PRO24 Stereo Condenser Microphone

The PRO24 sets a new price/performance standard in stereo microphone technology. Designed for professional recording and DAT field use, it offers the convenience of affordable, high-quality stereo pickup in a single microphone. Its compact, lightweight design is perfect for camera-mount use. The microphone features a pair of cardioid elements in an X-Y configuration to provide the spatial impact and realism of a live sound field. It features battery-free operation when used with recording devices that provide plug-in power at the mic input. Like all Audio-Technica mics, the PRO24 is rugged; it's built to endure the rigours of field production.

• Designed for a wide range of stereo applications, including field recording, video production and studio use
  
• Affordable, high-quality stereo pickup in a single microphone
  
• Compact, lightweight design is perfect for camera-mount use
  
• Pair of cardioid elements in X-Y configuration provides the spatial impact and realism of a live sound field
  
• Battery-free operation when used with recording devices that provide plug-in power at the mic input
  
• Rugged construction; built to endure the rigours of field production
  
• On/off switch for convenient operation
  
• 6' (1.8 m) cable permanently attached to microphone

• Stereo microphone designed to attach to a camcorder
  
• For camcorders with an accessory shoe and stereo microphone input
  
• Lightweight, portable design with rugged all-metal construction
  
• Pair of cardioid condenser elements provides spatial impact and high-fidelity stereo sound image
  
• Battery-free operation when used with recording devices that provide plug-in power at the mic input
  
• On/off switch for convenient operation
  
• Includes camera-mount, windscreen, windjammer, battery and protective pouch
  
• Permanently attached 6""-12"" coiled cable with right-angle molded 3.5 mm stereo mini plug at output end

The BP4002 omnidirectional dynamic microphone is tailored for extremely clear and articulate reproduction of spoken words. Featuring an extended handle that easily accommodates microphone flags and a longer reach for interview, the BP4002 is ideal for all aspects of broadcast and remote news gathering: on-location interviews, ENG, EFP, sports applications and much more. Designed to provide exceptional isolation from handling noise, the microphone is ruggedly built to withstand the abrasion and jostling expected with life in the field. The microphone offers a 3-pin XLRM-type output connector and comes generously equipped with a slip-on foam windscreen, vinyl carrying case, soft protective pouch, and professional stand clamp. It is available with a cardioid polar pattern as the BP4001.

• Professional interview microphone with extended-length handle is ideal for on-location interviews
  
• Omnidirectional polar pattern provides a natural reproduction of surrounding ambience
  
• Frequency response is tailored for natural, clear and articulate reproduction of spoken words
  
• The back-cavity assembly “floats” inside the handle shell, providing exceptional isolation from handling noise
  
• Rugged housing with hardened-steel grille stands up to field use
  
• Integral windscreen protects against wind and breath noise
  
• Equipped with windscreen, carrying case, protective pouch and professional stand clamp

ATR6250

Capture the realism of live sound with two mics in one. The ATR6250 provides extremely affordable, high-quality stereo pickup in a single microphone. Its compact design is ideal for use with video cameras and portable audio recorders. Provided with a range of professional accessories, this price/performance leader is ruggedly built to endure the realities of day-to-day use.

• High-quality stereo pickup in a single mic
  
• Plugs into your video camera or audio recorder
  
• Includes short camera cable & long recording cable
  
• Generously equipped with accessories

• 3.5 mm connector plugs into your video camera
  
• Two range settings: "Normal" for close & medium-distance; "Tele" for long-distance
  
• Includes camera-mount, stand clamp, foam windscreen, battery, 1/4" adapter

• Newscaster-style miniature mic is perfect for video use
  
• Ideal for aerobics/dance/sports instructors
  
• Integrated 6 m (20') cable with 3.5 mm mini-plug for use with most cameras
  
• Omni pickup pattern offers full coverage
  
• Includes tie clip, battery, foam windscreen, and 1/4" adapter

• Perfect for teleconferencing, meetings & desktop computer use
  
• Omni pickup pattern offers full coverage
  
• Rugged construction for long-lasting performance
  
• On/off switch on bottom of microphone
  
• Permanently attached 1.5 m (4.9') cable (3.5 mm mini-plug)

The BP4001 cardioid dynamic microphone is tailored for extremely clear and articulate reproduction of spoken words. Featuring an extended handle that easily accommodates microphone flags, the BP4001 is ideal for all aspects of broadcast and remote news gathering: on-location interviews, ENG, EFP, sports applications and much more. Designed to provide exceptional isolation from handling noise, the microphone is ruggedly built to withstand the abrasion and jostling expected with life in the field. The microphone offers a 3-pin XLRM-type output connector and comes generously equipped with a slip-on foam windscreen, vinyl carrying case, soft protective pouch, and professional stand clamp. It is available with an omnidirectional polar pattern as the BP4002.

• Professional interview microphone with extended-length handle is ideal for on-location interviews
  
• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
  
• Frequency response is tailored for natural, clear and articulate reproduction of spoken words
  
• The back-cavity assembly “floats” inside the handle shell, providing exceptional isolation from handling noise
  
• Rugged housing with hardened-steel grille stands up to field use
  
• Integral windscreen protects against wind and breath noise
  
• Equipped with windscreen, carrying case, protective pouch and professional stand clamp

Audio-Technica's omnidirectional AT899 is engineered for intelligible, accurate voice reproduction. Its low-profile design (a mere 5 mm in diameter) assures minimum visibility. The mic may be worn as a lavalier and is easily hidden in clothing or hair. It offers the convenience of battery or phantom power; its switchable low-frequency roll-off reduces popping.

• Maximum intelligibility and clean, accurate reproduction for vocalists, lecturers, stage and television talent, and houses of worship
  
• Low-profile design (a mere 5 mm in diameter) is ideal for applications requiring minimum visibility
  
• Operates on battery or phantom power
  
• All wireless models available in either low-reflectance black or beige
  
• Extensive array of provided accessories includes a clothing clip, viper clip, magnet clip and lanyard (black models only), windscreens, element covers, interchangeable single and double mic holders
  
• Accessories available separately include complete accessory kits, clothing clips, three-pack element covers and three-pack windscreens
  
• 9.8' (3.0 m) cable permanently attached to mic, TA3F connector at power module
  
• RoHS compliant - free from all substances specified in the EU directive on hazardous substances
  
• Also available as: AT899c - less power module; 55" (1.4 m) cable, unterminated AT899c-TH - same as AT899c but in "theater" colour (beige) AT899cL4 - less power module; 55" (1.4 m) cable terminated with Lemo connector for Sennheiser SK wireless systems AT899cL4-TH - same as AT899cL4 but in "theater" colour (beige) AT899cT4 - less power module; 55" (1.4 m) cable terminated with TA4F connector for Shure wireless systems AT899cT5 - less power module; 55" (1.4 m) cable terminated with TA5F connector for ATW-U101 body-pack wireless system AT899cT5-TH - same as AT899cT5 but in "theater" colour (beige) AT899cW - less power module; 55" (1.4 m) cable terminated with locking 4-pin connector for A-T UniPak™ wireless systems AT899cW-TH - same as AT899cW but in "theater" colour (beige)

Designed to be worn as a lavalier or hidden in clothing, Audio-Technica's discreet-design cardioid AT898 offers maximum intelligibility, accurate voice reproduction and unobtrusive appearance for use in houses of worship, broadcast studios, theaters, etc. Its switchable low-frequency roll-off reduces sensitivity to popping. Battery or phantom power.

• Maximum intelligibility and clean, accurate reproduction for lecturers, stage and television talent, and houses of worship
  
• Low-profile design (a mere 5 mm in diameter) is ideal for applications requiring minimum visibility
  
• Operates on battery or phantom power
  
• Extensive array of provided accessories includes a clothing clip, viper clip, magnet clip and lanyard (black models only), windscreens, interchangeable single and double mic holders
  
• Accessories available separately
  
• 9.8' (3.0 m) cable permanently attached to mic, TA3F connector at power module
  
• RoHS compliant - free from all substances specified in the EU directive on hazardous substances
  
• Also available as: AT898c - less power module; 55" (1.4 m) cable, unterminated AT898cL4 - less power module; 55" (1.4 m) cable terminated with Lemo connector for Sennheiser SK wireless systems AT898cT4 - less power module; 55" (1.4 m) cable terminated with TA4F connector for Shure wireless systems AT898cT5 - less power module; 55" (1.4 m) cable terminated with TA5F connector for ATW-U101 body-pack wireless system AT898cW - less power module; 55" (1.4 m) cable terminated with locking 4-pin connector for A-T UniPak™ wireless systems

Audio-Technica's AT897 is designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications. It mounts conveniently on a DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras. This high-performance short shotgun offers outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.

• Designed for video production and broadcast (ENG/EFP) audio acquisition
  
• Short length (11") ensures mic stays out of the shot -- even when used with compact digital cameras
  
• Smooth, natural-sounding on-axis audio quality
  
• Provides the narrow acceptance angle desirable for long-distance sound pickup
  
• Excellent sound rejection from the sides and rear of mic
  
• Switchable low-frequency roll-off
  
• Operates on battery or phantom power
  
• LRoHS compliant - free from all substances specified in the EU directive on hazardous substances

This clip-on lavalier mic provides crisp, full-sounding voice pickup and excels as an instrument mic, especially for pickup of acoustic guitar with included AT8444 guitar adapter. It offers excellent gain before feedback and suppression of background noise. An integral 80 Hz high-pass filter provides easy switching from a flat frequency response to a low-end roll-off. It operates on battery or phantom power.

• Clip-on lavalier mic also excels in acoustic guitar applications
  
• Provides crisp, full-sounding voice and instrument pickup
  
• Operates on battery or phantom power
  
• 6' (1.8 m) cable permanently attached to mic, TA3F connector at power module
  
• RoHS compliant - free from all substances specified in the EU directive on hazardous substances
  
• Also available as: AT831R - with phantom-only power module AT831c - less power module; includes clothing clip and windscreen only; 10' (3 m) cable, unterminated AT831cW - less power module; includes clothing clip and windscreen only; 55" (1.4 m) cable terminated with locking 4-pin connector for A-T UniPak® wireless systems AT831cT5 - less power module; includes clothing clip and windscreen only; 55" (1.4 m) cable terminated with TA5F connector for ATW-U101 body-pack wireless system

The AT803b provides excellent yet unobtrusive sound pickup for lecturers and stage/TV performers. Designed for clip-on lavalier and musical instrument use, it features an integral 80 Hz high-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The microphone operates on battery or phantom power.

• Designed for clip-on lavalier and musical instrument use
  
• Small size is ideal for applications requiring minimum visibility
  
• Operates on battery or phantom power
  
• 6' (1.8 m) cable permanently attached to mic, TA3F connector at power module

The length (14.53") of the AT8035 Line + Gradient Condenser Microphone is well-suited for ENG, outdoor recording and other specialised uses. The microphone is designed for video production and broadcast (ENG/EFP) audio acquisition. Suited for both boom & handheld use, it provides the narrow acceptance angle desirable for long-distance sound pickup, featuring excellent sound rejection from the sides and rear of mic and switchable low-frequency roll-off. It operates on battery or phantom power.

• Designed for video production and broadcast (ENG/EFP) audio acquisition
  
• Length is well-suited for ENG, outdoor recording and other specialised uses
  
• Provides the narrow acceptance angle desirable for long-distance sound pickup
  
• Excellent sound rejection from the sides and rear of mic
  
• Switchable low-frequency roll-off
  
• Operates on battery or phantom power
  
• RoHS compliant - free from all substances specified in the EU directive on hazardous substances

AT8004 Omnidirectional Dynamic Microphone (shown left)

Audio-Technica's AT8004 (5.93" long) omnidirectional dynamic microphone is designed for on-location interviews/sports broadcasting. It offers exceptionally clear and natural reproduction and features internal shock mounting that minimises handling and cable noise. The microphone's omnidirectional polar pattern is ideal for reproduction of surrounding ambience. Its rugged housing with hardened-steel grille stands up to field use. Also available as the AT8004L (9.43" long) with an extended-length handle with room for a microphone flag.

• Ideal for interviews, sports broadcasting and as the 'mono' mic used with a stereo microphone
  
• Omnidirectional polar pattern provides natural reproduction
  
• Rugged housing with hardened-steel grille stands up to field use
  
• Internal shock mounting minimises handling and cable noise

• Long handle is ideal for interviews/sports broadcasting
  
• Omnidirectional polar pattern provides natural reproduction
  
• Rugged housing with hardened-steel grille stands up to field use
  
• Internal shock mounting minimises handling and cable noise

In the production studio, good communication between the director, cameraman, lighting and control room is essential to produce a polished end result.

The Datavideo ITC-100 Intercom System provides 8-Way talkback and tally indicators. The director can select to talk to an individual channel or to all channels simultaneously. High S/N ratio and full duplex design makes the communication crisp and clear.

The ITC-100 is a standard 19”/1U rack design, so it is easy to integrate into any rack system for using in the field or studio.

Key Features:

• Industry Standard 19”/1U rack design, for easy integration
  
• Supports 8-Way Intercom (standard package includes 4 sets of ITC-100SL with belt-pack accessories)
  
• Full Duplex design with additional external earphone and microphone interface
• Bi-colour tally light indicator *
  
• Selectable channel talk, broadcast to all or mute.
  
• Half-Duplex design for ITC-100SL to eliminate the environmental noise
  
• Enables communication between the camera crew
  
• Communication distance up to 200 meters
  
• Supplied complete with Gooseneck Microphone and Light

• 4 x ITC100SL Slave Unit
  
• 4 x ITC100SL Carry Case
  
• 4 x 20m XLR to XLR Intercom Cable
  
• 4 x MC1 Headset / Microphone
  
• 1 x MC2 XLR Gooseneck Mic
  
• 1 x LP1 XLR Gooseneck Light
  
• 12V 2.5A Power Supply Unit
  
• AC Power cord

Introducing the new product bundles from Reflecmedia. The new chroma key studio in one package. A portable and cost effective solution for schools, small production houses, corporate, iptv and videographers everywhere. The all-in one bundle.

Package Includes:

2 x Iztac lights & stands
2 x Backlights
1 x Basematte (2m x 1.4m (7'x4'))
1 x Curtain stand
1 x Chromaflex Collapsible Chromatte Screen - 2.1m x 2.1m (7' x 7')

Ordering information:
When placing an order please specify what camera you are using along with the size (small, medium or large) and colour (green or blue) of the LiteRing you would like.

See Adobe Acrobat pdf datasheet (left) for more information.

When a presenter features within a chroma key production this often necessitates the use of teleprompting - providing a continuous scrolling prompt of the programme script. Teleprompting is an important and well established tool used in television, video and live event production.

The ability to provide presenters with a scrolling continuous prompt is often an essential element of live news, sport and entertainment programming - where the volume and content of the information is impossible to remember. In these same areas of programming producers are making increased use of chroma key and virtual set techniques - allowing for greater creativity in programme backdrops and digital video effects.

The emergence of Chromatte, created the need to use the camera mounted LiteRing required for Chromatte, together with a teleprompting device. Autoscript provides a complete range of LCD teleprompters, PC cards and software that support a variety of uses, whether for professional broadcast environments, or educational and corporate settings. With intuitive software and clearer pictures, Autoscript products are a favourite of production and IT departments and, the talent.

Each Autoscript comes complete with:

• 15" TFT ELP Screen
  
• Standard Hood with EXTR, Glass & Light Shield
  
• Mounting Plate
  
• Winplus VGA Software including USB Dongle & Desk Control

The RODE NTG-2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

The NTG-2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V to the P48 standard. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG-2 the perfect choice for film, video engineering and voice-over work.

The NTG-2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles.

Key Features:-

• Broadcast sound quality
  
• Low noise circuitry
  
• Condenser transducer
  
• P48 phantom power or 1.5V AA battery
  
• Two step High-Pass Filter - Flat or 80Hz
  
• Rugged metal construction
  
• Low weight - 161g (5.17 oz.)
  
• Low handling noise

The RØDE VideoMic is a professional grade shotgun microphone. Based on the latest 'Film industry' technology, the VideoMic is designed specifically for use with high quality Digital Video Cameras.

The microphone exhibits low noise and an unusually wide bandwidth for its size. It is ultra lightweight, yet rugged due to it's ABS construction. The VideoMic is powered by a standard 9V battery and offers a Low Battery LED status indicator and a switchable high pass filter to reduce unwanted low frequency rumble.

The VideoMic attaches to any Camcorder that has the standard camera-shoe fitting and utilises a stereo mini jack for audio output.

Key Features:-

• Studio recording quality
  
• Condenser microphone
  
• 9V battery powered
  
• Integrated shock mounting
  
• Two step High-Pass Filter - Flat or 80Hz
  
• Three step PAD - 0, -10, -20dB
  
• Rugged reinforced ABS construction
  
• Windshield included
  
• 3.5mm mini-jack output
  
• Integrated cold shoe mount, 1/4" and 3/8" thread

Now videographers can use true 'studio' stereo recording techniques in the field with ease. The X/Y configuration enables the StereoVideoMic to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise. Fitted with a shoe mount, the StereoVideoMic has the same low noise circuit design as the best selling VideoMic. The StereoVideoMic offers 9V battery operation, an LED battery status indicator, high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control. You can also use the StereoVideoMic as a remote mic on a stand, or a RØDE boom pole (optional), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events & Interviews.

Key Features:-

• Stereo X/Y Condenser Microphone
  
• Broadcast Sound Quality
  
• Low Noise Circuitry
  
• Two step High-Pass Filter - Flat or 80Hz
  
• Rugged cast aluminium body
  
• Custom designed integral windshield
  
• Low handling noise
  
• 9V battery powered
  
• Integrated camera-shoe mount

While lapel microphones are the industry standard for close-miking presenters and talent, their placement on a collar or lapel can be distracting. The RØDE PinMic™ features a detachable capsule head that mounts onto three pins on the microphone backplate, providing a discreet alternative that can be located almost anywhere on a wide range of clothing and fabrics.

The included water resistant pop filter and mini-furry for high wind protection ensure quality recordings in adverse environments, while the anti-trauma water resistant case provides rugged and secure protection for the microphone, cables and accessories.

Knowing that versatility is paramount in any product, RØDE has developed the MiCon™ connector system which provides seamless integration between all of RØDE's compact wearable microphones and a wide range of wireless systems.

RØDE has always offered industry leading warranty and after sales service on its products, and the PinMic™ is no exception, offering an innovative five year warranty that gives you total piece of mind for five years after purchase

See Adobe Acrobat pdf datasheet (left) for more information.

The RØDE PG2 Pistol Grip Shock Mount is designed to reduce handling noise when recording with shotgun microphones.

It supports microphones with a diameter of 19-20mm or 21-22.5mm using the supplied interchangeable mounts, and a handy release lever on the mount allows for quick and easy adjustment of the microphone angle.

Cable management is an integral design feature of the PG2 pistol grip, with the cable running through the handle assembly to minimise any handling noise or clutter. Additional cable security is provided on either side of the rubber shock mount.

The PG2 can be operated by hand or attached to a boompole via the 3/8" thread attachment at the base.

Compatible microphones: NTG-1, NTG-2, NTG-3

See Adobe Acrobat pdf datasheet (left) for more information.

The NTG-3 is the result of years of development by RØDE engineers, providing the professional broadcast and film industries with an affordable yet uncompromising microphone.

Using a technology known as RF-bias the RØDE NTG-3 is almost completely resistant to moisture, making it the only option when recording in any demanding environments where condensation is an issue.

In addition to its robust properties the NTG-3 combines very low weight (163g), a durable anti-glare finish and incredibly low handling and self-noise (13dBA) to become RØDE’s premier A/V microphone.

When not in use the NTG-3 can be stored away in the included weather resistant aluminium storage cylinder, providing additional protection when travelling and storing the microphone.

Key Features:-

• Designed to withstand adverse environmental conditions
  
• 50% less self-noise than the majority of shotgun microphones
  
• True condenser (externally RF biased)
  
• Extremely low handling noise
  
• High level of immunity to radio frequency broadcast
  
• Superior broadcast sound quality
  
• Weather resistant aluminium storage cylinder included

The RØDE NTG-1 is a lightweight condenser shotgun microphone, specifically designed for professional applications within the film, video, television, voice-over and ENG industries.

The NTG-1 provides an electronically balanced output stage and operates on 48V to the P48 standard. The NTG-1 offers wide bandwidth and a controlled polar response coupled with low noise SMT electronics. The NTG-1 is extremely lightweight making it ideal for mounting directly to video cameras (with optional accessories) or a Boom pole.

The NTG-1 comes complete with mount and windshield. The supplied windscreen effectively suppresses wind noise when recording outdoors in moderate conditions. Optional accessories are available for more demanding applications.

Key Features:-

• Broadcast sound quality
  
• Low noise circuitry
  
• Condenser transducer
  
• Rugged metal construction
  
• Low weight - 105g (3 oz.)
  
• Low handling noise

Whether you're presenting for television or live on-stage; in a 20,000 seat auditorium or in a house of worship, RØDE has all your audio requirements covered with the reliable and discreet Lavalier microphone.

Featuring the pure, clear audio and low handling noise that RØDE is celebrated for, the Lavalier is built to deliver and to last.

The included water resistant pop filter and mini-furry for high wind protection ensure quality recordings in adverse environments, while the anti-trauma water resistant case provides rugged and secure protection for the microphone, cables and accessories.

Knowing that versatility is paramount in any product, RØDE has developed the MiConTM connector system which provides seamless integration between all of RØDE's compact wearable microphones and a wide range of wireless systems.

See Adobe Acrobat pdf datasheet (left) for more information.

The RØDE Boompole is a high grade professional boom pole for location recording, machined from high grade aluminium. The boom pole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions and follow your sound source.

Key Features:-

• Lightweight aluminium construction
  
• New ultra smooth extension and retraction system
  
• Easy to use locking mechanism
  
• Precision balanced
  
• Extends from 0.84m (33") to 3m (10')

The RØDE Blimp is a complete windshield and shock mounting accessory for the NTG-1, NTG-2 and NTG-3 microphones, as well as any third party shotgun microphone up to 325mm in length.

• Greatly reduces handling and wind noise
  
• Accommodates most shotgun microphones up to 325mm (12 ¾”) in length
  
• Adjustable dual hoop suspension system
  
• Dead Wombat windshield and tail cable included
  
• Winner of a 2009 Red Dot Award for outstanding product design

Rycote XY/MS mount
The Rycote XY/MS mount is specifically designed to mount two miniature and remote microphone capsules in XY or MS stereo pickup angles. The XY/MS mount will accommodate microphones measuring 19/20mm or 21/22mm in diameter. A reference-pin location system will adjust pick up angles between 120, 105, 90, 70 and 0 degrees. The entire XY/MS mount may be installed, as an accessory into the Rycote Stereo Extended Ball Gag suspension windshield, or mounted as a stand-alone device.

Stereo Extended Ball Gag Windjammer
This Rycote Windjammer is sized for use with the Stereo Extended Ball Gag Windshield. The Windjammer further minimises noise due to excessive wind.

Stereo Extended Ball Gag Windshield
The Stereo Extended Ball Gag Windshield is a ball type wind diffuser for microphones. The Ball Gag Windshield is made of the same materials as the standard Windshield System. The Stereo Extended Ball Gag is sized to accommodate stereo microphone configurations and the stereo Modular Suspension system. The microphone capsule is completely enclosed within the windshield, leaving the remaining shaft exposed.

Stereo Extended Ball Gag Hi Wind Cover
The Rycote Hi-Wind Cover is sized for use with the Extended Stereo Ball Gag windshield. The Hi-Wind Cover is a cost effective protective windscreen that effectively minimises noise due to excessive wind.

• The most effective cover, providing 10 –12db extra protection over a standard Windshield.
  
  
• Made from specially designed and manufactured screening materials with virtually no adverse effect on sound level or quality.
  
  
• Fitted with a drawstring & toggle to allow snug and easy fitting.
  
  
• Available in sizes to fit all Mono & Stereo windshields, Softies & Baby Ballgags.
  
• The WJ4 will even fit the standard Sennheiser MZW-60/1 Windscreen.

Launched March 2004, the Modular Windshield System has many benefits over previous models.

• Designed to provide significant improvement in exterior wind attenuation (up to 25dB).
  
  
• Manufactured from flexible grey plastic netting tube with a screening material attached by special process, providing lightweight strength and durability.
  
  
• Twist and turn locking end caps provide easy, rattle free and secure fastening.
  
  
• Unique slide-on/slide-off system allows easy removal of the microphone and suspension.
  
  
• Mono Windshields have an outside diameter of 100mm (4”), and stereo windshields are 145mm (5-3/4”). The microphone used determines the length of the Windshield

The Modular Suspension combines all the successful elements of the 4-point suspension with a high precision modular frame resulting in a lightweight effective suspension that will fit a wide range of microphones.

Product Details;

• Equipped with both a boom adaptor and a pistol grip handle and a range of clips and O-rings to provide a custom fit. The microphone clips supplied allow you to hold microphones with 19/20mm, 21/22mm, 24/25mm diameters and Sennheiser MKH mics too.
  
  
• Easy to customise the mount to accommodate different styles of use, including the use of foam gags, without obstruction.
  
  
• Three standard mono versions, each with a different length bar (1 module, 2 module and 3 module) but with all other components shared.
  
  
• Stereo suspensions available to fit a wide variety of stereo pairs, single shank stereo microphones, and stereo capsule microphones.
  
  
• Improved components make handling and usage easier in difficult conditions.

The Softie Windshield is a slip on open cell foam, with an integral fitted fur cover. The Softie will reduce wind noise and protect your microphone, and is the standard worldwide in TV. Available in a large range of sizes to fit most popular microphones.

• The Softie alone provides a fast, flexible and cost effective solution for ENG on camera microphones.
  
  
• Constructed of an acoustic foam base covered by a specially designed synthetic fur fabric together with a separate shockmount with its own bracket and either pistol grip handle or boom adaptor.
  
  
• 30mm long fur, giving protection up to 25dB wind noise reduction for more info please click here.
  
  
• Available in a large range of sizes to fit most popular microphones. For more info please click here.

The Softie mount & handle can be used as a hand-held mount or be fitted to a
boom pole with a 3/8" Whitworth thread.The handle is designed to securely
hold the XLR connector, to prevent any unwanted noises.

The Softie CCA allows you to attach your shotgun microphone to camcorders fitted with a microphone clamp (25-27mm diameter) or a boom pole. The Softie mount provides isolation against lens motor noise and general handling noise.

The CCA can be used either as a conventional Boom Adaptor fitted on the end of a boom or fish pole or on a camcorder mic clamp. The CCA has a brass 3/8" Whitworth thread insert for the fitting to the pole. The design of the CCA also allows for the XLR connector to be anchored using the supplied Velcro grip.

The Softie CCA allows you to attach your shotgun microphone to camcorders fitted with a microphone clamp (25-27mm diameter). The Softie mount provides isolation against lens motor noise and general handling noise.

Suitable for: Sony HDR-Z1E, Canon XL1 & XL2 and many more.

Note: The CCA replaced the Softie mount & Boom adaptor in February 2006.

Mono Extended Ball Gag Hi-wind Cover
The Rycote Hi-Wind Cover is sized for use with the Extended Mono Ball Gag windshield. The Hi-Wind Cover is a cost effective protective windscreen that effectively minimises noise due to excessive wind.

Mono Extended Ball Gag Windjammer
This Rycote Windjammer is sized for use with the Mono Extended Ball Gag Windshield. The Windjammer further minimises noise due to excessive wind.

Mono Extended Ball Gag Windshield (shown left)
The Mono Extended Ball Gag Windshield is a ball type wind diffuser for microphones. The Ball Gag Windshield is made of the same materials as the standard Windshield System. The Mono Extended Ball Gag is sized to accommodate mono (single) microphone configurations and the Mono Modular Suspension system. The microphone capsule is completely enclosed within the windshield, leaving the remaining shaft exposed.

Rycote Mono Extended Ballgag Suspension
The Rycote Mono Extended Ballgag Suspension is specifically designed for use with the Schoeps CCM range of microphones. Microphones are suspended to the four-point hoop frame using the mic clip and four silicone bands.

The optional Connbox will further reduce handling noise if necessary. Connboxes shorten cable lengths and further isolate the cable from the microphone element, contributing to an overall trouble-free recording.

Rycote Mono Extended Ballgag Suspension (M/S)
The Rycote Mono Extended Ballgag Suspension (M/S) is specifically designed for use with the Schoeps CCM range of microphones. Both microphones are suspended to the four-point hoop frame using the mic clips and four silicone bands.

Even though the mono suspension is capable of M/S micing techniques, it is sometimes suggested to use the stereo extended version, which offers a greater diameter and increased air space while using a windshield.

The optional Connbox will further reduce handling noise if necessary. Connboxes shorten cable lengths and further isolate the cable from the microphone element, contributing to an overall trouble-free recording.

The Baby Ball Gag Windshield is a low-profile ball type wind diffuser for cylindrical microphones. The Baby Ball Gag Windshield is made of the same materials as the standard windshield and is fitted with a grommet that grips the microphone body. The microphone is pushed through the grommet, completely enclosing the microphone capsule within the windshield.

Baby Ball Gag Windjammer
This Rycote Windjammer is sized for use with the Baby Ball Gag Windshield. The Windjammer further minimises noise due to excessive wind.

MKH 20
The MKH 20 (shown left) is usually used as a main microphone for orchestras and solo instruments, and picks up the natural acoustics of the room, though it does have a much wider range of applications as omni-directional microphones do not suffer from 'proximity effect'.

MKH 30
The symmetrical transducer design of the MKH 30 produces an unusually wide and smooth frequency response. It is particularly suited to soloists and small instrumental groups and can also serve as an 'S' microphone in MS stereo applications. As a support microphone it is particularly useful in the effective suppression of sounds from adjacent sound sources.

MKH 40
The MKH 40 has a large number of applications, for example as a main microphone, especially in lightly reverberant or acoustically less perfect rooms, with instrumental groups or for speech applications. Its wide-angled, neutral directional characteristics and high level of reverse attenuation ensure an exceptionally balanced sound.

MKH 50
The super-cardioid MKH 50 offers a higher attenuation of diffuse field and lateral sound than the cardioid microphone. It is principally designed for use as a soloist's or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection. The directional characteristics are frequency-independent.

MKH 60
The MKH 60 is a lightweight short gun microphone. It is versatile and easy to handle and its superb lateral sound muting makes it an excellent choice for film and reporting applications. Its high degree of directivity ensures high sound quality for distance applications.

MKH 70
The MKH 70 is a lightweight long gun microphone. Its excellent directivity is particularly suited to applications undertaken in difficult conditions, such as high background noise and distance microphone positioning. Its frequency-independent directivity prevents sound colouration from off-axis sound sources.

MKH 800
The MKH 800 condenser microphone is the first microphone to fully utilise the wider frequency response and dynamic range of the new high bitrate standard of advanced digital recording systems (for example SACD). Featuring five switchable pick-up patterns, the MKH 800 is a superior microphone for any recording application, offering high clarity and the absolute minimum colouration.

MKE 44
The MKE 44 P is a permanently polarised condenser microphone with two cardioid microphone capsules set at 90° for XY stereo applications.

Key Features:

• Light, robust and easy to handle
  
• Phantom (12 - 48 V) or battery powered (1 x 1.5 V AA size)
  
• Easy handling even in outdoor applications
  
• Sprung-mounted capsule ensures good suppression of handling noise
  
• 2-position low-frequency roll-off filter
  
• Transformerless balanced output on 5-pin XLR connector

• Rugged all-metal housing
  
• Maximum side noise rejection, optimised for video recordings
  
• Switchable sensitivity for long and short distances
  
• Switchable wind noise filter
  
• Integral shock-mount for rejection of handling noise
  
• Foam windshield included

The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pickup direction. Matt black, anodised, scratch-resistant finish.

Key Features:

• Super-cardioid/lobar pick-up pattern
  
• Highly directional
  
• Low inherent self-noise
  
• High sensitivity
  
• Wide frequency response

HD 25 SP II (Shown left)
The HD 25 SP are closed dynamic headphones for monitoring, recording and outdoor applications. They are a lower-cost alternative to the HD 25, featuring a simpler headband and a slightly different capsule design.

HD 280 Pro
Based on the closed-back, dynamic HD 280 PRO headphones, the HMD 280 PRO headset has been especially designed for communications in high-noise environments. Its dynamic, super-cardioid microphone has been optimised for close talking distances.

HD 280-13
As HD 280, 600 Ohm version.

HD 25 II
The closed-back HD 25s are purpose-designed, professional monitoring headphones offering high attenuation of background noise. Capable of handling very high sound pressure levels and of extremely robust construction, these headphones perform exceptionally well in high-noise environments, e.g. ENG, sound reinforcement, studio monitoring and audio equipment testing. The capsule is rotatable for one-ear listening. Ideal monitoring headphones for cameramen and DJs.

HD 25-13 II
As HD 25 II, 600 Ohm version for studio and DJ use on mains-powered equipment.

See Adobe Acrobat pdf datasheet (left) for more information.

The evolution wireless G3 500 series offers the most features in the evolution wireless lineup. The 500 series brings state-of-the-art technology to the stage and the backline with pro features. Now with a built-in Ethernet port for computer based control of Sennheiser’s “Wireless Systems Manager,” the system can be setup and observed right on a PC. Microphone capsules based on the evolution e 900 series, including the flagship e 965’s true condenser capsule, make the 500 series the best in the evolution line. The G3 500 series has it all: Incredible sound, high flexibility, and extreme durability for touring. All of this combined with a myriad of frequency options place the e 500 series in a league of its own.

ew 512 G3
Success can be shared: based on the MKE 2 Gold, the included MKE 2-ew is one of Sennheiser’s most successful and trusted clip-on condenser microphones. This set relays its high-quality signal via a compact bodypack transmitter to the flagship evolution EM 500 true diversity receiver. Sync up the bodypack to the receiver with a simple press of the sync button. Sennheiser’s technical prowess in wireless technology allows you to focus on delivering your most successful presentation ever without worrying about your wireless.

ew 572 G3
You have worked hard to achieve your signature tone, Sennheiser ew 572 G3 lets you keep that tone while clearing the stage of cables. Guitarists and bass guitarists will enjoy the features of this system even before they play a single note. In addition to automatic wireless setup via the enhanced sync function, the components can programmed without transmitting RF (silent configuration mode). The set also is equipped with soundcheck mode, which allows the signal strength and the RF and audio levels to be checked continuously on the large front panel display. An enhanced AF frequency response that starts at 25 Hz will satisfy even the most discriminating 5-string bass players. An integrated 5-band equaliser, guitar tuner, and a guitar cable virtual length emulator complete this feature-rich set.

ew 500-935 G3
Great vocals begin with great capsules: All 500 series vocal sets are equipped with capsules from Sennheiser’s successful evolution 900 stage line. The evolution 900 series is stage proven and used by many acts on tour. Enjoy one-touch setup with the sync function. This system uses a dynamic cardioid microphone capsule based on the evolution e 935 which allows the vocals to cut-through the mix while remaining warm and full sounding.

ew 500-945 G3
Great technology throughout the microphone system make this system the ideal singing partner. The feedback-resistant, super-cardioid microphone capsule reproduces vocals prominently and with a smooth response. The powerful hand-held transmitter shows all important information on its large graphic display. Its optional rechargeable batteries can be recharged just by placing the handheld in the optional charging station.

ew 500-965 G3
A dream come true in sound. This set is equipped with Sennheiser’s flagship e 965 true condenser microphone adapted for evolution wireless G3 hand-held transmitters. Breathtakingly resonant and free of distortion, this large diaphragm dual capsule microphone can be easily switched between cardioid and super-cardioid. Impressive studio technology meets impressive wireless designed for the stage.

With the evolution wireless 300 G3 series, Sennheiser is introducing six top of the line sets. The 300 series features fast setup due to infrared synchronisation of the transmitters, as well as a soundcheck mode that can monitor both audio and RF levels. Convenient and programmable mute functions allow the presenter to interrupt or release the signal path at any time. All sets can be monitored and remotely controlled from a PC with Sennheiser’s “Wireless Systems Manager” software due to the built-in Ethernet port. For presenters, performers, and musicians, the G3 300 series combines both power and flexibility while remaining easy to use.

ew 312 G3
Communicating in harmony: when the settings on the receiver are changed, the components adjust to each other automatically with one push of the front panel sync button. The bodypack transmitter is equipped with charging contacts for the optional BA2015 rechargeable battery. The inconspicuous omni-directional clip-on microphone is optimised for best reproducing the sound of the human voice and provides supreme speech intelligibility.

ew 322 G3
Small but mighty: the clip-on microphone in this professional set is nearly invisible. The included cardioid pattern microphone has both great resistance to feedback and clear voice reproduction. The true diversity receiver means you get the highest degree of signal reliability at all times. Sync up the bodypack with the receiver with a single touch of a button. Especially convenient: you can connect an external mute button (option) to the additional 2.5 mm jack socket on the bodypack transmitter.

ew 335 G3
Power with control: this system not only ensures vocals cut through, but also provides the user with a programmable mute button on the mic. Add in a backlit graphic display, intuitive menu navigation, and you have a professional wireless system. Enjoy one-touch programming of the transmitter to the receiver via the wireless sync function. The Ethernet jack on the receiver allows for remote PC monitoring and control using Sennheiser’s “Wireless Systems Manager” software. The ew 335 G3’s hand-held transmitter is perfect for spontaneous dialogue and interviews.

ew 345 G3
Focused and powerful: the heart of this set is the super-cardioid microphone capsule adapted from the successful evolution 800 series. Its immediate and gripping sound is immediately noticeable, while the narrow pattern greatly reduces the risk of feedback. The equaliser integrated into the true diversity receiver also enables fine sound adjustments by the user.

ew 352 G2
The lightweight and comfortable headset microphone allows for absolute freedom of movement for a more animated and impressive performance. High quality condenser technology provides clear, brilliant sound. All rack-mountable G3 300 series receivers are equipped with an Ethernet port. This port means you can monitor and remotely control the system from a PC with Sennheiser’s “Wireless Systems Manager” software.

ew 365 G3
The best that the G3 300 series has to offer for the voice: top-notch condenser technology coupled with a true diversity receiver. This system captures every last nuance and detail of the vocalist. A programmable mute button on the microphone lets the user decide when it is time to go “on-air.”

Designed for stage performance, the transmitter and receiver are built with durable metal housings to endure even the toughest tours. Automatic frequency management, infrared transmitter sync, and soundcheck mode make setup and operation easier than ever. The 100 series is affordable, yet offers premium sound quality combined with features you normally only see on much more expensive wireless systems. For musicians, presenters, and reporting teams, the 100 series is a reliable partner for every situation.

ew 100-ENG G3
This ENG set offers a great amount of flexibility for portable recording indoors or outdoors. Its SKP 100 G3 plug-on transmitter transforms XLR equipped devices (such as microphones and mixing consoles) into wireless devices by simply plugging the unit in. The bodypack transmitter, as well as the plug on, can by synced up to the receiver with the simple push of a button. A very small high-quality directional clip-on microphone completes this set.

ew 112 G3
Make your presentations come to life. The included omni-directional microphone provides natural speech reproduction while remaining inconspicuously small. The bodypack transmitter has a rechargeable battery option so you can concentrate on your presentation - not on purchasing batteries. Demand the best in wireless presentation technology with quick setup, user-friendly operation, and absolute reliability due to the true diversity receiver. Now featuring wireless infrared transmitter sync for easy setup.

ew 112-p G3
The ME 4 clip-on cardioid microphone compliments this ENG set by blocking out extraneous background noise due to its high-directivity. The bodypack transmitter and portable adaptive diversity receiver are equipped with charging contacts built-in to the housing for use with Sennheiser’s optional rechargeable batteries. Reception stays strong as the receiver is upgraded to utilise its line cable as a second antenna for adaptive-diversity operation.

ew 122 G3
Discrete and easy on the voice: the compact cardioid clip-on microphone in this system rejects noises coming from the side which means less risk of feedback. Without having to speak very loudly, the presenter’s voice is delivered in a rich and full manner. The bodypack transmitter features charging contacts for the optional rechargeable battery. Sync up the bodypack to the receiver wirelessly with the new wireless sync. Lastly, the true diversity receiver provides for reliable signal transmission, even in large rooms.

ew 122-p G3
The ME 4 clip-on cardioid microphone compliments this ENG set by blocking out extraneous background noise due to its high-directivity. The bodypack transmitter and portable adaptive diversity receiver are equipped with charging contacts built-in to the housing for use with Sennheiser’s optional rechargeable batteries. Reception stays strong as the receiver is upgraded to utilise its line cable as a second antenna for adaptive-diversity operation.

ew 135 G3
Versatility for every style of music and presentations: you can depend on great performance from the ew 135 G3 vocal system. The handheld microphone now allows you to charge the optional rechargeable pack while it remains in the transmitter. Wirelessly link up the transmitter with the receiver with a single touch of the sync button. The true diversity receiver has a backlit graphic display that makes it easy to read under all lighting conditions.

ew 135-p G3
A handheld system designed for field operation: this system is the perfect choice for ENG professionals. The rugged hand-held cardioid wireless microphone provides professional sound quality for interviews and reporting, even under unfavourable conditions. At the camera end of the wireless signal path is the portable and reliable EK 100 G3 adaptive diversity receiver.

ew 145 G3
Pure sound: the super-cardioid capsule captures more of what you want while rejecting off-axis noise. This makes the mic very resistant to feedback as well as a great choice for those working with loud stage volume levels. The included soundcheck mode on the receiver makes it possible to check the RF signal strength and audio levels continuously. The new G3 sync function allows you to wirelessly link the transmitter with the receiver with a simple push of a button. Lastly, the true diversity receiver has a built-in 5 band equaliser which completes this professional sound package.

ew 152 G3
Express yourself hands free: cover the whole stage and focus on your performance rather than on holding your microphone. The included cardioid condenser headset microphone is easy to wear, has great pop protection and produces powerful sound. Also included in this system is a stage-tested true diversity receiver and a bodypack transmitter with charging contacts for the optional BA2015 rechargeable battery.

ew 165 G3
Condenser microphone technology designed for the stage: This system’s microphone capsule is based on the well-known evolution e 865 condenser. With a wide frequency response and high sensitivity, this is the elite handheld model in the G3 100 series. With excellent sound and simple operation, this system delivers all the emotion and passion of the performer directly to the audience - without making any compromises.

ew 172 G3
You have worked hard to get your guitar tone, now retain that great tone but go wireless. The system’s new cable emulator feature allows you adjust virtual cable lengths to get sound response just like a cable. Another great new feature for guitarists is the built-in guitar tuner, right on the display. A built in 5 band EQ allows you to fine tune your sound even further. Bass players in particular will be pleased with the enhanced AF frequency response: it starts at a thundering 25 Hz, which will especially please players with 5 string bass guitars. – Plug in and play!

The new UWP range has updated user functions, all metal casings, backlit displays and much more - providing the user with a compact, rugged wireless microphone system for use with any camcorder or as a stand alone system.

The new UWP-V2 system comprises of a portable/camera mountable receiver and a handheld transmitter. Also included in the pack are all the necessary accessories to provide a fully operational wireless microphone system.

Teaming "plug and play" simplicity with stable performance and extended battery life, there is a complete range of Sony wireless transmitters and receivers to meet the needs of ENG/EFP, presentation and live performance.

If you're looking for all the benefits of interference free wireless operation at an affordable cost, finding the perfect solution is now easier than ever before with the adaptable new UWP range. Just select one of the turn-key packages comprising microphone, transmitter and receiver - the user will enjoy superb performance right out of the box, with professional features usually found only on far more expensive wireless systems.

New Design
The updated UWP range features an all new design that makes it smaller and thinner that the original models.

All metal body
The new UWP range of transmitter & receivers have all metal casings to provide even greater robustness.

New backlit displays
Both the transmitter and receiver have an easy to read LCD display that make operation and monitoring of the system very simple. The displays have a variety of modes that allow for different forms of information to be displayed dependant on the users preferences. In addition, the new UWP range LCD displays are backlit to be easily readable even in lowlight situations.

Auto channel scan
The auto channel scan allows the user to find available frequencies to use within the operating frequencies of the system.

Pre-programmed channel plans
The UWP system has built-in channel plans that permit the user to quickly and easily find a set of frequencies that will not cause interference. This is especially important when working in an RF hostile environment.

See Adobe Acrobat pdf datasheet (left) for more information.

The new UWP range has updated user functions, all metal casings, backlit displays and much more - providing the user with a compact, rugged wireless microphone system for use with any camcorder or as a stand alone system.

The new UWP-V1 system comprises of a portable/camera mountable receiver and a belt-pack transmitter. Also included in the pack are all the necessary accessories to provide a fully operational wireless microphone system.

Teaming "plug and play" simplicity with stable performance and extended battery life, there is a complete range of Sony wireless transmitters and receivers to meet the needs of ENG/EFP, presentation and live performance.

If you're looking for all the benefits of interference free wireless operation at an affordable cost, finding the perfect solution is now easier than ever before with the adaptable new UWP range. Just select one of the turn-key packages comprising microphone, transmitter and receiver - the user will enjoy superb performance right out of the box, with professional features usually found only on far more expensive wireless systems.

New Design
The updated UWP range features an all new design that makes it smaller and thinner that the original models.

All metal body
The new UWP range of transmitter & receivers have all metal casings to provide even greater robustness.

New backlit displays
Both the transmitter and receiver have an easy to read LCD display that make operation and monitoring of the system very simple. The displays have a variety of modes that allow for different forms of information to be displayed dependant on the users preferences. In addition, the new UWP range LCD displays are backlit to be easily readable even in lowlight situations.

Auto channel scan
The auto channel scan allows the user to find available frequencies to use within the operating frequencies of the system.

Pre-programmed channel plans
The UWP system has built-in channel plans that permit the user to quickly and easily find a set of frequencies that will not cause interference. This is especially important when working in an RF hostile environment.

See Adobe Acrobat pdf datasheet (left) for more information.

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