Light the Scene Forget the Set
Utilising Reflecmedia’s Chromatte system means the light on the background can be ignored, allowing more time to concentrate on subject lighting enabling more creativity. iZtac Sunstar embraces the company’s philosophy to provide a simple and easy to use solution, enhancing the quality of chroma key production.

Light with Confidence
The iZtac Sunstar is an economical choice for strong, soft lighting with low heat output and low running costs. Flourescent units supplied with both tungsten and daylight tubes, manufactured with optimum reflector technology and beam control; it has worldwide operational soft start ballasts for improved tube life.

iZtac Sunstar can be used in almost any environment and is ideal for outside broadcasts, TV or film units, remote units, in-house AV departments, digital video/photography studios, webcasting and internet image capture.

The units are ideally suited to mounting in environments with suspended ceilings. They are supplied with a 16mm spigot yoke allowing simple fixing onto any standard light stand. Lighting stands are also available from Reflecmedia.

An installation of Reflecmedia’s Chromatte along with iZtac Sunstar ensures a cool, comfortable studio environment

Key Features:-

• Available in tungsten and daylight tubes
  
• Concentrate on subject lighting
  
• Simple and easy to use
  
• Enhances quality of chroma key production
  
• Cool, energy efficient and optimum portability
  
• Worldwide power compatibility
  
• Twin tube, 2 x 36 watt, multivoltage input
  
• Output: 720 lumens - 1150 lux at 1m
  
• Lamps: 2 x 36 watt, 5000 hour, PL-L.
  
• CRI: Tungsten (830) or Daylight (954)
  
• Size: 540mm x 160mm x 120mm
  
• Weight: 2.1 Kg

The LiteRing connects to the camera with a specially designed adapter ring, similar to those used for matte box mounting, which is attached to the inner thread of the lens. The LiteRing is then placed on to the adapter and simply locked with a single screw. This enables users to quickly release the LiteRing in between shots, or change from a green to a blue ring based upon their chosen keying colour.

We have taken the blue or green colour away from the fabric and completely removed the need to separately light the background. The ability to change the background keying colour in seconds cannot be achieved any quicker - no need to hang a different drape or repaint the studio walls! Tungsten, HMI and Fluorescent lights can be large in size, expensive to power and uncomfortable to work under. Typically you require thousands of watts to light absorbent chroma key fabrics, whereas the LiteRing output of around 10 watts provides all the light required by Chromatte.

By relocating the colour and the light into one camera-mounted device, we have significantly reduced the set-up time and overcome many of the difficulties associated with conventional chroma key.

The LiteRing is available in both green and blue, and in three sizes to fit different size cameras. Each size of ring has a series of adapters to ensure maximum compatibility with camera lens sizes. Further custom adapters and fixing mechanisms are available.

Small
72mm with adapters for 72 | 62 | 58 | 52 | 37 | 30 lenses

Medium
112mm with adapters for 105 | 95 | 94 | 86 | 82 | 80 | 77 | 72 | 67 lenses

Large
147mm with an adapter to fit 127 lens

See Adobe Acrobat pdf datasheet (left) for more information.

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