KUMO compact SDI routers are small and cost-effective, yet robust and reliable. KUMO supports full broadcast specifications over SDI, HD-SDI, and 3G SDI. Kumo routers are re-clocking, non-blocking, and ready for any broadcast, production, or post production environment. Running Embedded Linux, KUMO routers support powerful HTTP control and monitoring. KUMO's internal webserver allows immediate installation, configuration, and operation without any software to buy or install, instead serving up complete UI controls via any standard web-browser.

KUMO SDI routers are available in two configurations: the KUMO 1604 supporting sixteen SDI inputs and four outputs, and the KUMO 1616 supporting sixteen channels in and out. Because of their compact 1RU size, KUMO SDI routers are ideal for space-sensitive applications such as mobile sports trucks, edit suites, corporate video installations, or live theatrical A/V rigs. KUMO compact SDI routers offer AJA-reliability, flexibility and state-of-the-art signal quality, while delivering it for an unprecedented price.

Key Features:-

• SD, HD, 3G SDI inputs and outputs via BNC, SMPTE 259M/292M/424M
  
• Automatic EQ and re-clocking
  
• Supports all ancillary data, including embedded audio
  
• Reference via BNC, passive loop, PAL/NTSC colour black or HD tri-sync
  
• 10/100/1000 Ethernet LAN
  
• Embedded Linux OS with internal webserver for web-browser control
  
• HTTP and RS-422 Control
  
• 1RU form factor
  
• Redundant Power, isolated power inputs
  
• AJA 5-year international warranty

The D10CE SDI to Analog Video Converter provides excellent quality 10-bit conversion of SDI to both component and composite video formats simultaneously. The component outputs are user configurable to YPbPr, (SMPTE, EBU-N10), Betacam, or RGB (or composite YC). The composite output is user configurable to composite video or sync. The component and composite outputs are completely independent including optimum chroma filtering for each and independent pedestal configuration. The D10CE also features an exclusive PLL jitter filter/memory to reduce the effects of SDI jitter on the output analog video. This feature, along with the precision 4x over sampled D/A filters, provides the highest quality analog outputs including very low phase noise in composite outputs. The D10CE also provides two re-clocked, loop-through SDI outputs. All functions are user configurable via dipswitches.

Key Features:-

• Excellent Quality 10-bit Universal D/A Conversion
  
• Full 10-bit Data Path, 4x Over-sampling
  
• SDI Input, 2 Re-Clocked, Loop-Through SDI Outputs
  
• Simultaneous Component and Composite Analog Outputs
  
• YPbPr, Betacam, or RGB Component Formats
  
• NTSC or PAL Composite Formats
  
• Precision PLL Jitter Filter For Stable Composite Outputs
  
• Digital Noise Reduction
  
• Low Cost

The GEN10 is a cost effective and flexible SD/HD/AES sync generator. The GEN10 features 7 outputs including 2 groups of independently controlled SD/HD sync outputs and 1 AES-11 output. The SD outputs can be switched between Colour Black or Colour Bars. HD tri-level sync can be switched between 19 different HD formats including all that are in use today. The AES-11 output can be switched between SILENCE and TONE. All outputs are in sync with each other and are sourced from an accurate master time base.

Key Features:-

• HD Tri-level sync generation
  
• SD Colour Black or Colour Bars
  
• Two groups of independently switchable outputs allows simultaneous HD and SD sync generation
  
• AES-11 output switchable between silence and tone
  
• Multiple outputs can synchronise entire systems without requiring a Sync DA
  
• 5-18VDC Power
  
• External Dip Switch Configuration

The FSG Frame Sync/Genlock Module is an optional upgrade to AJA's R20 series encoders and decoders. The FSG Module provides user-adjustable output timing relative to an external sync reference. Also, a delay mode provides adjustable delay with respect to the video input. In addition to the frame sync and delay functions, when installed on AJA R20-series encoders, the FSG Module allows the encoder to Genlock to an external reference

Key Features:-

• Optional Frame Sync R20CE, R20D, and R20AD
  
• External or Input Timing Reference
  
• Full Output Timing Adjustment
  
• Passes Vertical Interval Data
  
• 10-bit Data Path

The FR1 and FR2 mounting frames provide high-density rackmount solutions for AJA's R-Series modules. The FR1 is a 1 RU frame with 4 slots; the FR2 is a 2 RU frame with 10 slots. Both frames feature high-capacity power supplies with no power restrictions for any module combination. Also, both frames feature multi-fan forced-air cooling, which provides ample cooling capacity without the need for an empty rack space above the units. Both frames feature optional redundant power supplies - the FR2's power supplies are easily changed from the front of the unit. Also, both the FR1 and FR2 feature a frame colour black reference input that is distributed to all slots.

A complete hardware package enabling you to turn an iPad into a straight-read teleprompter (iPad not included).

iPad slots into a custom-made mounting plate to hold it securely in position. This mount can be fitted in landscape or portrait mode.

iPad is positioned above the lens via a small magic arm that attaches to the hot shoe of an ENG style camera and allows you to position the iPad directly above the lens or to the side

Designed to be used with the teleprompting software available for download from the App Store. Please note that this software is not designed or licensed by Autocue or QTV.

Weight: 1.3kgs (2.9lbs)

Package includes:

• Mounting plate for iPad
  
• Small magic arm
  
• Quick installation guide and detailed user manual Full warranty - 3 years for prompter hardware

A complete hardware package enabling you to turn an iPad into a studio teleprompter (iPad not included).

iPad slots into a custom-made mounting plate to hold it securely in position beneath the broadcast quality prompter glass. This mount can be fitted in landscape or portrait mode.

The custom-made iPad prompting plate can also be mounted in a straight-read configuration beneath the camera.
The remainder of the teleprompter hardware is the same as the SSP10/17 & QStart prompting package.

Designed to be used with the teleprompting software available for download from the App Store. Please note that this software is not designed or licensed by Autocue or QTV.

Weight: 5.9kgs (13lbs)

Package includes:

• Pop up, fully adjustable teleprompter hood
  
• Ready-built prompter mounting system that fits to all tripods and is fully adjustable to deliver balance without the need for counterweights
  
• Mounting plate for iPad Broadcast quality prompter glass (70:30), designed to produce the clearest mirror image and the optimal light to the camera
  
• Quick installation guide and detailed user manual
  
• Full warranty - 3 years for prompter hardware

A complete hardware package enabling you to turn an iPad into a portable teleprompter (iPad not included).

iPad slots into a custom-made mounting plate to hold it securely in position beneath the broadcast quality prompter glass. This mount can be fitted in landscape or portrait mode.

The remainder of the teleprompter hardware is the same as the Master and Professional 8" packages, including wide angle hood and fully adjustable mounting plate to work with any camera.

Designed to be used with the teleprompting software available for download from the App Store. Please note that this software is not designed or licensed by Autocue or QTV.

Weight: 3.0kgs (6.6lbs)

Package includes:

• Wide angle teleprompter hood
  
• Gold Plate mounting system that fits to all tripods and is fully adjustable to deliver balance without the need for counterweights
  
• Mounting plate for iPad Broadcast quality prompter glass (70:30), designed to produce the clearest mirror image and the optimal light to the camera
  
• Quick installation guide and detailed user manual
  
• Full warranty - 3 years for prompter hardware

Complete package including all the hardware and software you need to start prompting.

QStart Software:

• Icon based software for simple
  
• Dual monitor and image reverse capabilities
  
• Windows complex language handling
  
• Single script (no run order management)
  
• Import .txt or .rtf files
  
• Basic script formatting functions e.g. colours, bold, underline, markers etc.
  
• Windows 2000, NT, XP and Vista
  
• Mouse or keyboard control (ShuttleXpress controller can be added separately)

• 17" professional colour monitor with composite and VGA connection
  
• Manual conference stand, glass and monitor base
  
• 1 year warranty on monitor, 3 years on metalwork

• QStart software with installation disc and dongle
  
• 17" monitor
  
• Manual conference stand, glass and monitor base
  
• Power cables (2m) , VGA cable (10m)
  
• Electronic user manual

• Conference stand and glass

Complete package including all the hardware and software you need to start prompting.

QStart Software:

• Icon based software for simple
  
• Dual monitor and image reverse capabilities
  
• Windows complex language handling
  
• Single script (no run order management)
  
• Import .txt or .rtf files
  
• Basic script formatting functions e.g. colours, bold, underline, markers etc.
  
• Windows 2000, NT, XP and Vista
  
• Mouse or keyboard control (ShuttleXpress controller can be added separately)

• 3 in 1 solution - on-camera unit, straight read (above or below the camera), floor standing/tripod standing straight read
  
• Arrives flat packed and pre-assembled for immediate installation
  
• 17" professional colour monitor with composite and VGA connection
  
• 1 year warranty on monitor, 3 years on metalwork

• QStart software with installation disc and dongle
  
• 17" BNC/ VGA monitor
  
• Integrated hood and glass
  
• Integrated mounting plate
  
• Power cables (2m) , VGA cable (10m)
  
• Electronic user manual

Complete package including all the hardware and software you need to start prompting.

QStart Software:

• Icon based software
  
• Dual monitor and image reverse capabilities
  
• Windows complex language handling
  
• Single script (no run order management)
  
• Import .txt or .rtf files
  
• Basic script formatting functions e.g. colours, bold, underline, markers etc.
  
• Windows 2000, NT, XP and Vista
  
• Mouse or keyboard control (ShuttleXpress controller can be added separately)

• 3 in 1 solution - on-camera unit, straight read (above or below the camera), floor standing/tripod standing straight read
  
• Arrives flat packed and pre-assembled for immediate installation
  
• 17" professional colour monitor with VGA connection only
  
• 1 year warranty on monitor, 3 years on metalwork

• QStart software with installation disc and dongle
  
• 17" VGA only monitor
  
• Integrated hood and glass
  
• Integrated mounting plate
  
• Power cables (2m), VGA cable (10m)
  
• Electronic user manual

Complete package including all the hardware and software you need to start prompting.

QStart Software:

• Icon based software for simple
  
• Dual monitor and image reverse capabilities
  
• Windows complex language handling
  
• Single script (no run order management)
  
• Import .txt or .rtf files
  
• Basic script formatting functions e.g. colours, bold, underline, markers etc.
  
• Windows 2000, NT, XP and Vista
  
• Mouse or keyboard control (ShuttleXpress controller can be added separately)

• 3 in 1 solution - on-camera unit, straight read (above or below the camera), floor standing/ tripod standing straight read
  
• Arrives flat packed and pre-assembled for immediate installation
  
• 10" professional colour monitor with composite and VGA connection
  
• 1 year warranty on monitor, 3 years on metalwork

• QStart software with installation disc and dongle
  
• 10" monitor
  
• Integrated hood and glass
  
• Integrated mounting plate
  
• Power cables (2m), VGA cable (10m)
  
• Electronic user manual

Complete package including all the hardware and software you need to start prompting.

QStart Software:

• Icon based software for simple use
  
• Dual monitor and image reverse capabilities
  
• Windows complex language handling
  
• Single script (no run order management)
  
• Import .txt or .rtf files
  
• Basic script formatting functions e.g. colours, bold, underline, markers etc.
  
• Windows 2000, NT, XP and Vista
  
• Mouse or keyboard control (ShuttleXpress controller can be added separately)

• Monitor, hood, glass, mounting plate all one complete unit that flat packs in to a case
  
• Ideal for tripod mounted and handheld DV cams
  
• 7" professional colour monitor with composite and VGA connection
  
• 1 year warranty on monitor, 3 years on metalwork

• QStart software with installation disc and dongle
  
• 7" monitor
  
• Integrated hood, glass and mounting plate
  
• Carry case for entire unit
  
• Power cables (2m), VGA cable (10m)
  
• Electronic user manual

Complete package enabling you to create an On-Camera unit using an iPhone (excludes iPhone).

• Pre-assembled hood, glass, and mounting plate as one unit that flat packs in to a small case
  
• Cradle for iPhone
  
• 3 years warranty on metalwork

• Integrated hood, glass and mounting plate for iPhone
  
• Carry case for entire unit
  
• Electronic user manual

Complete package including all the hardware and software you need to start prompting.

QStart Software:

• Icon based software for simple use
  
• Dual monitor and image reverse capabilities
  
• Windows complex language handling
  
• Single script (no runorder management)
  
• Import .txt or .rtf files
  
• Basic script formatting functions e.g. colours, bold, underline, markers etc.
  
• Windows 2000, NT, XP and Vista
  
• Mouse or keyboard control (ShuttleXpress controller can be added separately)

• 17" professional colour monitor with VGA connection only
  
• Mounted as a straight read beneath the camera using Gold Plate camera mount for DV and ENG cameras
  
• 1 year warranty on monitor, 3 years on metalwork

• QStart software with installation disc and dongle
  
• 17" VGA only monitor
  
• Integrated mounting plate
  
• Power cables (2m), VGA cable (10m)
  
• Electronic user manual

The new ZOE-DVXL is a universal zoom control for mini-dv camcorders, SONY and Canon camcorders with a LanC connection and for CamRemote systems like Panasonic DVX and HVX.

The unit features maximum zoom speed control, camera ON/OFF, RECORD and AUTO/MANUAL FOCUS control (Focus control on LANC cameras only).
The ZOE-DVXL can be mounted to the tripod pan arm giving you control of the above camera functions while also keeping full control of the tripod pan arm.

Key Features:

• Selector switch
  L = LanC (Sony/Canon camcorder)
  X = CamRemote (Panasonic)
  
• Maximum zoom speed adjustment
  
• Quick Release Clamp
  
• Connects via a rugged right angle jack plug, this keeps the cable neat and tidy against the camera and also protects the cable from any damage if it is unintentionally pulled
  
• Ergonomically contoured rocker switch

The unique Lux-Led series by bebob provide high brightness at low power consumption in the field. Thus it offers the innovation with the unique advantage using normal camera batteries such as Vmount, PAG or AB batteries for a quick and mobile acquisition.

The mobile Lux-Led60 light is developed as location lamp to be mounted on lighting stands. However an optional handle allows the Lux-Led60 also to be used as a hand lamp. With an Anton Bauer Dionic90 i.e. it is possible to power the light for 1,5 hours at full level! The Lux-Led60 offers as well a 4pol XLR 12V to 28V input as a V-Mount, Anton Bauer or PAG Battery plate. A mobile lighting kit with three Lux-Led60 and nano tripods in a flight case or a bag will be available.

Key Features:-

• Battery support V-Mount/PAG/AB and 4pol XLR
  
• High brightness at low power consumption with 60W
  
• Based on LED technology
  
• Step less focus
  
• Colour temperature: Daylight
  
• Dimmable without change in colour temperature
  
• Lighting control with barn doors

• LUX-LED60V - Hand Light (without accessories)
  
• LUX-LED60-FT - 4 Leaf barndoor
  
• LUX-LED60FH - Filter holder for use with lighting gel PAR 46
  
• LUX-LED60-BU - Yoke with 16mm mount

• 1 x LUX-LED60W with V-Mount Battery Plate & Accessories
  
• 1 x LUX-LED60V Reporter Light
  
• 1 x LUX-LED60-FT 4 Leaf Barn Door
  
• 1 x LUX-LED60-FH Filter Holder
  
• 1 x LUX-LED60-BU Yoke for LUX-LED60 with 16mm Mount
  
• 1 x KO-LUX1 Flight Case
  
• 1 x O-V140C Omega 140Wh Li-ion V-Mount Battery with Charger

• 3 x LUX-LED60W with V-Mount Battery Plate & Accessories
  
• 3 x LUX-LED60V Reporter Light
  
• 3 x LUX-LED60-FT 4 Leaf Barn Door
  
• 3 x LUX-LED60-FH Filter Holder
  
• 3 x LUX-LED60-BU Yoke for LUX-LED60 with 16mm Mount
  
• 3 x PB-2700F Hard Case
  
• 3 x LUX-Stand60 Lighting Stand

The unique Lux-Led series by bebob provide high brightness at low power consumption in the field. Thus it offers the innovation with the unique advantage using normal camera batteries such as Vmount, PAG or AB batteries for a quick and mobile acquisition.

The quick Lux-Led40 is a hand light. The mounting offers the possibility to put the Lux-Led on a lighting tripod. The power of an Anton Bauer Dionic 90 for instance allows using the light for more than 2 hours at full level!! The Lux-Led40 offers as well as a XLR-4 12V to 28V input a V-Mount, Anton Bauer or PAG Battery plate.

The unique Lux-Led series by bebob provide high brightness at low power consumption in the field. Thus it offers the innovation with the unique advantage using normal camera batteries such as Vmount, PAG or AB batteries for a quick and mobile acquisition.

The quick Lux-Led40 is a hand light. The mounting offers the possibility to put the Lux-Led on a lighting tripod. The power of an Anton Bauer Dionic 90 for instance allows using the light for more than 2 hours at full level!! The Lux-Led40 offers as well as a XLR-4 12V to 28V input a V-Mount, Anton Bauer or PAG Battery plate.

Key Features:-

• Battery support V-Mount/PAG/AB and 4pol XLR
  
• High brightness at low power consumption with 40W
  
• Based on LED technology
  
• Step less focus
  
• Colour temperature: Daylight
  
• Dimmable without change in colour temperature
  
• Lighting control with barn doors

• LUX-LED40V - Hand Light (without accessories)
  
• LUX-LED40-FT - 4 Leaf barndoor
  
• LUX-LED40FH - Filter holder for use with lighting gel PAR 46
  
• LUX-LED40-HG - Handle 16mm mount

• LUX-LED40W with V-Mount Battery Plate
  
• LUX-LED40V Hand Light
  
• LUX-LED40-FT 4 Leaf Barn Door
  
• LUX-LED40-FH Filter Holder for LUX-LED40
  
• LUX-LED40-HG Handle for LUX-LED40/60
  
• PB-2700F Hard Case with Foam Inserts
  
• O-V140C Omega 140Wh V-Mount Battery

• LUX-LED40W with V-Mount Battery Plate
  
• LUX-LED40V Hand Light
  
• LUX-LED40-FT 4 Leaf Barn Door
  
• LUX-LED40-FH Filter Holder for LUX-LED40
  
• LUX-LED40-HG Handle for LUX-LED40/60
  
• PB-2700F Hard Case with Foam Inserts
  
• LUX-Stand40 Lighting Stand

BEBOB LUX
Flexible and lightweight and extremely well designed professional lighting system. Built in separate dimmer control with options for either 20W, 35W or 50W bulbs.

Flexible mounting system and secure 4 pin power cable with options to either 4 pin XLR or D-Tap allowing connection to any 12V power system.
Weight: 295g / 365g with barndoors and filters

BEEBOB LUX-FT
4 Barndoors with 2 Daylight Filters (5600°K/4400°K)

Following on from bebob’s recent Lux-Led12 model, our latest development is the Lux-Led16 broadcast camera light. The Lux-Led16 is a stepless focusable LED camera light for broadcast applications.

Together, the Lux Broadcast and the Lux-Led12 lights inspired us to develop the Lux-Led16 Broadcast. As a result, the 3-in-1 concept from the Lux Broadcast has now been realised with LEDs, allowing the new light to be used as a freestanding, handheld, and camera light.
A double-articulation system allows the light to shift up or forward, in order to prevent unwanted shadows.

With a sophisticated arrangement of selected LEDs, the illumination angle can be adjusted anywhere between 40° and 60°. The light can also be dimmed and, at full modulation, the colour temperature is in the daylight range. What’s more, the dimmer is integrated into the handle, ergonomically designed, and protected.

The LEDs are so efficient that the Lux-Led16 series emits significantly more light than our conventional halogen lights, while consuming considerably less power.

As standard, the Lux-Led16 comes with the same handle featuring a dimmer as the Lux model and offers an optional 4-leaf barndoor with a diffuser and an artificial light filter.

The completely new LED concept makes this light unique.

Thanks to the quick development of LED technology we proudly introduce the latest bebob product: The camera headlight Lux-Led12. This LED light is the first step less focusable LED camera headlight currently in the market*.

The clever arrangement of the five LEDs allows a step less focus at an angle of 40° to 60° and is dimmable with a daylight colour temperature at full saturation.

The efficiency of the LED lights has elevated during the recent month. As for this reason the Lux-Led12 is capable to generate more brightness at a lower power consumption compared to a commodity light such as the Lux-dv.

The new concept of the light makes this light unique.

The new power supply adaptors by bebob allow to connect the light directly to the camcorder of the following manufacturers:

• Canon (XH-A1,XH-G1)
  
• Panasonic (DVX100/A, HVX200)**
  
• Sony (V1, Z1, FX1, FX7, PD170, VX2100)

The camera light Lux-dv “by bebob” in connection with our converter Coco-dvl is an optimal solution for a mini-dv camcorder. Thanks to modern materials the weight of Lux-dv is less than 250g with the two barndoors, one dichroic filter and power cable.

The Lux-dv offer the equally practical details as our broadcasting camera light Lux:

The barndoor system (incl. the dichroic filter) will mount on to the body of the light through a bayonet connection.

The built-in Bulb-Ejector pushes the bulb out of the housing – it is very easy and quite safe to change the bulb even if the lamp is hot.

Additionally the Lux-dv has unique disposable Softstart® electronics, which suppress the start-up peak at the light, thereby meaning it possible to use higher wattage bulbs – 20W.

With the new mounting clip it is possible to fix the light to all common Camera models like Sony, Panasonic, Canon and JVC.

For using the light with a battery belt, the Lux-dv is available with a 4pin-XLR cable. In this case you may use 10W up to 50W bulbs.

When using the Coco-dvl please use only 10W or 20W bulbs.

Professional Camera Mounting System for Sony HVR-DR60 Hard Disc Recorder. Attaches to the underneath of any camera via the tripod mount and can be hand held or mounted to a tripod using its own tripod mounting system. Heavy Duty construction, yet lightweight the BOX HVR is ideal for the day to day professional filming environment.

Key Features:

• Compatible with Sony HVR-DR60
  
• Attaches to camera or via a tripod
  
• Heavy Duty construction
  
• Weight 600g Approx

Professional Camera Mounting System for IDX V Mount / Andura 7s battery pack. (note not all V-Mount type batts are suitable due to size - IDX type are recommended) Built in dimmer control for when used with light other than LUX and also provides12v & 8.4v power outlets.

Key Features:

• Compatible with IDX and Endura 7s Battery Pack
  
• Attaches to camera or via a tripod
  
• Heavy Duty construction
  
• Weight 700g Approx

Focus BEB-FSH-P or S Mounting Kit for Shoulder Camcorder with IDX Battery System. Kit contains a 90degree metal plate for IDX Batt Systems, the FireStore Cradle, a Power Tab cable & a 6-6 Pin firewire cable. Firestore slides into the cradle & is getting power through the Power tab cable from Camcorders Batts.

Features:

• Compatible with Sony or Panasonic Cameras
  
• Mounted between the camera and the V-Mount battery plate
  
• Weight 180g Approx

COCO DVL
Provides an easy power solution for the use of video lights, audio receivers or other accessories on cameras like the SONY Z1 or PD150/170.The converter simply sits in between the camera and the NPF970 7.2V camera battery, providing a converted 12V supply to any required accessory. The SONY info-LITHIUM information from the battery is passed through to the camera in the normal way. The maximum power output of 20W (LUX lighting system) or 15W for lighting systems without soft start.

COCO II DVL
12V converter for 2 SONY NPF970 batteries.Also provides built in dimmer control for non LUX lighting systems, with a maximum power output of 35W. It has built in LED power indicator and outputs for both 12V and 7.2V.

Key Features:

• Sits between camcorder and battery
  
• Ideal for SONY Z1 and PD150/170
  
• Maintains SONY infoLITHIUM information
  
• Provides a converted 12V to any accessory
  
• MAX Power Output 15W or 20W

Bebob BOX FS
Professional Camera Mounting System for Focus Firestore FS-4 / Panasonic FS-100. Attaches to the underneath of any camera via the tripod mount and can be hand held or mounted to a tripod using its own tripod mounting system. Heavy Duty contraction, yet lightweight the BOX FS is ideal for the day to day professional filming environment.Key Features:

• Compatible with the whole Firestore FS-4 range
  
• Attaches to camera or via a tripod
  
• Heavy Duty construction
  
• Weight 499g

New Pocket UltraScope is a very small unit with a 3 Gb/s SDI input that lets you plug in a SD, HD or 1080p, 3 Gb/s SDI video input. It connects to any USB 3.0 computer and even powers from the USB connection.You can run Pocket UltraScope on a laptop with USB 3 and it will even draw power from the laptop battery.

This means you get a truly portable solution, which is fantastic for on set, or engineers can use it behind racks, and in other mobile locations! Most good USB 3.0 laptops support 1920 x 1080 resolution screens, so you can even run the full screen 6 scope view for an incredible waveform monitoring solution.

Key Features:-

• SDI Input
  
• Parade Display for Colourists
  
• Waveform Display for Alignments
  
• Component Vectorscope View
  
• Histogram for Location Shoots
  
• Audio view for Monitoring Levels
  
• Picture View with VITC Timecode

Ever since Blackmagic Design introduced their routers, people have been asking for a hardware control panel. Now it’s arrived in the form of the Videohub Smart Control.

Smart Control is low cost, but it's also technically advanced. It has full RGB LEDs under each button, so Smart Control can be customised to have more than one destination. If you have more than one destination, the destination buttons become gold coloured. Sources are white. You can also customise a "take" button, and the take button becomes red.

Smart control is very customisable, and includes a software utility for Mac and Windows that makes it very easy to set the buttons just by connecting to the USB port. This means it's easy to set up a Smart Control yourself. Smart Control connects directly via ethernet, and even includes a loop through ethernet connection. It also supports power over ethernet, so if you have a powered ethernet switch, you don't even need the power supply. It does include a power supply for those who don't have powered ethernet.

The keys are an attractive crystal look design, and the front of the unit unscrews and slides off so you can add key labels under the caps. The keys are a high reliability design for an incredibly long life, even in hard use.

Key Features:-

• RGB LEDs
  
• Customisable
  
• Includes a software utility for Windows and Mac

The ultra-stylish UltraStudio Pro is Blackmagic Designs exciting new high end capture and playback solution for USB 3.0.

USB 3.0 is the new version of the USB connection to computers that runs 10 times faster than regular USB. This means it has more than enough speed for 10 bit HD video with loads of real time effects. As long as your computer has USB 3.0 products are really easy to install as you just plug them in!

UltraStudio Pro includes fully independent connections for capture and playback of 3 Gb/s SDI, HDMI 1.3, analogue component, composite, s-video and an extra standard definition SDI output that's down converted when running in HD. It also includes connections for 4 channels of balanced audio and 2 channels of AES/EBU. Analogue audio outputs 3 and 4 can be switched to provide 4 extra channels of AES/EBU audio out.

Quality is full 10 bit, so it's a true professional solution. The built in up, down and cross converter works at full 10 bit with highest quality multi-tap filtering. Now you can edit once, and master out anywhere!

USB 3.0 connections are currently only found on Windows machines.

The Ultra Studio Pro works with Premiere Pro, After Effects and Photoshop.

Connect to Anything
Connects to a massive range of video and audio equipment for capture and playback in SD and HD.

You get separate connections for 3 Gb/s SDI, HDMI, analog component, composite, s-video, 2 ch AES/EBU, 4 ch XLR analog audio, down converted SD-SDI output, genlock/tri-sync and deck control. Perfect for HDCAM, HD-D5, HDCAM SR, Betacam SP, Digital Betacam, televisions and more.

Incredible Speed USB 3.0
UltraStudio Pro takes advantage of the new SuperSpeed™ USB 3.0 to allow highest quality 10 bit HD video capture and playback! SuperSpeed USB 3.0 is the new USB connection standard for computers that’s 10 times faster than regular USB. That’s a blistering 4.8 Gb/s, which easily handles the highest quality 10 bit uncompressed 1080HD video. UltraStudio Pro supports x58 series or better WindowsTM computers, and all you need to do is simply plug in to install.

Key Features:-

• Input/Output: SDI, HDMI, Component, Composite & S-Video
  
• Built in up, down and cross converter
  
• Ultra fast USB 3.0 connection to the PC
  
• Includes Media Express Software

The world’s first 3 Gb/s SDI and optical fiber SDI scopes designed for editors and colourists, with the technical accuracy broadcast engineers will love!

Elegant and Engineering Accurate
If you’re tired of hard to use and ugly waveform monitoring, then you’ll love Blackmagic UltraScope. We have included all the features you need when editing or colour correcting, and then, combined it with an elegant user interface that looks great when added to your studio! Simply plug into any compatible Windows™ computer with a 24 inch monitor, and Blackmagic UltraScope will display 6 live scope views simultaneously! UltraScope is engineering accurate and includes 3 Gb/s SDI plus 3 Gb/s optical fiber SDI. UltraScope auto detects SD, HD and 3 Gb/s SDI inputs.

Parade Display for Colourists
When colour correcting video, nothing beats the real time RGB parade waveform view. You can see the colour balance in blacks, mids and whites, so it's easy to balance colours and get your images looking perfect. RGB Parade is also perfect for checking for illegal colours because any video that drops below the black line, or above the 100% line is an illegal RGB colour. Parade can also be switched to component so you can align equipment and decks.

Waveform Display for Alignments
When adjusting video levels or matching black background levels when keying, the waveform display is ideal for this task! Waveform view has a setting that's luminance only, or composite. Composite videos synthesised from the SDI input, and is a much better view for aligning traditional equipment such as decks. Thousands of editors know and understand composite waveform monitors, so even though UltraScope is all digital, the synthesised composite waveform makes like a lot easier.

Component Vectorscope View
A vectorscope is the only way to see what colour you have. When colour correcting video sometimes you need to know colour has been removed or nulled out for accurate white balance, and vectorscope view is perfect. Sometimes when colour correcting you also need to apply a tint, and vectorscope lets you see exactly how much tint you're adding, and what colour it is. Sometimes monitors cannot be trusted, but a vectorscope always shows the colours you have! Of course aligning hue on decks is always easy with vectorscope view.

Histogram for Location Shoots
Almost all video need to be colour corrected at some point in the post production process, and so you never want to clip video whites or blacks when on a live shoot. If you clip the blacks and whites, you loose all detail later in post production when you try and adjust blacks up, or whites down. Histogram view lets you see where the pixels are in your video, and how they are distributed from black to white. You can see if video is clipping, and then it's easy to adjust the camera to keep all black and white detail in the image. Later in post production you then have the full contrast range of video for easy colour correction that lets you keep all details no matter how extreme the colour grade is.

Audio view for Monitoring Levels
Keep track of your audio levels at all times with 8 channels of audio metering, plus a stereo phase meter. The stereo phase meter plots left and right audio, as an XY scope display so you know exactly what your audio is at all times. Audio scope lets you see mono audio, as you see a 45 degree forward angled straight line, or when you have stereo audio you will see the scope puff out in all directions! Audio problems are easily seen such as clipping, and out of phase audio can be seen as a 45 degree back leaning display. If you don't get a perfect 45 degree forward leaning waveform, then you know you audio channel balance is out! No audio problem can hide from audio scopes.

Picture View with VITC Timecode
The picture view lets you keep track of the video input so you always know what's going on and what video input is connected into your Blackmagic UltraScope. Input video is selected automatically from either the optical fiber SDI or regular SDI inputs, and video standard is automatically detected and displayed above the video image. VITC timecode is also detected and read into a timecode counter on the top right of the video image.

High end post production and television engineers have known for decades the benefit of using waveform monitoring not just for engineering, but operationally in colour correction and editing workflow. From colour correction to matching black levels when keying and overlaying video, only waveform monitoring lets you keep track of what's going on, and helps you eliminate illegal colours, and other problems that could cause your work to be rejected by broadcasters.

Key Features:-

• Parade Display for Colourists
  
• Waveform Display for Alignments
  
• Component View
  
• Histogram for Location Shoots
  
• Audio view for Monitoring Levels
  
• Picture View with VITC Timecode

The nanoFlash from Convergent Design is the smallest, solid state HD/SD or HDMI recorder/player currently available. Recording to MXF or QuickTime format using 2 x CompactFlash cards, the nanoFlash can be mounted to a camera or connected to any HD-SDI source via BNC coax.

Audio levels are displayed on the LCD panel and the nanoFlash records up to 8 channels of quality audio embedded in the HD-SDI/HDMI stream.

When ready to shoot, you can start and stop recording using the control buttons, your camcorder's record button or an external trigger. On completion, simply transfer the source files to your laptop editor using a Firewire-800 reader, drop the footage straight onto the timeline and edit while you continue to shoot.....

With no moving parts and low power consumption, the nanoFlash is ideal for use in extreme conditions.

Key Features:-

• Master Quality I-Frame Only 4:2:2 @ 220 Mbps or XDCAM 422 @ 160 Mbps
  
• Maintain outstanding video quality - benefit from the virtual elimination of motion-artifacts, mosquito noise and keying problems. Master Quality XDCAM 422 recordings are, in tests by Convergent-Design, visually indistinguishable from uncompressed.
  
• 24bit/48K audio: embedded or analog inputs, headphone/line output, level meters
  
• 2 CompactFlash slots for recording media
  
• Up to 2.5 hours of recording time without swapping cards (@50Mbps using 2 x 32Gb CompactFlash cards)
  
• Quicktime and MXF File Format for easy transfer to leading NLE programs, including Final Cut Pro, Avid, Edius and Vegas Pro
  
• Camera mountable, silent, ALL solid state design
  
• Robust and lightweight, weighing just 400g
  
• Low power, 6 Watts, using a locking connector
  
• Can be used with optional battery pack (6.5 - 20V, 7.5W active/ 0.2W standby)

Media Desk has been designed to provide an ergonomic adjustable working environment for desktop editing systems, allowing the user to adjust their posture throughout the working day. Media Desk also allows for different users to adjust the work surfaces and eyelines to their preferred positions.

Built at our UK manufacturing facility, we can meet prompt delivery schedules across the Media Desk range with typical lead times of 7-10 working days.

Media Desk is constructed using our proven M-Desk silver extruded aluminium desk legs with the work surfaces finished in winchester oak with a chocolate molded profiled edge.

The 19" 13U pedestal is constructed to match and comes with our bay stabiliser for safe equipment removal..


Please Note: This product is direct shipped within the UK & the price includes carriage to mainland UK

See Adobe Acrobat pdf datasheet (left) for more information.

Flat screen monitor mounting

Designed to meet today's flat screen mounting requirements. The horizontal beams are height adjustable. Mounts for VESA mount flat screen monitors as well as large plasma and LCD monitors are available. The frames come in 3 sizes and will connect together to form a single structure.

Aesthetically pleasing aluminium extrusion that combines strength with lightness, for lifetime durability

Typical uses:

• Broadcast Control Rooms
  
• Security Control Rooms
  
• Network Operation Control
  
• Industrial Process Control

For over twenty years, Ergotron has designed workstations based on published ergonomic standards and scientific anthropometric data. With over 35 patents - including those for the first flat panel arms - Ergotron leads the industry in making workstations more comfortable for computer users around the world. Healthy computing with Ergotron helps prevent RSI and other screenwork related injuries.

Neo-Flex™ LCD Arm
This Arm adds flexibility to your LCD. Simply push the side button while lifting the display, then position it where you want it. Get ergonomic comfort for a great price.

LX Desk Mount LCD Arm
Sleek and streamlined, the LX frees up space and allows positioning of your display for greater productivity. Reposition your LCD with just a touch. Up. Down. Forward. Back.

LX Dual Display Lift Stand
Height and tilt adjustable, multi monitor desk stand. Two displays lift easily and tilt simultaneously on a single base while providing 13 cm of height adjustment. In a multi-display workplace the LX dual Stand enables you to multi-task and keep control over more information while working in an ergonomic environment.

LX Triple Display Lift Stand
Height and tilt adjustable, multi monitor desk stand. Three displays lift easily and tilt simultaneously on a single base while providing 13 cm of height adjustment. In a multi-display workplace the LX Triple Stand enables you to multi-task and keep control over more information while working in an ergonomic environment.

DS100 Dual-Monitor Desk Stand, Vertical
Conserve desk space by suspending two flat panels on a single base. Easily adjust the height and position of both screens to a comfortable, ergonomically appropriate position.

LX Large Display Cart - VHD Version
The height-adjustable Ergotron LX Large Display cart provides the versatility to move the display to the audience - transforming any space into a presentation or entertaining area. The 51 centimetres of effortless height adjustment enables the best ergonomically correct position for both seated and standing audiences.

See Adobe Acrobat pdf datasheet (left) for more information.

SystemTwo Height Adjustable Desk
The desk is electrically adjustable from 660mm to 1200mm allowing the user to achieve the perfect viewing height from a seated to a standing position. The desk comes complete with cable management and IEC outlets to plug up equipment.

SystemTwo Height Adjustable Shelf
The Shelf is electrically adjustable from 660mm to 1200mm allowing the user to achieve the perfect viewing height from a seated to a standing position. The Shelf comes complete with cable management and IEC outlets to plug up equipment.

SystemTwo VTR Pedestal
Ideal for housing 2 VTR's. Comes with stabiliser for safe removal of machines.

SystemTwo VTR Tray
This universal sliding tray accepts most professional VTR's. The racking ears are 4U high with an additional 1U extension for 5U machines.

SystemTwo 27U Quiet Bay
Can stand alone or with the spacers fitted, be used with the desk to give additional equipment space. The bay is very rigid and comes with front glazed door and rear fan unit with temperature read out. The bay is also pre-fitted with rear cable tray

SystemTwo 27U Equipment Bay
Can stand alone or with the spacers fitted, be used with the desk to give additional equipment space. The bay is very rigid and comes complete with rear cable tray


Please Note: All prices include shipping to mainland UK.

See Adobe Acrobat pdf datasheet (left) for more information.

The Datavideo HDR-40 is a hard drive based video recorder, with removable hard drive enclosure, designed for studio desktop applications.

The HDR-40 records from both Standard and High Definition video equipment via SDI, with HDMI output, and convenient SDI loop through.

The recorder provides a choice of recording formats, including 1080i, 720p, 576i and 480i. In HD with a choice of IBP or Intra-frame (i frame), and in SD IBP.

The recorded .M2T files are compatible with a wide range of NLE and play out solutions on the market, and once the recording have completed, the hard drive carrier simply ejects and via USB-2 connects to a PC or MAC based NLE system, (no extra power supply required, as USB-2 provides power, perfect for lap-top use in the field).

Work directly from the removable drive, or copy video files across to the NLE's video drives. HDR-40 remote control interface includes RS-422, RS-232 and GPI for easy integration with other equipment.

Key Features:-

• HD-SDI & SD-SDI Video input
  
• Embedded audio via HD-SDI / SD-SDI
  Video Record format:
  • SD: 5Mbps - 15Mbps
    
  • HD: 20Mbps - 60Mbps
    
  • 4:2:0 Colour sampling
    
  • *.m2t recording format (Compatible with most NLE systems
  Audio Record format:
  • MPEG-I Layer2
    
  • Sampling rate: 48KHZ
    
  • Bitrate: 384Kbps
• Hard drive enclosure includes convenient USB 2.0 connector and SATA connection
  
• 2U Height fi ts 19" standard rack mount
  
• Audio monitor function
  
• XLR balanced audio input
  
• Support RS-422, RS-232 & GPI control interface
  
• (Sony control protocol compatible)
  
• DC IN 12V

DN-200 is a small portable recorder capable of very long record times. A built-in, large capacity hard drive (HDD) stores the video. It can record a minimum of 19 hours depending of the format, DV or High definition HDV. It is an ideal replacement for tape recording.

Drag and Drop the video files directly in the time-line of your video editing program. Ideal ideal for applications within broadcast TV, education, science, medical, security, etc.

Key Features:-

• Small size, easy to carry, high capacity hard drive recorder
  
• Input Connections:
  Composite video and stereo audio (PAL or NTSC)
  IEEE1394 digital video signal, supports DV,HDV,DVC Pro 25
  Time code Input
  
• Output Connections:
  Composite video and stereo audio?IEEE1394 digital video signal, supports DV,HDV,DVC Pro25
  
• Supports AVI,MOV,MXF-OP1A and M2T file formats directly, QuickTime HDV and MXF-OP1A through utility quick program
  
• Time-lapse recording down to single frame recording in science and animation applications
  
• Manually triggered single frame recording. Useful in model animation recordings
  
• 8 seconds pre-record buffer recording, useful in recording unexpected events specially in science research, outdoor recording or security applications
  
• Play last video feature
  
• Set record date. Comprehensive display of recorder status in backlit LCD
  
• Built-in 2.5" 250GB HDD, record DV or HDV video for 19 hours or more
  
• RS-232 and GPI Control interface
  
• Small size, easy to carry, high capacity hard drive recorder

Tapeless, file based video acquisition has widely become accepted as a replacement for out-dated tape based systems.

Recording times are far longer than for traditional tape, there are no drop-outs and using Datavideo's Direct to Timeline technology, you will speed up the process from acquisition to editing, thanks to file transfer, rather than traditional capturing.

The Datavideo DN-60 utilises the latest solid state technology of removable and high-capacity CF memory cards, providing hours of continuous high definition recordings, enabling you to take advantage of tapeless acquisition in even the toughest environments.

The DN-60 is powered using four traditional AA batteries, or widely available rechargeable AA batteries. A set of batteries providing more than two hours continuous recording, depending on the type of battery used.

Also included is an external power supply. The Datavideo DN-60 connects directly to your existing DV or HDV camcorder via a single FireWire cable.

The DN-60 is lightweight and easy to mount to camcorders. It is perfect for news gathering, location shoots, security systems, scientific and medical recording.

Key Features:-

• Portable, Small size, shockproof
  
• Removable CF card, compatible with FAT32 or NTFS file systems
  
• Flexing mounting options include tripod and hot shoe
  
• File support includes AVI, MOV, MXF-OP1A and M2Tformat, QuickTime HDV and MXF-OP1A through quick utility program
  
• Time lapse recording down to single frame recording for stop motion, science, model animation or many other application
  
• 8 seconds pre-record buffer, useful in recording unex-pected events especially in science research, outdoor recording or security applications
  
• Control Interface RS232 compatible with Sony Protocol
  
• Use four standard AA batteries for more that two hours continuous recording. Can also use included external power adapter
  
• IEEE 1394 input and output, can store DV,HDV,DVC Pro 25 & 50 and DVC Pro HD-100 signal formats
  
• DV25 time code from the camera or generates internal time coder
  
• Support for DV,HDV,DVCPro25, DVCPro50 & DVCPro HD100
  
• DN-60 can be controlled directly by the camera through the IEEE-1394 AVC command protocol. Record to inexpensive, reliable and widely available CF-Cards

AD-100 is an easy to use audio delay box to enable you to synchronise video and audio. The unit features traditional RCA (phono) connector as well as professional XLR type connection. Built in a rugged metal housing for use in the field or studio setup.

Key Features:-

• Both traditional RCA (phono) connector as well as professional XLR type connection.
  
• Built in a rugged metal housing for use in the field or studio setup
  
• Low power consumption, can be powered by Datavideo's PD-1 power distribution center connection

The Datavideo HS-2000 is a compact, broadcast quality full HD-SDI mobile video studio that is ideal as a fly away kit.

The HS-2000 is a five channel 10-bit 1080i or 720p HDSDI, HD-Component and DVI-D video & audio switcher, with advanced features such as a 17-inch multi-image monitor displaying each source, pre-view and program, a complete six way intercom system supplied with five belt packs, 14 pre-stored logos, digital clock display, five user set up, title overlay and DVI-D input ideal for use with presentation software.

The integrated audio mixer with balanced XLR connectors allows up to four channels microphone or line level audio inputs.

To avoid the mess and inconvenience of individual power supplies, Datavideo HS-2000 comes with an integrated power distribution centre. Providing a simple, safe and secure solution for connecting all the integrated equipment from a single socket.

Whether you're working in worship, education, conducting a live outside broadcast or shooting inside a production studio, the Datavideo SE-2000 enables seamless switching of video and audio, blending high quality digital content on the fly without requiring external genlock, thanks to built in TBC.

Key Features:-

• Full HD 1920x1080i and 1280x720p
  
• Inputs:
  4 x HD-SDI & 1 x DVI-D or 3 x HD-SDI & 2 x DVI-D
  
• Outputs:
  2 x HD-SDI & 1 x HD-YUV full HD video Output
  
• 17-inch multi-image video monitor displaying each source, pre-view and program
  
• Built in digital clock and 5 logo store
  
• Lumakey function for text overlay
  
• 4 XLR microphone or line audio input
  
• Picture in Picture function
  
• Built in 5 channels dual channel Intercom system with five cameraman belt packs with dual colour tally light indicator
  
• Dual colour tally light
  
• Seamlessly switch between all sources, thanks to the built in TBC & frame synchroniser that synchronises all inputs without the need for external genlock of the cameras
  
• Integrated power distribution centre providing a simple and secure solution for connecting all the integrated equipment from a single socket

The Datavideo SE-2000 is a rugged and very portable five channel full HD video & audio switcher designed to excel in a new demanding high-definition production environment.

The brand new SE-2000 switcher not only meets your request for true full 1920 x 1080 HD quality, but also provides an array of simple-to-operate features, including up to 14 pre-stored logos, digital clock display, five user setup, DVI-D connection for use with presentation software and easy titling, and many more features.

Whether you're working in worship, education are conducting a live outside broadcast or shooting inside a production studio, the Datavideo SE-2000 full HD video and audio switcher enables you to switch seamlessly between video and audio sources and blend high-quality digital content on the fly, even without external genlock, thanks to the built in TBC.

Key Features:-

• FULL HD: 1920X1080i & 1280X720P
  
• Inputs:
  4x HD-SDI and 1x DVI-D input
  or 3x HD-SDI and 2x DVI-D input (Options)
  
• Outputs:
  PGM: Full HD output, HD-SDI and HD-YUV
  PVW: DVI-D
  PVW out with multi image and digital clock display
  
• DVI-D for power point presentation, simple title, support full HD input
  
• LOGO insertion, allow up to 14 pre-store logos in up to 128 x 96 pixel resolution to be keyed
  
• 4 channel input audio mixers with XLR connectors
  
• Audio / video synchronisation switching
  
• Lumakey, real-time simple captions display
  
• PIP, FRZ, Black image
  
• 5 individual speed keys for instant selection with take effect
  
• 5 users preset memory
  
• Tally signal output
  
• RS-232 control
  
• DC 12V input
  
• 13 Transitions + border (width, soft and hard)

Datavideo TLM-170MD 17" HD/SD SDI LCD Monitor. High Quality Reference Monitor designed to assist as program monitor during production. HD/SD SDI, YUV, YC & CV Input. Built-in speakers, 17" Widescreen. 1U 19" Rackmountable Unit included

Key Features:

• 17” High quality HD LCD Monitor
  
• 1 x HD/SD SDI Input (with Loop Through)
  
• 1 x Y:U:V Input
  
• 2 x Composite Inputs
  
• Resolution 1440 x 900
  
• Individual Adjustments For Contrast, Brightness and Colour Saturation
  
• 16:9 / 4:3 switchable
  
• PAL / NTSC Auto Detect
  
• Built in Speakers
  
• 12v DC requirement (supplied with mains DC converter)

Virtual Studio or Chroma Key is seen everywhere, from shopping channels, newsrooms, weather forecasts to blockbuster movie special effects. Datavideo MS-DVK1 is the first dual channel virtual studio system, built around the Datavideo DVK-100 Chroma Keyer

MS-DVK1 is a one box solutions designed for chromakey & virtual studio, fully integrated with two DVK-100 dual channel chromakeyers, the SE-500 a 4-input Y/C (S-Video), Composite Video switcher, TLM-702 7” TFT LCD monitor bridge for SE-500 unique quad preview, next source and main output monitoring, 2 x DVD players for background footage and DN-400 hard drive recorder.

The whole system is designed for easy setup & break down on location.

Key Features:-

• 2-way video camera virtual studio
  
• One box solutions fully integrated with two dual channel chromakeyer, 4-input Video switcher, LCD monitor bridge, two DVD players and hard drive recorder
  
• System includes the DN-400 with removable 250 GB hard drive for native recording in DV25 form more than 18 hours
  
• Anti shock padding protects the equipment during transit
  
• Built in PD-1 power distribution center, simple and secure solution for connecting power in a studio or in the field
  
• An extensive rear panel accessory range ensure easy connection to the video cameras and other equipment
  
• The MS-DVK is easy to setup and designed to be ready in seconds

• SE-500 - 4 Input Analogue Mixer / Switcher
  
• DVK-100 (x2) - Chroma Keyer
  
• DN-500 - Hard Drive Recorder
  
• TLM-702 - 2 x 7" LCD Monitors
  
• CP-100 - DVD Player

The MS-900 includes Datavideo's SE-900 switcher with a pull-out, flip-up monitor that displays all incoming sources, preview and program outputs using the SE-900's multi-image output. All components are built into a shockmounted road case allowing for easy moving and safe shipping.

Key Features:-

• SE-900 Mixer
  
• One TLM-170 pull-out 17" monitor
  
• ITC-100KF900 intercom kit with 6 belt packs, headsets, and tally lights
  
• DN-300 DV/HDV Hard Disk Drive Recorder
  
• PD-1 power distributor
  
• CCS-M1 aluminum case
  
• Flip-down holder for SE-900 control panel

Datavideo TBC-5000 is a compact, high performance Multi-Standard Time Base Corrector, with four CVBS and Y/C I/Os.

Datavideo MP-5000 is designed to correct sync track errors in videotape playback or to synchronise up to four asynchronous signals, perfect for small switching applications.

The TBC-5000 can also be combined with the Datavideo DVK-100 stand alone
chromakey solution for an affordable dual camera virtual studio solution – ideal for studio, web streaming applications, entertainment system or much more.

Key Features:-

• 4 input to 4output Genlock TBC
  
• Setting 4 in-4 out/ 4 in-2out/4 in-1 out three
  mode
  
• Cascade 2 of TBC-5000, up to 8 input/ 8 output
  genlock source
  
• Internal/ External Genlock available
  
• Front Panel or RS-232 control option
  
• Support S-Video or CV Video input
  
• Support PAL/NTSC
  
• Support NTSC 7.5IRE/0 IRE
  
• DC 12V input
  
• 2U height

Editing, monitoring, recording, and communication all in one box. Features an SE-800DV switcher for DV formats with an SDI overlay card for coordination with our CG-100 character generator.

The HS-800 includes:

• SE-800DV switcher
  
• TLM-404 quad-screen monitor
  
• TLM-702 dual-screen monitor
  
• ITC-100 intercom kit with belt packs, headsets and cables for 4 users
  
• DN-300 DV/HDV HDD Recorder
  
• PD-1 power distributor
  
• RP-4 rear tally output panel with 4 tally lights
  
• RP-23 rackmount for DN-300 and audio monitor
  
• Hand-carried aluminum case

Datavideo SE-800 4 Channel Digital / Analogue Mixer
4 Channel Vision Mixer featuring DV, Component , S-Video and Composite video and stereo audio connections (In and Out). Analogue and Digital Inputs can be used in any combination together, it also features SDI graphic overlay and 10 Bit SDI output. The Datavideo SE-800 is ideal for TV Studios, Outside Broadcast, Conference, Worship and Web Casting applications.

Datavideo SE-800AV
4 Channel Mixer featuring Component (Y:U:V), S-Video (Y/C) and Composite video and stereo audio connections. Optional DV input, DV Output and SDI output cards can be added if required.

Accessories Included:

• AC / DC Power Adaptor
  
• AC Lead
  
• Aluminium Carrying Case
  
• 2 x 1.2M S-Video Cable
  
• 1 x GPI Cable

• SE-800 Mixer
  
• TLM-404 4x4" Input Monitor
  
• TLM-702 2x7" Next Source/Program Monitor
  
• RMC-140 Tally/Next Source Control Box
  
• TLM-407JF Stand/Holder for Monitors

Ideal for copying analogue video. 4 outputs allowing multiple copies to be made at the same time. Suitable for commercial installations to distribute a video signal up to 4 monitors. Can also be used as a stand alone TBC when capturing analogue video to a computer eliminating dropped frames. S-Video (Y/C) and Composite Video Connections + Stereo Audio.

Features:

• Stand Alone Single Channel TBC
  
• Built in 4 way Distribution Amplifier
  
• S-Video (Y/C) and Composite Video Connections
  
• Stereo Audio Connections
  
• Metal Construction – suitable for Commercial Applications

• 1 x RCA (Phono) Cable
  
• 1 x S -Video Cables
  
• Power Supply

PCI Style TBC – ideal for use with a PC or Mac. When video capturing from poor analogue video sources the TBC-100 eliminating dropped frames and/or blue/green flashes. The unit is completely “passive” i.e. does not require any drivers – it merely uses the PCI slot as a convenient holder and draws power from your computers power supply. S-Video (Y/C) and Composite Video Connections.

Features:

• Auto Detect PAL / NTSC
  
• Suitable for all Analogue Video Formats
  
• S-Video (Y/C) and Composite Video Connections
  
• Eliminates Dropped Frames during Video Capture
  
• Ideal Accessory for Non-Linear Editing

• 1 x RCA (Phono) Cable
  
• 1 x S -Video Cables
  
• Power Extension Connector (Pigtail)

4 Way HD/SD SDI Distribution Amplifier

1 input to 4 Output HD/SD SDI Distribution Amplifier (no scaling).

Features:

• 1 Input / 4 Output
  
• HD/SD SDI Connections
  
• Low Power Consumption
  
• Metal Case

7” High Resolution TFT LCD monitor with DV and analogue video inputs and outputs. Supplied complete with removable speakers and sun shield, ideal for outdoor use. 16:9 / 4:3 switching and flip.

As a leading manufacturer Datavideo work closely with LCD manufacturers to ensure only the highest quality displays are used and offer a guarantee against spotlight defects. The high quality professional TLM monitor series automatically switches between PAL / NTSC and for flexibility can be powered via 12 V DC or AC power.

The Datavideo TLM monitor series is designed for video professionals that insist on superior performance. After all, every professional knows that you are only as good as the tools you use.

Whether it's in combination with switchers, 19” rack monitoring, in field operation, video editing, or the most advanced multimedia video you're creating, the Datavideo TLM monitor range offers the right tools for your job.

Features:

• Ultra Bright 7” Screen Ideal For Outdoor Use
  
• DV and Composite Video Inputs
  
• DV (loop or converted from Composite) and Composite Video Output
  
• Switchable Aspect Ratio 16:9 / 4:3 and flip (so unit can be mounted upside down)
  
• Built In DV to Analogue Converter
  
• 3 colour LED tally light indicator
  
• Free standing, Tripod or Wall Mountable
  
• Collapsible Sun Shield
  
• Removable Speakers
  
• PAL / NTSC Auto Detect
  
• Individual Adjustments For Contrast, Brightness and Colour Saturation
  
• Stereo Audio Inputs and Outputs
  
• 12v DC Power Requirements (supplied with mains converter)

• AC / DC Switching Power Adaptor
  
• AC Lead
  
• 1 x 1.8M IEEE 1394 Firewire 6 to 4 Cable
  
• 1 x 1.8M IEEE 1394 Firewire 6 to 6 Cable
  
• 1 x 1.2M BNC to BNC 75 Ohm Video cable
  
• 1 x Stereo Audio RCA 2 to 2 Cable
  
• Sun shade and Screws

19” Rack Mountable Bank of 3 x 4.3” LCD Monitors.Robust steel and aluminium construction. Each monitor has individual adjustments for Contrast, Brightness and Colour Saturation and 3 colour LED tally light indication. Composite video input with loop through makes it suitable for OB Van or Studio use.

As a leading manufacturer Datavideo work closely with LCD manufacturers to ensure only the highest quality displays are used and offer a guarantee against spotlight defects. The high quality professional TLM monitor series automatically switches between PAL / NTSC and for flexibility can be powered via 12 V DC or AC power.

The Datavideo TLM monitor series is designed for video professionals that insist on superior performance. After all, every professional knows that you are only as good as the tools you use. Whether it's in combination with switchers, 19” rack monitoring, in field operation, video editing, or the most advanced multimedia video you're creating, the Datavideo TLM monitor range offers the right tools for your job.

Key Features:

• 3 x 4.3” High quality TFT LCD Monitors
  
• 3 colour LED Tally Lights indicator on each monitor
  
• Individual Adjustments For Contrast, Brightness and Colour Saturation
  
• Composite Video Connections with 75 ohm self terminating loop through
  
• Aux Input Via Sub D9 Pin
  
• 2U 19” Rack Mountable
  
• Can Be Tilted Up To 90 Degrees
  
• PAL / NTSC Auto Detect
  
• 12v DC requirement (supplied with mains DC converter)

• Power Supply
  
• 3 x Composite Cable (BNC)

In the production studio, good communication between the director, cameraman, lighting and control room is essential to produce a polished end result.

The Datavideo ITC-100 Intercom System provides 8-Way talkback and tally indicators. The director can select to talk to an individual channel or to all channels simultaneously. High S/N ratio and full duplex design makes the communication crisp and clear.

The ITC-100 is a standard 19”/1U rack design, so it is easy to integrate into any rack system for using in the field or studio.

Key Features:

• Industry Standard 19”/1U rack design, for easy integration
  
• Supports 8-Way Intercom (standard package includes 4 sets of ITC-100SL with belt-pack accessories)
  
• Full Duplex design with additional external earphone and microphone interface
• Bi-colour tally light indicator *
  
• Selectable channel talk, broadcast to all or mute.
  
• Half-Duplex design for ITC-100SL to eliminate the environmental noise
  
• Enables communication between the camera crew
  
• Communication distance up to 200 meters
  
• Supplied complete with Gooseneck Microphone and Light

• 4 x ITC100SL Slave Unit
  
• 4 x ITC100SL Carry Case
  
• 4 x 20m XLR to XLR Intercom Cable
  
• 4 x MC1 Headset / Microphone
  
• 1 x MC2 XLR Gooseneck Mic
  
• 1 x LP1 XLR Gooseneck Light
  
• 12V 2.5A Power Supply Unit
  
• AC Power cord

The Datavideo HS-500 is a compact, portable one box solution, built around the SE-500. Designed with no compromise in performance for users where weight matters. Perfect for applications within education, places of worship, internet streaming, event & live staging, conferences and many more. HS-500 comes supplied complete in a stylish and light aluminium carrying case, for easy and secure transport and storage.

The input connections include Composite Video and Y/C (S-Video), output also includes Component (Y:U:V), which could be connected to a DVD recorder or projector.

Features:

• Strong locking pivot points
  
• Integrated Solution
  
• Ergonomic Design
  
• Aluminium carry case

• SE-500 - 4-input Y/C (S-Video), Composite Video switcher with unique quad pre-view output, allows display of all 4 sources on a single monitor. On-screen tally light Indication.
  
• TLM-702 - Provides next source and master output monitoring.

The Datavideo MS-500 is a one box solution designed around the SE-500 4-channel vision switcher. The MS-500 system is both flexible and affordable, with specifications that can meet any budget or demand and is perfect for applications within education, places of worship, internet streaming, event & live staging conferences and many more. The whole system is fully integrated with the ITC-100 for talkback / intercom, TLM-702 for SE-500 unique quad preview, next source and main output monitoring.

Easy setup & break down on location. One box solution for “live in seconds” at any Conference, Studio, Outside Broadcast or Internet Streaming. Output options include: Component (Y.U.V) which could be connected to a DVD recorder or projector.

Components Included:

• SE-500 - 4-input Y/C (S-Video), Composite Video switcher with unique quad preview output, allows display of all 4 sources on a single monitor. On-screen tally light Indication.
  
• TLM-702 - Provides next source and master output monitoring.
  
• ITC-100 - 8-channel full duplex talkback / intercom system. Supplied complete with 4 x cameraman beltpack, headset/microphone & tally indicators.

• ITC-100SL Belt Packs
  
• MC-2/LP-1 Microphone & Light
  
• CB-3 20 Metre Intercom Cable
  
• TD-1 Tally Indicator
  
• MC-1 Microphone Headset
  
• CB-7 Tally Cable

19” Rack Mountable Bank of 4 x 4” LCD Monitors. Robust steel and aluminium construction. Each monitor has individual adjustments for Contrast, Brightness and Colour Saturation and 3 colour LED tally light indication. Composite video input with loop through. Ideal companion for SE-800 Mixer. Suitable for OB Van or Studio use.

As a leading manufacturer Datavideo work closely with LCD manufacturers to ensure only the highest quality displays are used and offer a guarantee against spotlight defects. The high quality professional TLM monitor series automatically switches between PAL / NTSC and for flexibility can be powered via 12 V DC or AC power.

The Datavideo TLM monitor series is designed for video professionals that insist on superior performance. After all, every professional knows that you are only as good as the tools you use.

Whether it's in combination with switchers, 19” rack monitoring, in field operation, video editing, or the most advanced multimedia video you're creating, the Datavideo TLM monitor range offers the right tools for your job.

Key Features:

• 4 x 4” High quality TFT LCD Monitors
  
• 3 colour LED Tally Lights indicator on each monitor
  
• Individual Adjustments For Contrast, Brightness and Colour Saturation
  
• Composite Video Connections with 75 ohm self terminating loop through
  
• Aux Input Via Sub D9 Pin
  
• 2U 19” Rack Mountable
  
• Can Be Tilted Up To 90 Degrees
  
• PAL / NTSC Auto Detect
  
• 12v DC requirement (supplied with mains DC converter)

• Power Supply
  
• 4 x Composite Cable (BNC)

2 x7" 16:9 Wide Screen monitors with adjustment for Brightness, Contrast, Colour & Tint (NTSC only). Two selectable inputs video inputs per screen. NTSC/PAL Auto switching.

As a leading manufacturer Datavideo work closely with LCD manufacturers to ensure only the highest quality displays are used and offer a guarantee against spotlight defects. The high quality professional TLM monitor series automatically switches between PAL / NTSC and for flexibility can be powered via 12 V DC or AC power.

The Datavideo TLM monitor series is designed for video professionals that insist on superior performance. After all, every professional knows that you are only as good as the tools you use.

Whether it's in combination with switchers, 19” rack monitoring, in field operation, video editing, or the most advanced multimedia video you're creating, the Datavideo TLM monitor range offers the right tools for your job.

Key Features:

• 2 x 7" Panel, 19" Rack Mountable
  
• Resolution: 1440 x 234 Pixels
  
• View Angle (V)+40/-60°, (H)+60/-60°
  
• 2 x Composite inputs for each screen
  
• Brightness, Contrast, Colour, Tint Adjustable (Tint NTSC only)
  
• NTSC/PAL Auto Switching
  
• Display mode adjustable (Flip/16:9/4:3)

• 2 x BNC to BNC 1.2m
  
• 2 x Tally cable (Stereo 3.5mm mini jack) 1.2m
  
• 1 x 1.5 øHex Wrench
  
• 1 x 2.5 øHex Wrench
  
• AC Power Lead
  
• AC/DC Switching Adaptor 12V / 2.5A

7" 16:9 Wide Screen monitor with adjustment for Brightness, Contrast, Colour & Tint (NTSC only). Two selectable video inputs. NTSC/PAL Auto switching.
The Datavideo TLM monitor series is designed for video professionals that insist on superior performance. After all, every professional knows that you are only as good as the tools you use.

Datavideo work closely with LCD manufacturers to ensure only the highest quality of displays are used, and offer a guarantee against spotlight defect. The high quality professional TLM monitor series automatically switches between PAL / NTSC, and for flexibility can be powered via 12 V DC or AC power.

Key Features:

• 7" 16:9 Wide Screen Panel
  
• Resolution: 1440 x 234 Pixels
  
• View Angle (V)+50/-40°, (H)+30/-30°
  
• Brightness, Contrast, Colour, Tint Adjustable (Tint NTSC only)
  
• AV1/AV2 Up/Down-Left/Right-Recall-Exit
  
• NTSC/PAL Auto Switching
  
• 16:9 / 4:3 switchable
  
• 2 x Video Input
  
• Carry Case Included

• 1 x BNC to BNC 1.2m
  
• 1 x TLM700 Carry Case
  
• AC/DC Switching Adaptor 12V / 1.5A

4 Channel Vision Mixer featuring S-Video (Y/C) and Composite video inputs.
Features include Dissolve, Fade, Wipes, Splits, PIP and Colour Processor.
Channels are internally synced via a built in dual channel TBC 4:2:2 frame synchroniser. Component (YUV) via breakout cable, S-Video (Y/C) or Composite Video output.

The SE-500 uniquely displays all 4 input sources via a single quad output including a Tally Light indicator on each input meaning the user only needs 2 video monitors – one for all inputs, one for output. The input display will also automatically change to preview the next transition if selected.
The unit can be manually operated or controlled via RS-232 interface. Ideal for Schools, Seminars, Small Studios, Clubs and Pubs.

Datavideo SE-500 Package includes:

• Datavideo SE 500 Mixer
  
• TLM 702 2 x 7" 4 Input / Preview + Program Monitor
  
• TLM 702JF Holder for TLM 702 Monitors

• 4 Channel Analogue Vision Mixer
  
• S-Video (Y/C) or Composite Video Inputs
  
• Component YUV / S-Video (Y/C) / 2 x Composite Video Outputs
  
• Component YUV / S-Video (Y/C) / 2 x Composite Video Outputs
  
• 2 x Microphone Inputs
  
• Stereo (Unbalanced) Output
  
• Quad View Input display output
  
• Tally Display
  
• Preview output
  
• Smooth T-bar Control
  
• Dual channel TBC 4:2:2 Frame Synchroniser
  
• Tally Light Output

• 2 x BNC to RCA 1.2m cable
  
• 1 x S-Video 1.2m Cable
  
• 1 x YUV Breakout cable (BNC x 3 to S(Y/C)+BNC cable) 1.2m
  
• 1 x RCA to RCA stereo cable 1.5m
  
• 2 x BNC to RCA connector
  
• 1 x AC/DC Switching adapter

Innovative Eight Channel Video Mixer

• Two independent outputs for multi-screen applications
  
• Downstream keyer for seamless mixing under title/graphics
  
• Two separate PC/RGB inputs for mixing between computers
  
• Panel Presets for instant recall of mixer configurations

Rugged, compact, and feature-filled, the new UA-25EX is a portable-interface powerhouse. Ideal for computer-based audio engineers who appreciate mobility, this 24bit/96kHz USB audio interface is equipped with pro-grade microphone preamps, a newly-developed analog compressor/limiter, and ground-lift functionality for studio and stage.

• High-resolution 24bit/96kHz performance with pro-grade mic preamps
  
• Onboard analog compressor/limiter with variable attack times and threshold control
  
• USB bus powered, low-noise, wide-range power supply
  
• Two mic preamps and XLR/TRS combo jacks with 48V phantom power, Hi-Z port for guitar-direct connection, S/PDIF optical I/O, MIDI in/out
  
• Ground lift for studio and live stage use
  
• Bundled with Production Plus Pack from Cakewalk By Roland

The EDIROL F-1 provides reliable, high quality capture of both video and audio when you need it most: out in the field where every shot counts.

The "Field Oriented" design concept of this Recorder will streamline your video production workflow.

Being "Field Oriented" is at the heart of the EDIROL F-1 design. Features like a shock-resistant floating HDD, two channels of additional audio inputs, multiple power supply options, remote control via LAN, on-site review of clips, unlimited file size, and a number of additional innovative functions will streamline your recording and post-production activities.

The EDIROL F-1 is the ideal addition for any videographer or producer wanting to accelerate their workflow by capturing HDV or DV directly to a hard drive in the field. With two additional audio inputs, no file size limitation, removable hard drive and multiple power options, the F-1 can be used anywhere and in a variety of applications.

• HDV and DV capture
  
• Additional 2 channels of balanced audio
  
• Removable HDD
  
• No file size limitation
  
• Multiple power options
  
• RGB output for quick control and thumbnail view
  
• Network ability (control multiple units and file transfer)
  
• Utility software for previewing, file management and basic editing

The R-09HR is a professional, high-definition recorder that travels light and performs like a heavyweight. With crystal-clear 24bit/96kHz fidelity, the R-09HR is the newest of EDIROL’s award-winning digital recorders.

Key Features:-

• 24bit/96kHz linear PCM high-resolution, low-noise recording
  
• Newly-developed Isolated Adaptive Recording Circuit (I.A.R.C.)
  
• Professional-grade, high-sensitivity stereo condenser microphone built in
  
• Records to SD or SDHC memory card (up to 32GB)
  
• Compact, hand-held body for convenient portable use
  
• Wide viewability on large OLED (Organic Light-Emitting Diode) display
  
• Preview speaker built in
  
• Wireless remote controller included
  
• High-speed file transfer via USB 2.0 connection to computer
  
• Cakewalk by Roland “pyro Audio Creator LE” wave-editing software included

The P-10 provides a solution to all of these issues in a number of ways. Being equipped with 12 keypads, dedicated knobs and dials, the user has tactile control and accessibility to all their material. The P-10 uses SD and SDHC memory cards for solid state, reliable storage and supports motion jpeg and still jpeg formats. A bright colour LCD display enables viewing with no need for an external monitor. Being a dedicated hardware device, the P-10 is very stable and is not susceptible to stuttering, virus or hardware and software compatibility issues inherent with computers.

Analog capture inputs provide a quick and easy way to directly capture content to the P-10 – and then immediately play it back with effects enabled to wow the crowd. Additionally, the slide show function allows the piecing together of still images to create movie type playback or give the feel of stop motion animation.

The P-10 is the ideal solution for corporate presentations, VJ’s, clubs, houses of worship and sporting events. The sleek and compact design lends itself to portable applications, as well as permanent installations when size and space are considerations.

Main Features:

All in One, Easy to Use
The P-10 is the latest compact visual tool from EDIROL. It is a standalone unit with all the necessary features to create a compelling visual presentation, such as real-time capture, special visual effects and an integrated LCD display. The P-10 employs SD or SDHC memory cards for fast, reliable storage and
playback of media.

Easily Assign Clips to Pads
Capturing media from various sources (video decks, DVD players, digital cameras, etc) is extremely easy. Video is stored as Motion JPEG and still images as JPEGs. 72 banks with 12 pad sets offer the storage and quick recall of up to 864 clips.

Link your Audio & Video with V-LINK
Linking with V-LINK devices is easy. With one simple connection, real-time multi-media performance from a variety of instruments is yours.

Play Modes & Effects
Playback modes like Reverse, Strobe or Motion Control provide impressive effects for your audience. Slide Show enables animation from multiple still images.

Hi-Speed Data Transfer via USB
Import or export media files via USB. Free software for format conversion is included enabling easy conversion to P-10 compatible video files.

Illuminated Pads and Buttons
The sampler-like interface of the P-10 lets you perform visuals as if they were music. Self-lit pad buttons enhance playability on dark stages or at Front of House.

See Adobe Acrobat pdf datasheet (left) for more information.

The V-8 Eight Channel Video Mixer has all the features of the V-4 but with more channels, two selectable RGB inputs, monitor outputs and additional powerful special effects. It continues the legacy of the V-4's other great features such as ease of use, high-quality digital processing of video, numerous video effects and BPM sync with music. This next generation video mixer expands your visual presentation and performance potential to new applications and dimensions.

DV quality video outputs with full digital processing
The internal processing of the V-8 is 4:2:2 full-frame digital. More than 500 lines of video resolution ensure very high image quality after digital processing and mixing.

Direct input of computer signal
The V-8 has a built-in scan converter, providing direct input of RGB signals (VGA - UXGA) from two D-Sub terminals on the rear panel. With the selector switch located on the top panel, you can select between two computer sources. Using the luminance key or chroma key, enables logos or text from your computer to be keyed over background video enabling the display of lyrics, bottom thirds, and announcements. Integrating computer graphics and visual applications with video sources has never been easier.

See Adobe Acrobat pdf datasheet (left) for more information.

The R-44 is a compact, four channel, solid-state field recorder that uses SD or large capacity SDHC cards as the storage media enabling quiet and reliable recording for a variety of professional audio needs. Capture up to 4 channels of uncompressed audio with selectable bit depths (16-bit or 24-bit) and sampling frequencies (44.1kHz/48kHz/88.2kHz/96kHz/192kHz). Onboard effects include limiter, low cut filter, 3-band EQ, 6-band GEQ, Enhancer, and DeEsser.

Weighing in at just less than 3 lbs including batteries makes the R-44 a perfect high quality recording solution for videographers, musicians, teachers, and sound designers to take anywhere.

Pro quality four channels recordings to large capacity SDHC cards.
The Edirol R-44 is designed for professional use within a very conveniently sized package. Capture up to 4 channels of uncompressed audio with selectable bit depths (16-bit or 24-bit) and sampling frequencies(44.1kHz/48kHz/88.2kHz/96kHz). R-44 employs SD cards or large capacity SDHC cards as the recording media. No moving parts enables the most silent and reliable operation possible.

Built-in stereo microphones and monitor speakers
Although the R-44 is compact, all the necessary functions are included. Built-in high quality microphones and speakers make recording and monitoring without external devices possible.

Built-in limiter, low-cut filter and studio class effects
An on-board limiter helps suppress sudden peaks in sound from an input source. A low-cut filter is included to help prevent things like wind noise or mic handling noise. Studio class effects such as 3-Band EQ, 6-Band GEQ, Enhancer or DeEsser can be used as tools to greatly improve audio quality. Effects can be applied while recording or simply for monitoring/playback.

Pre-Record function ensures you never miss that important moment again
The Pre-Record function buffers input signals for a user-definable amount of time. When the REC button is pressed, the material from the previous few seconds (selectable) is included. This also helps reduce sound bites at the beginning of a recording by not having to start the recorder too early.

Combo type analog jacks and digital output enables connection with a variety of devices
The combo input jacks (4) supports the connection of both XLR and 1/4 inch plugs. XLR inputs are equipped with phantom power. Eleven steps of input sensitivity enable the connection of various devices with a variety of inputs levels from microphones to musical instruments. High quality analog circuitry in the preamp ensures superior recording results.

High-contrast Organic LED display and operation oriented user interface
The high contrast, high response organic LED screen, viewable from wide angles ensures fluid operation in field recording situations. The high response of level meters makes precise level adjustments possible. All the necessary switches and knobs are located on the top and front panels. Self-lit buttons on all the key controls enable clear-cut recording operations.

Capture eight channels by linking two units
The Control Sync terminal enables synchronised operation of 2 units. Control the second unit from the master by simply connecting two with a stereo mini cable. The master unit can remotely control REC standby, REC start and REC stop of the slave unit. This function enables 8-channel recording in a compact space and at an affordable price.

Link to computer via high speed USB
The R-44 storage can be mounted on computers with a simple USB 2.0 connection. It is seen as an USB storage device on any computer. You can copy data back and forth with a simple drag & drop operation.

Four hours of recording with four AA batteries
The R-44 can be operated with 3 types of power: AC adaptor, 4-pin external battery and AA batteries. Four hours* of operation is possible with NiMH or alkaline batteries.

* at 16-bit/44.1kHz stereo. No phantom power and pre-record disabled.

The FA-66 is a 6-channel portable FireWire audio interface designed with the mobile recording and performance professional in mind. The FA-66 offers incredible audio fidelity, stability, and a practical set of input and output options. It also offers two XLR/TRS combo inputs with phantom power, plus two RCA inputs, four balanced +4dBu outputs, optical S/PDIF I/O, a built-in analog limiter, zero-latency direct monitoring, solid metal construction, and FireWire bus power, all in a durable compact case.

Key Features:-

• 6-in/6-out 24-bit/96kHz simultaneous performance
  
• 4-in/4-out 24-bit/192kHz simultaneous performance
  
• 2 XLR/TRS combo jacks w/premium phantom-powered mic preamps
  
• +4 dB balanced input and output
  
• S/PDIF optical input & output ports with Sync LED indicator
  
• MIDI in/out ports
  
• Built-in analog limiter and indicator
  
• FireWire bus powered
  
• AC adaptor included
  
• Mac OS X CoreAudio and Windows XP WDM and ASIO 2.0 support
  
• Zero-latency Direct Monitoring
  
• 6-pin and 4-pin IEEE1394 ports
  
• Compact, solid-metal construction

MA-15D (Shown left)
The MA-15D stereo reference monitors are ideal for computer-based recording artists seeking a high-quality, powerful set of reference speakers to use in a relatively confined space. The MA-15D’s offer a wide-range spectrum and crystal-clear audio reproduction.

• Bass Enhancer
  
• 24-bit/192kHz support, S/PDIF optical & coaxial input
  
• Subwoofer output port for bass boost
  
• 15 watts per channel
  
• 3 independent source inputs: 1/8" line, RCA pin line (L/R), and S/PDIF (optical & coaxial)
  
• Front-controlled bass, treble, and 2 independent volume controls
  
• 100 mm (4") woofer + 50 mm (2") tweeter, 2 way bass-reflex enclosure
  
• 1/4" headphones port
  
• Magnetically shielded

• Bass Enhancer
  
• Front-accessible Volume & Tone controls
  
• Subwoofer output port for bass boost
  
• 7W-per-channel desktop monitor (pair)
  
• 76mm (3") full-range speaker, bass-reflex enclosure
  
• 2 independent source inputs; 1/8" line and RCA pin line (L/R)
  
• 1/8" headphone port
  
• Magnetically shielded

The new M-16DX is a treat for your eyes and ears. Hear your mixes in a pristine 24-bit/96kHz digital environment, and see your audio displayed on a high-contrast, backlit LCD that displays a spectrum analysis of your mix. Together with powerful effects onboard, an intelligent Room Acoustic Control function, and loads of digital and analog connectivity, the M-16DX signals a new era in digital mixing.

Key Features:-

• 16-channel full digital mixer with 24-bit/96kHz internal processing
  
• 3-band EQ controls (Q & Freq.) with graphic LCD for precise tone shaping
  
• Easy-to-use operation with common analog mixer controls
  
• 2-piece mixer + module design
  
• “Room Acoustic Control” for automatic room compensation
  
• Built-in pro-quality effects, including COSM® insert effects, reverb effects and finalise effects
  
• Flexible analog and digital I/O, including four high-quality mic preamps
  
• 18-in/2-out USB 2.0 audio interface for computer multi-track recording
  
• AC adaptor and connection cable (2 meter, 6 ft.) included
  
• Cakewalk SONAR LE CD-ROM included

The R-4 Pro shares the R-4's rugged construction, robust feature set and great sound quality, but the R-4 Pro also includes AES/EBU support, SMPTE time code and superb electronics. Record up to four channels at 24-bit 96KHz and monitor each channel discretely. The durable DC input jack allows for industry-standard battery packs to extend your record time. Its 80GB hard drive will store up to 125 hours of high quality audio. You can plug in any standard USB drive and enjoy fast backups of your projects. Like the R-4, the R-4 Pro has onboard effects and WAV editing features. Geared for pro videographers and recordists, the R-4 Pro delivers professional sound and features in a package that everyone can afford.

Key Features:-

• Master or Slave Sync with SMPTE Time Code
  
• AES/EBU Input/Output
  
• Instant Backup via USB 2.0
  
• DC Input for External Battery Power Supply
  
• Individual Monitoring of 4 channels
  
• Extended Recording with 80GB Hard Disk Drive
  
• Superior 24-bit/96-kHz Linear Recording
  
• Simultaneous 4-Channel Recording
  
• Onboard Limiter
  
• Built-In Nondirectional Stereo Microphones
  
• Pre-Recording Function
  
• Five High-Quality Effects
  
• Waveform Editing Using Only the R-4 Pro
  
• Index Any Point Instantly
  
• Easy Playback with the Jog Dial
  
• Built-In Stereo Speakers
  
• USB 2.0 Terminal Provides a High-Speed Computer Data Link
  
• Advanced Linking with the EDIROL DV-7DL
  
• Soft Carrying Case

Now it is even easier to get professional video results in your event-center with the LVS-400. This compact, simply-operated 4 channel video switcher is so easy to use, that even without any previous video experience, you can create very professional video transition and key effects for a professional video performance. Ideally suited for installations, the LVS-400 offers both BNC and S-Video inputs & outputs. It includes 17 back-lit buttons for easy control in low-light environments, a T-Bar for manual transitions, a time control for button-controlled transitions, & two effect control knobs. You can easily cut from source to source, simply by pressing the button of the input you want. You can preview these sources on your preview monitor output before you send it to your main out. You can use two different wipes or a dissolve taking up to 4 seconds to finish a transition. You also have an output on/off option to fade to black when not in use while you prepare your next shot in your preview monitor.

Key Features:-

• Easy to operate User Interface for mixing Video Sources.
  
• Back-lit Buttons for easy operation in low-light.
  
• BNC connectors for firmly locking cable connections.
  
• High-quality and stable video image.
  
• Digital processing for impressive image quality & two individual frame synchronisers.
  
• Picture In Picture & Key functions for superimposing one video source on another T-Bar for manual control of video Mixing.

The V-4 is a 4-channel Video Mixer made for portable or fixed installation use. It is ideal for use in nightclubs, places of worship, theatres, and other live performances. The compact design of the V-4 gives you the freedom to make your video sources come alive.

For cutting-edge Multimedia artists, the V-4 offers V-LINK, an exciting new feature from Edirol and Roland that provides for realtime performance control over digital video, for the ultimate in creative expression. V-LINK allows the user to trigger clips, perform video effects and transitions in real-time when connected with the Edirol PR-80 (sold separately). The V-4 video mixer also has MIDI in/out/through, for real-time or sequenced control of video sources with effects and transitions.

Key Features:-

• Video Mixer / Switcher with 4ch input
  
• Independent 2-channel TBC / Frame Synchroniser
  
• Independent 2-channel Digital Effects
  
• Professional quality T-Bar Video Fader
  
• Easy Operation
  
• Beat Synchronisation between Audio and Video
  
• Over 200 Transition Effects

The all new FS-H200 Portable Compact Flash DTE Recorder brings ultra-reliable solid state acquisition with Direct To Edit Technology to your DV or HDV camcorder. FS-H200 utilises standard Type 1 removable Compact Flash media which provides fast, reliable and low-cost recording.

Solid State Acquisition to Editing in One Step
The Focus FS-H200 introduces a new element to DTE Recording. For the first time, it is possible to record directly to a removable and inexpensive Compact Flash (CF) memory cards (sold separately). Connect the FS-H200 directly to your DV or HDV camcorder using a single FireWire cable, allowing you to record to CF card only or to CF card and tape simultaneously.

By recording to solid state Compact Flash cards, the Focus FS-H200 can be used in the most extreme conditions including high-shock and altitude environments. With the FS-H200, once a recording is completed the Compact Flash card can be removed from the unit and inserted into a memory card adapter for quick computer access or remain in the FS-H200 and mounted to computer via USB. DTE Technology ensures that your footage is ready to edit instantly - no capturing, file transfer, or file conversion is required.

The Direct To Edit Advantage
With the FS-H200 Portable Compact Flash DTE Recorder, you will go from acquisition to editing with unparalleled speed, efficiency, and reliability. By combining DTE Technology, reliable solid state recording and advanced caching, the FS-H200 ensures that you never miss an important shot or lose critical footage and your footage is ready to edit instantly.

Industry Standard File Format Support
The Focus FS-H200 brings the most popular HD/SD file formats to solid state recording, including QuickTime 1080i50/60 and 720p25/30 recording for Final Cut Pro use as well as M2T 720p/1080i recording and a range of AVI and Quicktime formats for use in a number of different applications from Adobe, Avid and Grass Valley (Canopus)

Removable Compact Flash Slot
The FS-H200 features a CF card slot on its side for insertion of standard Type 1, UDMA, 266x minimum Compact Flash Cards ( 16GB min.). Compact Flash cards feature a fast interface and very high capacities (currently up to 32GB) at low cost. The FS-H200 also features a captive protective cover for the CF card slot to protect and secure your media.

Native QuickTime HDV Support
With the FS-H200, you can record 1080i 50/60 or 720p 30 clips as native QuickTime HDV. The FS-H200 extracts and decodes the audio from the incoming HDV stream, combines it with video stream and wraps is as a QuickTime HDV file. When recording is complete, your QuickTime HDV file can be imported directly into Final Cut Pro - no capture or conversion is required.

Designed to Transform Workflow with Industry Standard Removable Media
FS-H200 allows you to go straight from shooting to editing by recording video in the NLE-compatible file format of your choice. Enhancing workflow one step further, once a recording is complete, the FS-H200 allows you to remove the Compact Flash memory and mount it to your computer using a standard CF compatible memory card reader. By doing this, you are free to insert another CF card into your FS-H200 and continue shooting while your previous card is being used for editing or archive ingest. If a CF compatible memory card reader is not available, simply leave the CF card in the FS-H200 and mount the unit to a computer via USB2.0 using the available HDD mode.

Key Features:-

• Powerful, Flexible and Easy to Use
  The ultra-reliable solid state DTE recorder records a wide range of HDV and DV formats and is easy to navigate quickly using the intuitive menu structure.
  
  
• Silent Operation
  Enjoy quiet operation made possible by a true solid state media recorder with no moving parts.
  
  
• Perfect for Extreme Conditions
  Trouble-free recordings in extreme shock and high altitudes. Record in temperatures up to 120 degrees F (50 degrees C)

New for Version 2.0:

View Thumbnails and Video Clips
With the FS-5, you can view thumbnails and video clips on its brilliant colour display. Thumbnails can also be viewed on a web page when the FS-5 is connected to a network. MPEG-4 proxy files can be generated and transferred to a host computer or a video-sharing web site, as well as distributed to portable media devices, making collaboration easy.

Version 2.0 is a FREE upgrade for all registered users.

Defining a new class of DTE recording, the FS-5 Portable DTE Recorder weighs only 0.34 kg, brings Direct To Edit® recording technology to your HDV or DV handheld camcorder and enables you to add custom metadata while you're recording.

Go from Acquisition to Editing in One Step
Featuring a backlit colour display, an easy to use menu system, a 100GB hard drive and a removable, rechargeable battery, the Focus FS-5 is the perfect DTE companion for your HDV or DV camcorder. Audio, video, timecode and control information is passed through a single FireWire cable, allowing you to record to disk or to disk and tape simultaneously.

Designed for use in even the roughest conditions, the FS-5 includes a 10 second electronic shock cache to ensure that you never lose footage. Advanced features such as time lapse (DV mode only), retro disk recording, scene marking and clip categorisation make the FS-5 Portable DTE Recorder the perfect companion for handheld shoots. When recording is complete, your footage is ready to edit instantly - no capturing, file transfer, or file conversion is required.

Assign Custom Metadata on the Fly
With the FS-5, you can personalise and optimise workflow while you shoot. With your wireless handheld device or laptop, you can access the FS-5 through a browser, define metadata, and assign it to video while you're recording, eliminating the need to tag footage when the shoot is over. During postproduction, simply transfer clips, complete with metadata from the FS-5 to your NLE system or PX Media Server. All of the information that you assigned during the shoot goes with the clips, saving you hours or even days of logging time.

Engineered for Portability, Durability, and Ease of Use
Only 70mm wide, 137mm high, and 32mm deep, the FS-5 packs a wealth of functionality into a sleek and durable package that weighs only 0.34 kg. Crafted from the inside out to meet the reliability and quality standards that video professionals demand, the FS-5 is designed to deliver great results under even the most challenging shooting conditions.

Key Features:-

• Powerful, Flexible, and Easy to Use
  Record a wide range of HDV and DV formats
  Navigate quickly and easily using the intuitive menu structure
  
• Perfect for Long Recordings
  Record up to 10 hours of HDV video at a time
  Record up to 1.5 hours of HDV or DV video as a single clip; a new clip is automatically created when the end of the current clip is reached
  Take advantage of up to three hours of recording time from the standard capacity battery
  
• Equipped for Connectivity
  Connect to a wired1 or wireless2 network via the USB 2.0 port and transfer clips from the FS-5 to your NLE system or PX Media Server
  Assign metadata to footage while it's being recorded2 using the FS-5 browser based interface and your wireless handheld device or laptop
  
• Quiet, Power Efficient Operation
  Enjoy the quiet operation of the FS-5, made possible by its energy efficient hard drive that does not require a fan

FireStore FS-100 / FS-160 Portable DTE Recorder
The FireStore FS-100 / FS-160 interfaces with P2 Camcorders i.e. Panasonic AG-HVX200 using a single FireWire cable that passes audio, video, timecode, and control information, allowing you to simultaneously record to the Firestore FS-100 / FS-160 disk and P2 card. It also includes a comprehensive backlit display, menu system, and buttons that provide easy control and management.

Robust Storage and Management
The FireStore FS-100 / FS-160 comes standard with a 100GB hard drive that provides 1.5 hours of DVCPRO HD recording time. You can also extend recording time by linking multiple FireStore FS-100 / FS-160 units together. A 10-second electronic shock cache ensures that you never lose footage, even in the roughest of conditions. And the FireStore FS-100 / FS-160 makes it easy to categorise clips by placing them in prenamed folders on the disk while you shoot.

Nonlinear Editing System Compatibility
No matter which nonlinear editing (NLE) system you have, the FireStore FS-100 / FS-160 has you covered. When in DVCPRO HD or DVCPRO 50 mode, files are recorded to disk in P2 MXF format. When in DVCPRO/DV mode, files are recorded as RawDV, AVI Type 1, AVI Type 2, AVI Type 2 24p, Matrox AVI, Canopus AVI, QuickTime, QuickTime 24p, Avid OMF, Pinnacle AVI, or P2 MXF file formats. Simply connect the FireStore FS-100 / FS-160 to your Mac or PC editing system like a normal FireWire hard disk drive and you are instantly ready to edit, no capturing, file transfer, or file conversion is required. Just shoot and edit.

Perfect for the Field
With a removable, rechargeable battery and advanced features such as time lapse, retro disk recording and scene marking, the FireStore FS-100 / FS-160 Portable DTE Recorder is the perfect companion to the AG-HVX200 for both HD and SD production. When on location, the power, flexibility, and field upgradability of the FireStore FS-100 / FS-160 make it second to none.

See Adobe Acrobat pdf datasheet (left) for more information.

The T2™ HD iDDR is the latest addition to the Grass Valley™ family of Intelligent Digital Disk Recorders (iDDRs). The iDDR is a new class of VTR replacement that leverages the digital storage, networking, and media management capabilities of our Emmy® Award-winning video servers.

The T2 intelligent digital disk recorder (iDDR) brings full high-definition capture and playback to the video professional. Additionally, the T2 HD iDDR works with standard-definition video and may be controlled from other production devices such as the Indigo™ A/V mixer.

The T2 iDDR is a complete and self contained SD and HD audio/ video playout center. The front-panel transport controls are designed to look and feel very much like those of traditional VTRs and its two output channels support standard- or high-definition content. The crisp, clear LCD front panel can display high-quality images and is complemented by a software application suite for managing and selecting media clips, clip editing and trimming, and playout including playlist creation. Featuring extensive rear-panel audio / video connectivity, the T2 iDDR can also accept files via USB 2.0, or by data transfer over a standard gigabit Ethernet network. The T2 HD iDDR also accepts media from other applications, including HQAVI, MPEG-2, QuickTime, and Windows Media Video HD files. With the T2 iDDR, users can exchange content at high speed over a network or via removable media, such as SSD through USB, FireWire (IEEE 1394), or the dedicated 2.5-inch HDD/SSD slot. Further, the T2 iDDR can be controlled by our Indigo A/V mixer which combines features normally found in video production switchers, presentation mixers, and audio mixers to create a powerful presentation system. The T2 iDDR has two playout channels for independent editing and previewing, or for delivering content to two different display systems simultaneously. The T2 iDDR has also been engineered to seamlessly integrate with Grass Valley EDIUS® nonlinear editing software.source files.

Key Features:-

• Full HD support, 1080p24, 1080i50/60, 720p50/60
  
• HD/SD SDI inputs and outputs
  
• PC screen output
  
• File import (Canopus® HQ, MPEG-2, QuickTime, and WMV)
  
• High bit-rate video with Canopus HQ
  
• 4:2:2 colour space
  
• User-friendly, ergonomic front panel controls
  
• 7-inch wide display
  
• Grass Valley Indigo AV Mixer control
  
• Analogue AV connections
  
• RS-422A support for each channel
  
• Transition effects integrated

The Thomson Grass Valley ADVC-HD50 converter lets you instantly convert uncompressed HD video and audio from HDMI devices to the HDV format, output via IEEE 1394 FireWire, for use in your nonlinear editor of choice. Carrying on the design philosophy already present with standard definition (SD) ADVC products, the ADVC-HD50 converter sports a sleek, portable design with an emphasis on simplicity and compatibility; the converter does not require any drivers or software to set up, and is compatible with both PC- and Mac-based editors.

The ADVC-HD50 converter will convert any uncompressed HDMI source, such as an AVCHD camcorder, to the HDV format for easier editing. This also reduces the need for a high-performance system or costly hard disk drive storage configurations to work with uncompressed HD video. The converter may also be used to convert non-HDCP-protected video from other HDMI sources, such as game consoles and set-top boxes.

Bringing affordable HD flexibility into the professional videography and prosumer workflow, the ADVC-HD50 converter is ideal for:

• Anyone creating video productions from HDMI sources, with limited resources and/or hardware
  
• Gamers and 3D graphics artists seeking to capture from HDMI sources
  
• Laptops and desktops that need HDMI ingest without internal hardware to support the input

• Connects HDMI*-equipped video equipment to FireWire (IEEE 1394)-equipped computers and devices for video editing
  
• Converts 1280x720 HDMI to 1280x720 HDV, and 1920x1080 to 1440x1080 HDV
  
• Compatible with Windows and Macintosh operating system-based HDV editors
  
• No need to install drivers or any software applications
  
• Powered by FireWire (IEEE 1394) connector**
  
• NTSC- and PAL-compatible

The Grass Valley ADVCHDM1 converter, engineered by Canopus, brings the world-renowned ADVC lineup into the high definition world, providing editors with high-quality bidirectional conversion between HD-SDI and HDV, complete with embedded audio. ADVCHDM1 not only lets you easily and instantly convert HD-SDI output to HDV and ingest HDV material into HD-SDI systems for archiving, but it can also encode HD MPEG-2 transport streams up to a full 1920x1080 resolution, using any one choice of eight different bitrate settings that best suits your workflow. And as always with an ADVC product, you’re assured of platform-agnostic support, whether using a Windows- or Mac OS-based NLE application, NTSC or PAL video, or a camera, deck, or video editing board.

Key Features:-

• Converts HD-SDI to HDV with embedded audio
  
• Converts HDV to HD-SDI with embedded audio
  
• Encode MPEG-2 transport streams with a choice of eight different bitrate settings, from 11Mbps to 40Mbps
  
• Supports HD video resolutions up to and including 1920x1080
  
• Input external timecode when encoding HDV
  
• Control HD-SDI decks via HDV and vice versa, with AV/C-RS422 device control conversion
  
• Simple, two-button control for encoding/decoding and timecode mode via the front panel
  
• Perfect for recording from HD-SDI sources to a Grass Valley Turbo iDDR
  
• Compatible with Windows- and Mac OS-based NLE software applications that support HDV/HD-SDI
  
• Can be used as a stand-alone bidirectional HD-SDI/HDV video converter without needing a computer
  
• Solid 8-inch, half-1U rack mount, with optional rack mount kit available