
• YPbPr, Betacam, or RGB Component Formats
  
• NTSC or PAL Composite Formats
  
• AGC Mode
  
• 4 SDI Outputs
  
• Optional Frame Synchroniser

• Optional Frame Sync R20CE, R20D, and R20AD
  
• External or Input Timing Reference
  
• Full Output Timing Adjustment
  
• Passes Vertical Interval Data
  
• 10-bit Data Path

The D5DA is a multi-format, 1x4 re-clocking SDI Distribution Amplifier. The D5DA can be used as a low cost SDI DA or repeater. The SDI input is re-clocked and equalised to 300 metres of cable. In addition, the multi-standard feature allows the D5DA to automatically adapt to 143, 177, 270, or 360Mb SDI inputs.

Key Features:-

• Compact 1x4 Re-Clocking SDI Distribution Amplifier
  
• Low Cost
  
• Automatic Multi-Standard
  
• Useful as a Repeater

The D5CE provides low cost, all digital conversion of SDI to either composite or component analog video. Three analog BNC outputs are user configurable to cover a wide range of format combinations including 3 composite, 1 composite and Y/C, YPbPr (SMPTE, EBU-N10), Betacam, or RGB. The D5CE also features a re-clocked, loop-through SDI output. The D5CE automatically adapts to NTSC or PAL video standards. Pedestal and narrow/wide H/V blanking are user configurable via dip-switches.

Key Features:-

• Low Cost SDI to
• Component or Composite Analog
  
• User Selectable Composite/YC or Component Outputs
  
• YPbPr, Betacam, or RGB Component Formats
  
• Re-Clocked loop through SDI Output
  
• Automatic NTSC/PAL Selection
  
• User Selectable Vertical/Horizontal Blanking

The HD10DA is a miniature, low-cost 1x6 SD/HD (dual-rate) re-clocking distribution amplifier. Featuring six separately buffered HD-SDI outputs, the HD10DA provides automatic input cable re-clocking and equalisation to 125 metres.

Key Features:-

• Compact SD/HD Distribution
  
• Six Separately Buffered Outputs
  
• Miniature Size
  
• 125m HD cable equalisation (1694 coax)
  
• HD-SDI or SDI input, auto sensing
  
• Bi-colour LED indication of input lock and rate
  
• Passes all ancillary data
  
• +5-18V power supply
  
• No dipswitches or configuration required

Featuring a flexible "anything in, anything out" architecture, the FS1 Universal HD/SD Audio/Video Frame Synchroniser and Converter can simultaneously work with both HD and SD video - all in full 10-bit broadcast quality video and 24-bit audio. The FS1 supports virtually any input or output, analog or digital, HD or SD. The FS1 can up-or down-convert between SD and HD, and provide simultaneous HD and SD outputs.

Up, Down, Cross-Conversion between HD formats are also supported, with simultaneous output of both formats. For audio, the FS1 supports 8-channel AES, balanced analog, or embedded audio with full flexibility and audio processing controls. The FS1 supports closed captioning and the conversion of closed captioning between SD and HD formats-including full conversion of CEA-608 captions to the CEA-708 standard. The FS1 is also network ready, supporting web-based and SNMP remote control.

Key Features:-

• SD/HD up/down conversion
  
• SD/SD aspect ratio conversion
  
• HD/HD cross conversion (720p/1080i)
  
• Up/down/cross conversion with both the input and converted formats on SD/HD SDI outputs (both synchronised)
  
• HD cross conversion with simultaneous downconverted SDI output
  
• Closed caption support for up, down and cross-conversion
  
• AFD support (Active Format Description)
  
• Dual HD/SD SDI inputs and outputs
  
• Component analog HD/SD input and output
  
• Composite/S-video input and output with TBC
  
• 8-channel AES and balanced analog audio inputs and outputs
  
• 8-channel embedded audio I/O
  
• Fully redundant power supplies standard
  
• 10/100 LAN with SNMP, and embedded web server for remote control
  
• Video Proc Amp
  
• Audio Channel Mapping
  
• Chassis styling optimised for machine room use with simple panel and remote web browser user interfaces
  
• Front panel alphanumeric and graphical display shows input/output settings and parameter viewing/editing choices
  
• LED status indicators for at-a-glance system monitoring
  
• Two GPI inputs and outputs, TTL, isolated
  
• Register Recall/Store
  
• Save/Restore to Computer
  
• Tone and Test Signal Generator
  
• Sidebar Keyer
  
• Remote Control Panel Support
  
• 5 year warranty

• 16 channel audio support mapped to any 8 outputs. All 16 channels of SDI audio passed if present.
  
• Sidebar keyer added, with adjustable width, status screens and associated alarms
  
• Front Panel Lock out can be enabled or disabled from the web browser interface (only)
  
• SD Aspect Ratio can now also be controlled via GPI In Response
  
• Support added for Videoframe Inc. VTECS 2 and VTECS 5 remote control panels.
  
• FS1 Web User Interface can now be password protected
  
• Pressing both “Select” buttons simultaneously will return you to the default 1.1 menu display

The HA5 converts HDMI to SDI or HD-SDI. Up to eight channels of HDMI audio
are embedded into the SDI/HD-SDI output allowing a convenient single cable
audio/video connection. The HA5 provides two SDI/HD-SDI outputs and supports long HDMI cables on the input. The HA5 is useful for connecting HDMI cameras to SDI/HD-SDI equipment.

Key Features:-

• Full HDMI support including embedded audio
  
• Equalised HDMI input supports long HDMI cables up to 40m
  
• PLL clock filtering for low jitter SDI/HD-SDI outputs
  
• Lock LED shows type of input source, SD (green) or HD (red)
  
• HDMI cable included

KUMO compact SDI routers are small and cost-effective, yet robust and reliable. KUMO supports full broadcast specifications over SDI, HD-SDI, and 3G SDI. Kumo routers are re-clocking, non-blocking, and ready for any broadcast, production, or post production environment. Running Embedded Linux, KUMO routers support powerful HTTP control and monitoring. KUMO's internal webserver allows immediate installation, configuration, and operation without any software to buy or install, instead serving up complete UI controls via any standard web-browser.

KUMO SDI routers are available in two configurations: the KUMO 1604 supporting sixteen SDI inputs and four outputs, and the KUMO 1616 supporting sixteen channels in and out. Because of their compact 1RU size, KUMO SDI routers are ideal for space-sensitive applications such as mobile sports trucks, edit suites, corporate video installations, or live theatrical A/V rigs. KUMO compact SDI routers offer AJA-reliability, flexibility and state-of-the-art signal quality, while delivering it for an unprecedented price.

Key Features:-

• SD, HD, 3G SDI inputs and outputs via BNC, SMPTE 259M/292M/424M
  
• Automatic EQ and re-clocking
  
• Supports all ancillary data, including embedded audio
  
• Reference via BNC, passive loop, PAL/NTSC colour black or HD tri-sync
  
• 10/100/1000 Ethernet LAN
  
• Embedded Linux OS with internal webserver for web-browser control
  
• HTTP and RS-422 Control
  
• 1RU form factor
  
• Redundant Power, isolated power inputs
  
• AJA 5-year international warranty

The 3GM is versatile and economical tool for interconnecting dual-link 1.5G SMPTE372M and 3G SMPTE425M. 3GM is bi-directional allowing dual 1.5G to 3G or 3G to dual 1.5G conversion. Additionally, 3GM’s 3G HD-SDI output is configurable for SMPTE425M type A or B. The 3GM can even convert 3G from/to type A or B. 3GM also provides a monitor output which is a single link SMPTE292M 1.5G HD-SDI. The 3GM is also compatible with SMPTE259M 270Mb SDI.

Key Features:-

• Compact 3G to/from 1.5G conversion
  
• SMPTE425M-AB inputs, 3G outputs configurable to A or B
  
• Converts SMPTE425M A to/from SMPTE425M B
  
• Provides SMPTE292 monitor output for dual 1.5G or 3G inputs
  
• Fully equalising and re-clocking with jitter attenuation
  
• Passes all ancillary data

The 3GDA is a miniature, low-cost 1x6 3G HD-SDI/HD-SDI/SDI re-clocking distribution amplifier. Featuring six separately buffered SDI outputs, the 3GDA provides automatic input detection, re-clocking and cable equalisation.

Key Features:-

• Compact SD/HD Distribution
  
• Six Separately Buffered Outputs
  
• Miniature Size
  
• 120m 3G cable equalisation (1694 coax)
  
• 3G HD-SDI, HD-SDI or SDI input, auto sensing
  
• Passes all ancillary data
  
• +5-18V power supply

The R20DA is a multi-format, 1x8 SDI Distribution Amplifier. The SDI input is re-clocked and equalised to 300 meters of cable. In addition, the multi-standard feature allows the R20DA to automatically adapt to 143, 177, 270 or 360 Mb SDI inputs.

Key Features:-

• Re-Clocking, Equalising SDI DA
  
• SDI Input
  
• 8 SDI Outputs
  
• Multi-Standard

The AJA KONA LHi bridges the gap between legacy analog devices and the latest 3Gb SDI and HDMI enabled products providing editing, monitoring and mastering of professional quality video in an affordable, powerful, easy to use product.

Connectivity
If your post-production facility works with a wide variety of formats, frame rates and audio/video sources, the AJA KONA LHi provides the connectivity you need.

Connect everything from an HDMI enabled camera to an HD-SDI VTR to KONA LHi. Connecting to any of your legacy analog video signals is also possible through configurable component, composite, or s-video. Via an Input PassThrough mode, you can even configure the card to act as a converter within your computer.

KONA LHi offers a full host of no-compromise features: 10-bit or 8-bit uncompressed video, 2-channel AES digital audio and 8-channel SDI embedded digital audio, analog composite or s-video or SD/HD component video I/O, 2-channel balanced analog audio I/O, and broadcast-quality hardware-based up/down/crossconversion for flexible SD and HD post production.

KONA LHi's HDMI 1.3a support allows you to feed a "deep colour" monitor with glorious 10-bit video, banishing video banding and preserving your gradients and rich colour palate. Only KONA LHi delivers this 10-bit deep colour state-of-the-art HDMI support.

Broadcast-quality conversions
Like the AJA KONA 3 product, the KONA LHi features full 10-bit, broadcast-quality, motion-adaptive SD to HD up-conversion, HD to HD crossconversion, HD to SD down-conversion, and automatic HD/SD 12-bit component analog output. Since KONA LHi's conversions are hardware-based, they are available all the time - during ingest or playback. Outputs can be configured independently allowing you to have simultaneous HD and SD output - or two different types of HD - 720 or 1080 - output at the same time via cross-conversion.

Key Features:-

• 3G/HD/SD SDI input/output
  
• HDMI v1.3a w/Deep Colour at 30 bits per pixel input/output
  
• 12-bit HD analog component input/output
  
• 12-bit SD analog component, composite, or S-Video input/output
  
• 10-bit Hardware-based realtime up/down/cross-conversions
  
• 2-ch balanced XLR AES digital audio and 2-ch balanced XLR analog audio input/output
  
• 8-ch SDI embedded audio input/output
  
• HD/SD Genlock and RS-422 machine control
  
• LTC Input (on Reference input)
  
• Breakout cables standard, affordable breakout box optional

The RD20DA is a multi-standard, 2-channel, 1x4 and 1x3 SDI Distribution Amplifier. The SDI input is re-clocked and equalised to 300 meters of cable. In addition, the multi-standard feature allows the RD20DA to automatically adapt to 143, 177, 270, or 360 Mb SDI inputs.

Key Features:-

• 2 Channel Re-Clocking, Equalising SDI Distribution Amplifier
  
• 1x3, 1x4 SDI Outputs
  
• Multi-Standard: 143/177/270/360 Mb

The AJA Video R44E provides four composite analog monitoring outputs from four separate SDI inputs. Each channel has a separate D/A converter with a 10-bit DAC and 8-bit broadcast encoding. Values below black and above white are not clipped. Each channel has a test pattern generator with separate user selectable blanking controls. The R44E also features automatic NTSC or PAL configuration. It fits the AJA R-Series Rack Mount Frames as well as other standard industry frames.

Key Features:-

• 4 Channel SDI to NTSC/PAL Converter
  
• 4 Separate SDI Inputs
  
• 4 Separate Composite Analog Outputs
  
• Built In Test Pattern
  
• Configurable Pedestal
  
• 40 Channels of Conversion in 2 RU

The HDP2 is a miniature HD-SDI/SDI to DVI-D converter for digital display devices, such as LCD, DLP, and Plasma monitors or projectors. Using a very high quality scaling engine and de-interlacer, the HDP2 will automatically size 4:3 or 16:9 inputs to many DVI-D monitors. For appropriate monitor configurations, scaling is automatically 1 to 1-for example, displaying 1920x1080 video on a WUXGA (1920x1200) monitor. The HDP2 will also automatically adapt the input frame rate for monitor compatibility. In addition, the HDP2 provides 2 channel audio monitoring and a looping output of the SDI input.

The HDP2 is designed for general monitoring, perfect for use in applications such as: General post-production reference monitoring, Client monitoring, Presentation, Projection, Corporate displays, Kiosk applications...and much more.

The HDP2 also supports HDMI v1.3a Deep Colour (with a DVI to HDMI cable). In the HDMI mode, Deep Colour is supported at 30/36 bits per pixel with 8 channel audio. USB connectivity allows for easy PC/Mac setup and field upgrades.

Inputs:

• 525i, 625i, 720p 50/59.94/60
  
• 1080i 50/59.94/60
  
• 1080p 23.98/24/25/29.9/30
  
• 1080psF 23.98/24/25
  
• YCbCr 10-bit

• HD, and SD-SDI (auto-selected)
  
• SMPTE-259/274/292/296
  
• BNC connector

• DVI v1.0 / HDMI v1.3a
  
• 4:2:2 YCbCr
  
• 4:4:4 YCbCr/RGB 24/30/36-bit
  
• DVI-D standard male connector

• RCA-style analog outputs at -10dBV (nominal)
  
• 2 channels embedded audio (HDMI mode only)
  
• 24 bit, 2 or 8 channels
  
• User assignable channels

• HD-SDI/SDI to DVI-D
  
• HDMI 1.3a support (via DVI-D connector), including: - Deep Colour 30-bit video (24-bit also supported) - 2 or 8 channels of embedded audio
  
• Automatically adapts to popular LCD/ DLP/Plasma monitors (and projectors) up to 1920x1200 and 1080p
  
• High quality scaling engine for proper display of 4:3 or 16:9 content-even better quality than original HDP
  
• 1 to 1 scaling for appropriate monitor configurations
  
• 2 channel RCA analog audio output (user-assignable channels)
  
• HD-SDI/SDI looping output
  
• Setup via PC/Mac using USB port and supplied USB cable (USB configuration software application supplied on CD)
  
• 5 year warranty

The RH10DA is a multi-standard Dual Rate 1x8 SDI/HD-SDI Distribution Amplifier. The input is re-clocked and equalised to 100/300 meters (HD/SD) of coax cable. The RH10DA automatically configures to 143, 177, 270, 360mb, or 1.485gb SDI inputs. The re-clock function can be by-passed with an on-board jumper.

Key Features:-

• Dual Rate HD-SDI/SDI
  
• Equalising and Re-clocking, 8 outputs
  
• Automatic Input configuration

The professional's choice for uncompressed SD, HD, Dual Link HD, 2K, and 3G

KONA 3G has the unparalleled features top of the line video professionals expect from AJA Desktop solutions.

KONA 3G features 10-bit Uncompressed video I/O, the newest HDMI 1.4a support for 3D workflows, 16-channel SDI embedded audio I/O, and up to 16-channel AES digital audio I/O (8 with breakout cable or 16 with optional K3G-Box). Add to that realtime hardware-based up/down/cross conversion for efficiently working with a wide variety of SD and HD, 3G, dual-link HD, even 2K formats, a hardware downstream keyer for compositing graphics without rendering, and so much more.

3D Stereoscopic flexibility
KONA 3G offers you the most affordable and simplest path through 3D Stereoscopic workflows.

Through SDI, you can output Discrete Left and Right Eye feeds with a simple Stereo button choice in the AJA control panel. In addition, all the mixed feeds for SDI stereo monitoring are accessible through tight integration with CineForm's stereo codecs in Apple FCP and Adobe CS5 timelines for Side by Side, Top Bottom and so much more.

Through HDMI 1.4a, you can utilise more affordable 3D monitors for Side by Side, Top Bottom and Frame Packed needs.

KONA 3G offers you Stereo Simplicity.

Broadcast-quality conversions
KONA 3G features full 10-bit, broadcast-quality, motion-adaptive SD to HD up-conversion, HD to HD cross-conversion, HD to SD down-conversion, and automatic HD/SD 12-bit component analog output. Since all conversion functionality on the KONA 3G is hardware-based, it's available all the time on ingest or playback.

Uniquely, the KONA 3G can even cross-convert 720p 23.98 to 1080PsF 23.98. Cross-conversion is particularly valuable in today's multi-format HD post environment where being able to produce pristine 720p or 1080i signals at-will helps streamline dailies and deliverables creation.

Internal SD/HD hardware downstream keyer
The AJA KONA 3G features a powerful hardware downstream keyer that can place graphic files with an alpha channel over the video being input to the board—or a selectable colour matte, or the contents of the card's framebuffer (ex: AJA TV/Apple Final Cut Pro). The downstream keyer can also key a QuickTime video clip that has an alpha channel by playing it in realtime, via the supplied AJA TV application, over live video coming into the card.

Connectivity
For SDI video, the card features two 3G/HD/SD-SDI inputs and two outputs, HDMI 1.4a monitoring output, LTC input and output, one connection for Genlock input, and configurable 3x BNC HD/SD analog video output. Also included is a 9-pin connector for RS-422 machine control. If you're using a Digital Betacam, DVCPro50, HDCAM, DVCPRO HD, D5, or HDCAM SR VTR—or any other professional device–you'll have the proper connections.

Dual link HD support
KONA 3G supports Dual Link 4:4:4 HD-SDI, with full bandwidth 4:4:4 RGB at 10-bits for 1080i, 1080p, 1080PsF and 720p formats. KONA 3G can also convert between 4:4:4 and 4:2:2 formats for single link HD-SDI monitoring and output.

2K support
As the most capable 2K card for the Mac, you can use KONA 3G to ingest from 3G or HSDL (high speed data link) equipped sources and record at full frame rate or record simultaneous 2K DPX files and 2K QuickTime reference movies using the AJA VTR Xchange application. You can also work with existing 2K material, like sequential DPX or Cineon files, by using AJA's DPXToQT Translator application to create QuickTime files for a wide variety of applications. RED Epic and ARRI Alexa workflows are eased by KONA 3G, with true realtime 2K playback and LUT support.

On a PC, KONA 3G can connect to a 2K telecine saving time and steps by directly creating 2K DPX, QuickTime, Cineon, AVI, TGA, TIFF or BMP files. Users can capture directly into the format they need and move files immediately into their editing/compositing environment of choice. These same files can be played out at 2K via 3G or High Speed Data Link (HSDL), offering further synergy with other 2K products already in use in the market.

KONA 3G also allows 2K files to be viewed with a user selected crop function on HD 1080PsF supported video monitors. This functionality helps lower the price barrier for viewing 2K material.

The 1080 HD playout can additionally be down-converted to SD in realtime, giving users a powerful solution for multi-format video playout of 2K material and flexible tape mastering options.

Audio
Tie the KONA 3G to a digital audio mixer or DAW output with 8-channel 24-bit 48kHz or 96kHz AES audio via BNC connections on the supplied breakout cable or get the optional K3G-Box to output an even larger 16-channels of AES audio.

KONA 3G's high-quality input sample-rate conversion on AES inputs eliminates the need for audio source synchronisation.

For multi-channel audio mastering, 16-channel SDI embedded 24-bit 48kHz audio provides the power you need to integrate into any audio environment.

Key Features:-

• 2 SD/HD/3G SDI inputs and 2 SD/HD/3G SDI outputs
  
• HDMI 1.4a Output for 3D workflows
  
• Analog Video Output of Y,Pb,Pr, or R,G,B, or CVBS and Y, C.
  
• 16-channel SDI embedded audio I/O
  
• Up to 16-channel AES digital audio I/O
  (8 with breakout cable or 16 with optional K3G-Box)
  
• Terminating video reference input
  
• Separate LTC input and output ports
  
• Master or Slave configurable RS422 control port
  
• Video up, down, and cross conversion
  
• Internal hardware keyer
  
• 2K video format support

• Video reference active loop output
  
• Left and Right analog audio monitor output
  
• Additional 8 single ended (75Ohm BNC) AES channels (providing a total 16 discrete channels of AES audio)

Lens to Post in a Flash. The Highly Portable 10-bit 4:2:2 Flash Disk Recorder

Ki Pro Mini is the smallest and simplest way of connecting production and post, anywhere shooting takes you. With a miniature form factor that makes for the smallest camera and recorder package available, Ki Pro Mini is powerful, supporting all four types of Apple ProRes 422 (including HQ, LT and Proxy). The newest member of the award winning Ki Pro family, Ki Pro Mini simplifies the link between production and post by unobtrusively fitting in small spaces and acquiring on the best codec for use with Apple Final Cut Studio, from any SDI or HDMI camera, regardless of format. With its high quality digital connectivity, you've got the perfect solution for portable on-set digital capture.

• Extreme Portability for any shooting environment
  
• 10-bit full raster recording to Apple ProRes 422 SD and HD formats
  
• Apple ProRes 422 (HQ)
  Apple ProRes 422
  Apple ProRes (LT)
  Apple ProRes (Proxy)
  
• Record Edit-Ready SD/HD files from any camera to Compact Flash (CF) cards
  
• Skip log and capture with instant mounting of native OSX media
  
• Professional connectivity through SD/HD SDI and HDMI I/O

• Ki Pro Mini Recorder
  
• AC Adapter 110/220 with 4-pin XLR connector

• Simultaneously record to host camera and Ki Pro
  
• Bridge proprietary compression schemes by recording to Apple ProRes 422
  
• Bridge media complexity by recording to portable file-based storage
  
• Extend client review capabilities
  
• Bridge production and post-production, effectively eliminating log and capture
  
• Extend productive life of existing cameras
  
• Embrace future workflows
  
• Follows the camera everywhere, offering a tiny footprint, support for SDI & HDMI cameras, and simple CF card storage. Smaller than some battery packs, it mounts to virtually everything.

This item is used ex-demo stock and comes complete in its original packaging.

1x XENA LSe Available

AJA-quality standard-definition video capture and playback isn't just for the big guys. The affordable priced XENA LS is the perfect solution for capture, playback and printing video for non-linear editing and visual effects/motion graphics. Now, with XENA LS, everyone can enjoy the features, rock-solid video/audio, and factory support that exemplify all AJA products.

XENA LS supports 10-bit resolution SMPTE SDI, using your choice of many formats (TGA, TIFF, BMP, AVI or QuickTime). XENA LS also has great audio I/O support: 2-channel balanced XLR analog, 2-channel balanced XLR AES and multi-channel embedded SDI audio. XENA LS includes hardware sample-rate conversion on AES inputs, eliminating source synchronising requirements. And the optional KL-Box for XENA LS provides all the standard features of a cable in an easy-to-use 1RU rackmount panel.

Key Features:-

• 12-bit component/composite S-video analog I/O
  
• SDI input, 2 independent SDI outputs
  
• AES I/O, sample-rate conversion on input (2 channel, XLR)
  
• Balanced analog audio I/O (2 channel, XLR)
  
• 8-channel SDI embedded audio support
  
• Broadcast-quality TBC with VHS support
  
• Support for TGA, TIFF, BMP, AVI and QuickTime files
  
• Support for all popular standard definition formats (NTSC and PAL)
  
• Genlock and RS-422 machine control
  
• AJA Machina software
  
• Adobe Premiere Pro 2.0, Adobe After Effects 7.0, Photoshop CS/CS2, Autodesk Combustion 4 and Eyeon Fusion5 plug-ins and support
  
• Cables standard, KL-Box breakout optional
  
• 3-year warranty
  
• Available in PCIe as XENA LSe
  
• Available in PCI compatible as XENA LS

This item is used ex-demo stock and comes complete in its original packaging.

1 Available

XENA LH offers a full ride to HD with no-compromise, 10-bit and 8-bit uncompressed video, 2-channel AES and 8-channel embedded audio, analog composite/component video I/O, 2-channel analog audio I/O, 10-bit broadcast-quality hardware HD to SD downconversion and TBC on analog inputs. XENA LH bridges the analog and digital worlds by offering I/O for both.

XENA LH comes standard with a breakout cable and also works with the optional KL-Box for rackmounted I/O convenience. Supporting native 10-bit resolution, XENA LHe provides optimum quality for SD and HD - the maximum allowed in SMPTE SDI standards. Using many user-selected formats - DPX, Cineon, TGA, TIFF, BMP, AVI or QuickTimeT - XENA LH captures directly to disk.

In addition to top-quality video, XENA LH offers all the audio support you'll ever want: multi-channel audio and 16/24/32-bit AES/EBU digital audio at 48kHz for digital production. For ease of use, XENA LH also includes hardware sample-rate conversion on AES inputs, eliminating source synchronising requirements.

As the only card available supporting HD/SD analog I/O, XENA LH is perfect for many diverse workflows, including analog component connections from HDV cameras that allow direct ingest of HDV-acquired material into uncompressed or any other supported file format. These 12-bit analog inputs and outputs, in addition to 10-bit digital I/O's, ensure that XENA LH can interface with almost any Single Link digital or analog HD or SD video format you throw at it.

XENA LH also provides AJA's incredible 10-bit hardware HD to SD downconversion, which can be applied to any or all inputs or outputs. Digitise HD into space-efficient SD for offline work. Monitor HD files on an SD monitor. Make analog or digital SD tape masters from an HD project. Awesome workflow capabilities are yours with XENA LH.

XENA LH is available in two flavours: for PCI/PCI-X compatibility as the XENA LH, and for 4-lane PCIe compatibility as the XENA LHe. Both cards are identical in features and in video and audio connections, and use the same optional KL-Box breakout box.

Key Features:-

• 10-bit uncompressed SD/HD capture card
  
• 12-bit HD analog component I/O
  
• 12-bit SD analog component or composite/YC I/O
  
• 10-bit hardware HD to SD downconversion
  
• Native support for DPX, Cineon, TGA, TIFF, BMP, AVI and QuickTime files
  
• SDI or HD-SDI input
  
• 2 independent SDI/HD-SDI outputs
  
• 2-channel balanced XLR AES and 2-channel balanced XLR analog audio I/O
  
• 8-channel SDI embedded audio I/O
  
• HD/SD Genlock
  
• RS-422 machine control
  
• AJA Machina software
  
• Adobe Premiere Pro 2.0, Adobe After Effects 7.0, Photoshop CS/CS2, Autodesk Combustion 4 and Eyeon Fusion5 plug-ins and support
  
• Cables standard, KL-Box breakout optional
  
• 3-year warranty
  
• Available in PCIe as XENA LHe
  
• Available in PCI/PCI-X compatible as XENA LH

3G/HD-SDI Multiplexer To HDMI 1.4a and SDI Video and Audio Converter

The Hi5-3D is a 3D video multiplexer that combines two 3G or HD-SDI Inputs into various multiplexed 3D formats for output on HDMI 1.4a and HD-SDI. The HDMI 1.4a output supports EDID transactions that allow automatic 2D/3D configuration per the HDMI monitor's capabilities. Input SDI 2 will be frame synchronised to input SDI 1 in 3D Modes. Embedded SDI input audio is embedded in both the HDMI and SDI outputs. 2 channel RCA audio output is also supported with user control of channel selection. The Hi5-3D supports AJA's Mini-Config application for user configuration and firmware download.

3D Modes Supported
The Hi5-3D supports, depending on the video format, "side-by-side", "top-bottom", and "frame- packing" 3D modes. The "side-by-side" and "top-bottom" modes involve compressing, either horizontally or vertically, each input for combining into a single video stream at the same rate of the inputs. The "frame-packing" mode stacks two full resolution inputs into a "tall" frame (at twice the clock and line rates). When selected, "frame- packing" can only be used with 23.98/24Hz input frame rates.

Each input, in addition to 3D processing, can be flipped either horizontally, vertically, or both. This control is provided by 4 switches that can be engaged in any combination.

Format support
The Hi5-3D works with both 2D and 3D inputs. When in the 2D mode, the input is simply passed to the output unmodified. In the 3D mode, the Hi5-3D supports the minimum required 3D modes as defined by the CEA for HDMI 1.4a televisions.

CEA Required 3D modes:

2xSDI - 1.5gb - 720p50/59.94/60 - T/B
2xSDI - 1.5gb - 1080p23.98/24 - T/B, FP
2xSDI - 1.5gb - 1080psf23.98/24 - T/B, FP
2xSDI - 1.5gb - 1080i50/59.94 - S/S

Notes:
"psf" inputs are converted to "p" for HDMI output. The SDI output can support S/S and T/B formats only. Future software versions may add other frame rates.

User Control
The Hi5-3D supports both dipswitch control and host control via the Mini-Config application. One of the dipswitches is a "Local/Remote" switch. When in the "Local" mode, the remaining dipswitches support a subset of the user controls. When in the "Remote" mode, AJA's Mini-Config application controls the unit (or control as last set).

Specifications

Input Formats:
720p 50/59.94/60
1080i 50/59.94/60
1080p23.98
1080p24
1080p25

Video Inputs:
Dual 3G and HD-SDI (auto-selected),
SMPTE-292/296/424,
2x BNC
1 SDI for left eye input (10-bit)
1 SDI for right eye input (10-bit)

Video output:
10-bit HDMI v1.4a
1 3G/HD-SDI output, 10-bit

Audio Outputs:
HDMI embedded audio, 2 or 8 channels
2 RCA-style analog outputs at -10dBV (nominal), User assignable channels

Size:
5.8" x 3.1" x 1 (147mm x 79mm x 25mm)

Power
+5-20 VDC regulated, 5 watts (AJA power supply model DWP or DWP-U recommended) (sold separately)

Key Features:-

• 3G/HD-SDI to HDMI 1.4a with additional SDI output
  
• 10-bit HDMI 1.4a support including 3D and embedded audio
  
• Additional 2 Channel RCA jack audio output
  
• Setup via Dipswitch or PC/Mac using USB port and supplied USB cable (USB configuration software application supplied on CD)
  
• Uses 5-20V power (supply sold separately)
  
• 5 year warranty

3G/Dual-link/HD/SD-SDI To HDMI 1.3a Video and Audio Converter

The Hi5-3G converts 3G-SDI, dual or single link HD-SDI, or SD-SDI to HDMI v1.3a for driving HDMI monitors. HDMI v1.3a capability at 30 bits per pixel allows full support of the latest 10 bit monitors. Audio is supported in the HDMI output allowing a convenient single cable audio/video connection. The Hi5-3G provides 2 Channel RCA style audio outputs for separate audio monitoring if needed. USB connectivity allows for easy PC/Mac setup and field upgrades.

Specifications

Input Formats:
525i, 625i, 720p 50/59.94/60,
1080i 50/59.94/60,
1080p23.98/24/25/29.9/30/50/59.94/60,
1080psF 23.98/24/25/29.97/30,
YCbCr/RGB/XYZ 10/12-bit

Video Inputs:
3G, HD, and SD-SDI (auto-selected),
SMPTE-259/274/292/296/372/424/425,
2x BNC

Video output:
HDMI v1.3a, 30/36 bits per pixel,
RGB or YUV,
SD, HD,
525i, 625i, 720p 50/59.94/60,
1080i 50/59.94/60,
1080p23.98/24/25/29.9/30/50/59.94/60

HDMI Standard Type A connector

Audio Outputs:
HDMI embedded audio,
24 bit,
2 or 8 channels RCA-style analog outputs at -10dBV (nominal),
User assignable channels

Size:
5.8" x 3.1" x 1 (147mm x 79mm x 25mm)

Power
+5 VDC regulated, 5 watts (AJA power supply model DWP or DWP-U recommended)(sold separately)

Key Features:-

• 3G/HD/SD-SDI to HDMI
  
• SMPTE425M-AB input
  
• Full HDMI 1.3a support including: - Deep Colour 30- and 36-bit video per pixel (24-bit also supported) - 2 or 8 channels of embedded audio
  
• Additional 2 channel RCA analog audio output (User assignable channels)
  
• Setup via PC/Mac using USB port and supplied USB cable (USB configuration software application supplied on CD)
  
• 1m HDMI cable supplied
  
• Uses 5V power (supply sold separately)
  
• 5 year warranty

KONA LHe Plus offers a full host of professional no-compromise features: 10-bit or 8-bit uncompressed video, 2-channel AES digital audio and 8-channel SDI embedded digital audio, analog composite or s-video or SD/HD component video I/O, 2-channel balanced analog audio I/O, and broadcast quality hardware down-conversion from HD to SD.

Connectivity
For SDI video, the KONA LHe Plus features one input and two outputs and can be configured independently for HD or SD. It offers Genlock input, and three BNCs which may be configured for analog video input and output (HD or SD). Also included is a 9-pin connector for RS-422 machine control. Because the KONA LHe Plus supports analog component HD input and output, devices with analog HD output, such as HDV decks and even game consoles, can be connected for a variety of workflows.

Broadcast-quality conversion
KONA LHe Plus features full 10-bit, broadcast-quality, motion-adaptive HD to SD down-conversion, and HD/SD 12-bit component analog output. Since conversion is hardware-based, it’s available all the time - during ingest or playback.

Extend your Connectivity with KL-Box-LH
The optional KL-Box-LH provides all the standard features of a cable for 1RU rack mounted I/O convenience and added connectivity in the form of additional BNC digital AES/EBU connectors and RCA audio monitoring jacks.

Key Features:-

• SDI, HD-SDI, analog HD/SD
  
• 12-bit HD analog component I/O
  
• 12-bit SD analog component or composite S-Video I/O
  
• 10-bit hardware HD to SD downconversion
  
• SDI or HD-SDI input
  
• 2 independent SDI/HD-SDI outputs
  
• 2-ch balanced XLR AES and 2-ch balanced XLR analog audio I/O
  
• 8-ch SDI embedded audio I/O
  
• HD/SD Genlock and RS-422 machine control
  
• Final Cut Pro, Motion, After Effects, Combustion and more
  
• Cables standard, KL-Box-LH breakout optional
  
• 3-year warranty

Desktop-level Power and Portability, Without Compromise
Desktop-level power wherever you choose to work is now possible with AJA's new Io XT, with Thunderbolt dual-port "daisy-chain" connectivity.

Apple's newest generation of computers feature powerful Thunderbolt interfaces, offering a mind-blowing 10Gbps available bandwidth-and AJA's Io XT is the ideal portable companion for lightning-fast video capture and playback for professional postproduction and on set applications.

Designed for today's workflows, Io XT provides complete compatibility with the most popular NLE programs, the newest codecs, video formats, stereoscopic 3D workflows, and more.

Single Cable Thunderbolt Connectivity
Io XT connects to your Mac with a single Thunderbolt cable and provides a second Thunderbolt connector for daisy-chaining other Thunderbolt-enabled devices, such as storage, making it perfect for on set, or in the edit suite.

Compact, portable and powerful, it's loaded with high-end features including 3G/Dual-link/HD/SD-SDI, Component Analog, and HDMI connectivity. AJA's industry-proven OS X software and drivers connect the hardware to extensive codec and media support.

Pair Io XT with a MacBook Pro and Thunderbolt-based storage solution and you've got a no-compromise, fast editing system -portable enough to fit in a backpack.

AJA Quality Conversion
Io XT features full 10-bit, broadcast-quality, motion-adaptive SD to HD up-conversion, HD to HD cross-conversion, HD to SD down-conversion, and automatic HD/SD 12-bit component analog output. Since all conversion functionality on the Io XT is hardware-based, it's available all the time on ingest or playback.

Uniquely, the Io XT can cross-convert 720p 23.98 to 1080PsF 23.98. Cross-conversion is particularly valuable in today's multi-format HD post environment where producing pristine 720p or 1080i signals at-will helps streamline dailies and deliverables.

Connectivity
For SDI digital video, Io XT features two 3G/HD/SD-SDI inputs and two outputs, plus HDMI 1.3 input and HDMI 1.4a output-including support for 3D. Also included are component/composite output, LTC or Reference input, LTC output, 8 channels of embedded digital audio I/O and 8 channels of analog audio output.

For professional machine control, Io XT has a 9-pin RS422 connector. If you're using a Digital Betacam, DVCPro50, HDCAM, DVCPRO HD, D5, or HDCAM SR VTR-or any other professional device–you'll have the proper connections.

Dual link and 4:4:4 HD support
Io XT supports single link 3G 4:4:4 and dual link 4:4:4 HD-SDI, with full bandwidth 4:4:4 RGB at 10-bits for 1080i, 1080p, 1080PsF and 720p formats. Io XT can even convert between 4:4:4 and 4:2:2 formats for single link HD-SDI monitoring and output.

Powerful Software
Io XT drivers are optimized for use on OS X, with applications and advanced AJA hardware capabilities controlled easily at-a-glance in the application you're using. AJA software integrates within the native environment where used, and includes powerful standalone capability with the AJA Control Room software.

AJA Control Room provides a unified, all-encompassing graphically rich and intuitive software application for controlling selected AJA and non-AJA equipment to enable configuration, video and audio capture, conversion, playback, and output. It eliminates the multiple applications other competitors require and replaces it with one comprehensive environment that does it all. AJA Control Room supports a variety of video, still image and audio file types.

Key Features:-

• (2) Thunderbolt ports (supports multiple Thunderbolt-enabled device "daisy-chaining")
  
• (2) 3G/HD/SD-SDI inputs and outputs
  
• Single link SDI 4:2:2 support
  
• Dual-link SDI 4:4:4 support
  
• Single link 4:4:4 support (3G)
  
• HDMI input and output (with support for HDMI 1.4a 3D displays)
  
• Analog component/composite HD/SD output, 10-bit
  
• Video Up, Down, and Cross conversion (hardware-based, 10-bit)
  
• 8-channel embedded SDI audio i/o
  
• 8-channel (4 pairs) balanced analog audio output (using a DB-25 type cable)
  
• Front panel LED VU meters
  
• Headphone output w/level control
  
• Reference In/LTC In (selectable)
  
• LTC output
  
• RS-422
  
• 4-pin XLR Power (AC adapter included)
  
• AJA Technical Support and International Warranty included
  
• Designed to be reliable, tough, and portable

The UDC is a broadcast quality Up/Down/Cross Mini-Converter which can convert between SD, HD, and 3G video formats. Borrowing from AJA’s industry leading conversion technology used in our model FS2, the UDC provides very high quality conversions at a low price. The UDC also supports 8 channel embedded audio. I/Os include SD/HD/3G SDI Input and Output, HDMI output, and 2 channel RCA style audio output. The UDC can be controlled by local dipswitches with additional control available via USB and AJA’s Mini-Config application. A Reference Input allows the video output to be timed to a local reference.

Key Features:-

• Converts between SD, HD, and 3G HD formats
  
• Supports 1080p50/60
  
• Very high quality conversions
  
• 8 channel embedded audio
  
• HDMI output with 8 channel audio
  
• 2 channel RCA analog audio output
  
• Reference Input
  
• Configure via Dipswitch or USB port and supplied Mini-Config software
  
• Uses 5-20V power (supply sold separately)
  
• 5 year warranty

The Hi5 Fiber converts HD/SD-SDI over single mode 1310 nm Fiber optic cable (ST-style Fiber connector) to HDMI for driving HDMI monitors. Embedded 8-channel HD/SD-SDI audio is supported in the HDMI output allowing a convenient single cable audio/video connection. The Hi5 provides 2 Channel RCA style audio outputs for separate audio monitoring if needed.

Specifications
Inputs: Fiber optic ST connector supporting SMPTE-259/292/296 HD/SD-SDI

Input Formats:
525i, 625i, 720p 50/59.94/60, 1080i
50/59.94/60, 1080p23.98, 1080p24
1080p25, 1080p29.97, 1080p30

Outputs:
HDMI with embedded audio Audio (2 channel RCA-style outputs)

Power:
+5VDC, 3 watts, Requires Power Supply

Size:
4.6” x 2.4” x 1” (117 x 61 x 25mm)

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